Mythological Spotlight #15 – Varuna

A depiction of Varuna as the Vedic god


This is one of five Mythological Spotlights that were originally Deific Mask pages. In fact, this one could be thought of as a merger of two, as it includes content from the former “Ashura” page.

Varuna is the Vedic Indian deity of water, which ties him to the sea, rivers, rain, and the creatures that live and swim in the water, along with the planet Neptune. And yet Varuna is more than just a water deity. He is the builder of order, but he is also linked with the primeval chaos that has, for generations, been associated with the sea and represented by the water creatures Varuna is associated with, such as the dragon, the crocodile, and the fantastical sea creature known as Makara. Varuna is also a nocturnal deity, being very much linked with the night. He was once the supreme god of the Vedic pantheon, but over time was supplanted by the more brash thunder god Indra and as of now he is not an especially popular deity.


In the early part of the Vedic age of Indian religion, Varuna was exalted as the supreme deity and ruler of the pantheon of deities. He was the builder and keeper of cosmic order and law, which was traditionally referred to as Rta.  In the ancient Vedic religion, Rta was an abstract concept that referred to the order by the sun and moon move, and the seasons proceed, but it also referred to moral or religious law and the order of ritual sacrifice. Even the deities were subject to Rta, and no one, not even Varuna, had direct command over Rta, but Varuna was the chief deity charged with its perseverance. He was also seen the ruler of the primeval, undifferentiated chaos. He was the chief of a group of solar deities known as the Adityas, so named because they were the offspring of the Aditi, the mother of deities. While many of the deities where associated with natural forces, Varuna was more concerned with moral/social affairs, ethics, laws, and the way the cosmos is governed, though this is not to say Varuna didn’t have his own attachments to nature. His brother Mitra was associated daylight, particularly the morning sun, while Varuna was more associated with the night (which is ironic considering he was the leader of a group of solar deities). Mitra was also the keeper of social order in some way in his capacity as the deity of oaths and contracts, and he and Varuna were paired together as Mitra-Varuna. Varuna was also twinned with Indra during the new year, when they worked together to re-establish order. Varuna was also described as omniscient, as catching liars in his snares, and as watching the world and the movements of humans through the stars in the sky. He was even said to grant his devotees wisdom, particularly insight into the natural order of the cosmos, such wisdom was referred to as “medhira”. He was even the subject of rituals in which he is invoked for the forgiveness of transgressions. Varuna was also referred to as “Father Asura” in the Rig Veda, and as an omniscient and all-enveloping deity he seems to have been originally treated as a sky deity.

Despite Varuna’s role in the Vedic religion and his status as the ruler of the heavens, Indra, the brash deity of weather, storms, and war, sometimes had more prominence in the Rig Veda and was even seen as more powerful than Varuna. Varuna also seemed to be more important when the laws of the physical and moral world were contemplated, but was not a strongly popular deity. Later in the Vedic period, Varuna was ousted from his original position, and Indra replaced him as the ruler of the heavens and the pantheon of deities.  In later mythology, Indra even stole Varuna’s role as the governor of the cosmos after defeating Vritra for stealing the world’s water. Varuna became a water deity and took on a new role as the deity of oceans and rivers and the lord of the cosmic waters. He was also a deity of the night, the keeper of the souls of the drowned, and a lord of the underworld and the dead (a position shared by Yama, the lord of the departed). This Varuna was said to grant immortality, was attended by the nagas (serpents), and was seen as a guardian of the west direction. He was identified by some as the ruler of the nagas. He was even said to punish mortals who didn’t keep their word by capturing them with his noose and hanging them. His mount, or vahana (vehicle), was Makara, a kind of sea creature that had the attributes of many animals. Makara represented a chaotic state that order arises from, which may have implied that Varuna still had associations with cosmic order.

Towards the end of the Vedic period, Varuna’s reputation began to change in another way. In the early part of the Vedic period, the term Asura simply referred to might and strength, specifically that of a deity or person. But eventually, Asura began to refer to a class of deities separate from the devas, and eventually the devas were seen as good, while the asuras were seen as evil. Varuna was one of the Vedic deities who fell under the category of Asura, so were the likes of Agni, Mitra, and Soma, but these deities also joined the ranks of the devas. Despite joining the devas, however, Varuna was still seen as a sinister deity, probably due to his association with death and being feared as a severe punisher of mortals. Eventually, Varuna would be forgotten almost entirely in India, as he and many of the other Vedic deities became eclipsed by the rise of Brahma, Vishnu, Shiva, and the Devi, and he became even less popular if he was even worshiped at all. Despite his lack of popularity, however, Varuna is currently worshiped by the Sindhi people, who identify him as Jhulelal. Varuna also appears in Indian astrology where he is associated with the planet Neptune, Varuna and Neptune both being sea deities after all, though this would be a modern connection since the planet Neptune was not recognized by the ancients.

Unlike some Hindu deities who get incarnated in Buddhist lore, Varuna does not have a lot of presence in Buddhism and is hardly mentioned. He certainly wasn’t very popular in China. I have read that in Tibet, Varuna appears as the ruler of nagas in the form of Apalala Nagarajah, and is treated as a lord of weather, but I can’t find a lot of information about Apalala Nagarajah, and whoever this deity is he seems to be an obscure deity and may have been considered a minor deity. Varuna himself may have been depicted as his own deity in Tibet, but from what I have read he was likely treated as a minor deity. Varuna does appear in Japanese Buddhism as Suiten, a deva of water much like the late Vedic incarnation of Varuna. Suiten is one of 12 devas who protect the eight directions, up and down, and the sun and moon, and he is specificially the guardian of west direction. However, Suiten does not enjoy a lot of popularity in Japanese Buddhism, though in Japan this might be due to the presence of more popular water deities such as Suijin (aka Mizu no Kamisama), who is known as a benevolent water goddess, and Benzaiten, who is actually the Japanese Buddhist incarnation of the Hindu goddess Saraswati. I’d also like to mention that Varuna’s mount Makara is also incarnated in Japan as a creature known as the Shachihoko, a creature depicted as a fish with the head of a tiger or a dragon. Fun fact: the name Shachihoko literally means “killer whale”. The Shachihoko was frequently utilized as a roof ornament found on castles, tower gates, and the homes of samurai during the Edo period, and the creature was thought to bestow protection against fire and have the power to control rain. In Japanese art, the Shachihoko also sometimes substitutes the dragon in paintings of Ryuzu Kannon, a form of the hugely popular bodhisattva and goddess of mercy Kannon (the Japanese form of Guanyin, another name of the bodhisattva Avalokiteshvara) who usually rides on the back of a dragon or sea turtle. The theme behind Ryuzu Kannon paintings that feature Shachihoko are usually inspired by the Chinese legend of carp swimming towards the Dragon Gate and becoming dragons. Here’s an interesting fact: in Japan, the dragon (there called Ryu) is closely associated with water, and though it directly originates from the Chinese dragon, they are related to the Indian serpent beings known as Nagas, whom Varuna was sometimes identified as ruling.

During the Meiji Restoration, when the emperor Meiji issued a decree ordering the separation of Buddhist and Shinto practices, Varuna (as Suiten) became identified with the god Amenominakanushi, the primeval kami that preceded creation and all other kami/gods. Consequently, Varuna is worshipped as Amenominakanushi at Suitengu, a temple located in the Chuo ward of Tokyo. Interestingly enough, Amenominakanushi is thought to embody a duality based on gender, male and female.

Varuna and Ahura Mazda

You may remember that in India, Asura became bad and demonic while Deva became good and heavenly. In Iran, Asura became Ahura, and referred to godly entities and to the supreme deity of Zoroastrianism, Ahura Mazda, while Deva became Daeva and were seen as evil spirits. In fact, in Iran, Indra became a demon who opposed the concept of truth, though not the leader of evil spirits (that role goes to Angra Mainyu). Varuna, on the other hand, got a very big break and became identified with Ahura Mazda, the deity associated with order, justice, light, and truth. The original Varuna was Father Asura, the Asura par excellence and chief of the Asuras, and he was the wise one, who bestowed medhira, wisdom (particularly of the order of the cosmos) The word “medhira” became “mazda”, and asura became ahura, and Varuna, as Asura Medhira, became Ahura Mazda. It should be noted that the Ahura Mazda of Zoroastrianism shares important characteristics with the original Varuna; he is the deity charged with upholding order and justice, like Varuna, he is the deity associated with the cosmic principle of order, like Varuna (though in Zoroastrianism it is Ahura Mazda who creates this principle), he is exalted as the wise one, like Varuna, and he is exalted as the supreme deity and the ruler of the heavens and cosmos, which Varuna originally was. Ahura Mazda was also identified with Mitra and the composite deity Mitra-Varuna, although Mitra became his own divinity in Iran known as Mithra, and he was a divinity of contracts and oaths, judicial protector of truth, and guardian of cattle.

It is worth establishing that, in the earliest period of the Vedic religion, Asura was an adjective meaning “mighty” and “powerful”. Many deities were given this adjective and variants such as “asurya” (meaning strength) and “asuratva” (meaning mightiness), some deities more so than others. Indra, the weather deity, was described as “asura” nine times, as granting or possessing asurya five times, and as possessing asuratva once. At one time, Indra’s actions are described as “asuryani” (meaning powerful), which add up to sixteen descriptions in total. Agni, the fire deity, is described as asura twelve times, as son of an asura once, and as possessing asurya twice, which also totals fifteen descriptions. Varuna, the deity of the waters and cosmic order, is described as asura ten times, and as possessing asurya four times, which totals fourteen descriptions. Mitra, the deity of friendship and contracts, is described as asura four times, and as possessing asurya four times, totaling eight descriptions. Rudra, the feared storm deity, is described as asura six times, as bestowing asurya once, and possessing asurya once. Dyaus, the sky deity, is described as asura six times. Soma, the lunar deity, is described as asura three times, as bestowing asurya once, and as possessing asurya once. Savitr, a deity of the sun before sunrise, is described as asura four times, and is particularly described as a kind leader. Surya, the solar deity, is described as asura three times. Parjanya, a rain deity, receives the same amount of honors as Surya. Vayu, the wind deity, is described as asura once, and once as possessing asurya. Apam Napat, a creation deity, is described once as possessing asurya.  Sarasvati, a river goddess, was described as asura once. Ushas, the dawn goddess, is described once as possessing asuratva. The more times a deity was described as asura, or as possessing or bestowing asurya or asuratva, the mightier and more powerful a deity was believed to be. Indra, for instance, was likely the most powerful deity of the Vedic religion. And it wasn’t just deities that got called asura, as sometimes humans were called asura in the Rig Veda. Two generous kings are described as asura, as are some priests, and there is a hymn for requesting a son who is asura.

Varuna and Vairocana?

A fascinating potential link between Varuna and the buddha Vairocana has been explored in The Symbolism of the Stupa by Adrian Snodgrass and Craig J. Reynolds. A key connection seems to be lie in Varuna’s noose or rope, his binding the cosmos with his power of maya, his casting a net over the surface of the waters. This serves as a hypostasis for the concept of the creation of the cosmos through the spreading out of a pneumatic net. Varuna with his noose binds those who violate Rta, the universal Law, and his role in relation to his rope is typically seen in the lens of punishment. This is shared by other gods such as Yama, the ruler of the underworld who is called the noose-bearer and the binder of all men in his capacity as the king of death, Nirrti, a dark goddess who binds those intended for destruction, and even Ganesha, whose noose restrains the incalcitrant and leads the worthy. In the case of Vairocana, Vairocana embodies the concept of a net of cosmic order in his aspect as the Body of Principle. Vairocana abides at the hub of the World Wheel, receptacle of all cosmic order, which mirrors Varuna’s status in some hymns as the “Great Yaksa” at the center of the world.

In addition, as Suiten, Varuna became identifiable with Suijin, a kami found in Shinto tradition. Worth noting is how Suijin is not simply a name for a deity but also a generic term for a number of water deities as well as spirits and creatures, typically those associated with lakes, ponds, springs or well. These spirits are associated with mythological creatures such as dragons and kappa, as well as real animals such as fish, eels, turtles and snakes – and it’s no coincidence that both dragons and turtles are associated with Varuna. The name Suijin is even given to Fudo Myo-O, one of the mighty Five Wisdom Kings (or Vidyaraja), because of the way he is associated with waterfalls. Fudo Myo-O also, like Varuna, holds a rope or noose in his left hand, which he uses to capture demons, evil spirits and even gods who stand in the way of the Buddhist practitioner and his path towards enlightenment. It is here too that we come back to Vairocana, known in Japan as Dainichi Nyorai. Fudo Myo-O is the wrathful manifestation of Dainichi Nyorai, representative of his anger against injustice, ignorance and evil.

Varuna of the serpents

In The Symbolism of the Stupa we see Varuna related to the serpent Asura Vritra through both names sharing the same root “vr”, which means “to surround”, “to cover”, “to restrain” or “to check”. Both Varuna and Vritra have the seven rivers flow from their mouths, and so the two share a motif in different contexts connected to serpents and water. We can also note that Varuna’s connection to the serpent is actually quite old. Varuna has often been seen as the king of the nagas, a race of serpentine beings found in Hindu and Buddhist mythology, and this may in part have been drawn from his domain over the oceans, which were the dwelling place of the nagas. As a consequence of this association, Varuna himself is sometimes referred to as a naga, which may explain why some claim that he was worshipped as a snake. In the Atharva Veda Varuna is apparently referred to as a viper, and some believe that he was assimilated into the myth of Vritra. In Buddhist myth, Varuna is treated as a nagaraja, a king of the nagas. Varuna also becomes associated with snakes in Japan through Suijin, which is not simply a name for a deity but also a generic term for a number of water deities as well as spirits and creatures, typically those associated with lakes, ponds, springs or well. These spirits are associated with mythological creatures such as dragons and kappa, as well as real animals such as fish, eels, turtles and snakes – and it’s no coincidence that both dragons and turtles are associated with Varuna.


Varuna is a manifestly more complex mythological character than most treatises regarding his role in Vedic religion make him out to be. Most Hindus no doubt know him as simply a water god who is treated as inferior not only to Indra but also to Rama, avatar of Vishnu, yet Varuna, the ancient lawgiver of celestial and chthonic oceans, may yet be seen where most do not know him in world culture. In Iran, it seems, he has become the supreme lawgiver of the Zoroastrian faith. In Japan, it seems, he may yet be echoed as the most important Buddha of the Shingon sect. Few gods are like Varuna in their multiplicity of characteristics, and it is rare for us to find an archetype of a supreme being that seems dark and set against the anointed heavenly gods, even if it could be said he was once one himself one of them, and indeed that he becomes the supreme being of light. Certainly quite a transformation.

Revised prayer/mantra

It had just occurred to me that since the pantheon of symbolic deities has changed, I need to change the prayer to accommodate the changes. Here is the updated prayer:

By the righteous spirit of Guan Di,

the heavenly desire of Dairokuten Maou,

the fearsome will of Asura,

the youthful persevering fire of Agni,

the watery depth of Varuna,

the horned force and dark draw of Beelzebub,

the primeval creativity and destructive force of Shiva,

and the guiding principle of Chaos and freedom,

with Liberty and Justice at my side,

I proclaim my individuality and invoke strength and fire within

So mote it be


One other thing to note. Shakti is not mentioned this time so that I can stick to the deities and guiding principles. I can likely honor Shakti another way. Also, I may start looking into individual prayers for individual deities, rather than solely rely on a single universal prayer.

Resolution of the pantheon

I have spent some time considering the pantheon, and I am pleased to say I have come to a conclusion.

Chi You, the deity that once enshrined stubbornness, will be overtaken by Guan Di, the Chinese deity who was originally the historical warrior Guan Yu. He will represent the warrior, righteousness, honor, and the spirit of the warrior, and my aspiration and admiration for all of these things. He also maintains the link to Chinese culture. Since he is traditionally viewed as a god of loyalty as well, he can also represent commitment and loyalty to oneself and what one believes in morally, but without self-stifling stubbornness or being bull-headed (no pun intended). Guan Di’s righteousness is intended to reflect righteousness as a human characteristic, a standard or obligation to be imposed. And finally, Guan Di’s status as a hero god and origins in a historical hero pretty marks him as a god of heroism, which ties into an important part of what I want to try to be.

Dairokuten Maou will remain, and in fact he’ll have a little more to him now. He remains the representative of lust, desire, want, and pleasure, but especially heavenly pleasures. Remember, though he is meant to be the lustful deity, he is also meant to be tastefully lustful, not a deity that intends to be crass in his lustful nature. He could even be a mild epicurist.

Asura, aka Ashura Matsuda, will remain in my pantheon, but he cannot remain as the god of righteousness now that Guan Di is here. He will remain as the god of passion and the strong mind, and symbol of the desire to be a strong person in life and to act with passion. He might just retain his association with light, owing to the history of the name Asura. However, he may be more commonly referred to as just Asura from now on, and may be more closely aligned to the Buddhist Asura King and an early singular deity named Asura who may have been worshiped in India. It is possible that some of Asura’s qualities may unintentionally invoke stubbornness, but it can be countered.

Varuna will remain in the same light as he currently is. He is the god of water and watery traits. He is the god that is deep, reflective, kind, tender, mystical, and aquatic. He is also a harmonious deity.

Murugan will be replaced as the god of youth by Agni. Agni is the Vedic Hindu god of fire, but he is also eternally young, which earns him the god of youth title here as well. He will be linked with the ram, and thus associated with Mars and Aries, because I am comfortable with Aries being a part of my picture. Agni can also be associated with the sacred fire, not just in the Indian context but in all religious contexts, including the sacred fire of Persia and the Zoroastrian faith, the sacred fire of Rome, even the Biblical fire.  Agni is also said to be associated and compared with the sun and the sun is also said to be one of his forms. Although there is already a full solar deity in the Vedic pantheon (Surya), the celestial flames of the sun (which in turn bring radiant light to the earth) are also seen as a form of Agni. Interestingly enough, Agni is also associated with lightning, with lightning being the atmosphere form and the flame being terrestrial. Agni can also be associated with food and hunger, not least because of fire’s consuming attribute, and that of Agni himself. Not to mention Guan Di’s association with not just the warrior but also heroic qualities makes Murugan’s role as the hero redundant. Finally, an additional symbolism which also relates to his eternal youth. As the fire is re-lit always, he remains immortal and ever-young, but that could also refer to resilience; even as things grow old and dark, dawn will always rise again.

Shiva will remain, but with additional qualities and connotations. He represents the great creative force, but in his capacity as the destroyer he can also represent the thrill of destruction and destroying waste and clutter to create space. As the symbol of primal energy and spirit, he could be a God principle of sorts, and Durga can be venerated alongside him as the female manifestation of the same energy. Interesting to note, Shiva is the wild god of destruction and creative energy, but at the same time he also seems to be a harmonious deity. I guess that’s true to his nature as a deity where opposites meet. His intensity and emotionality remain a fact. He can also be associated with light, in part because of his association with truth which pierces ignorance.

Beelzebub will remain, but with additional qualities and connotations. He is the deific link to Satan as a principle, and my interpretation of Satan (because lets face it, Satan seems to have different names for different people). As Satan, he is the one who gave mankind a sword with which to fight oppression, he is the wielder of the lightning bolt and bearer of the true light, commander of the violent winds of passion and fires of the underworld, and the king of the demons and the wilderness of chaos. He is darker and more bestial than Dairokuten Maou, but he also represents my ideological process, my belief in spiritual immortality and spiritual autonomy. In a way Beelzebub is my ideology and Shiva relates to nature. Also, in lieu of anyone else, he’ll also be the god of heavy metal. 😉

Liberty and Justice will remain the same way they were. They may join Beelzebub/Satan as my gods of ethics.

The Deities page(s) will be updated accordingly, and eventually new paintings will be added.

My six Ishta-devas

Earlier, I talked about the concept of Ishta-devas, deities who you relate to and connect with your personality. I would like, then, to talk about the deities from various mythologies that I have taken up as personal deities. I had this in the works since March, initially as an art project where deities would serve as metaphors for aspects of my personality. Listed below are those deities.

Chi You – Chi You is my stubbornness, resistance, and rebellion, which I treasure dearly. In Chinese mythology, he was a deity of war and weapons who lead the Hmong and Li tribes in battle against Huang Di, the Yellow Emperor, who ruled from heaven. Years later he would be worshiped by warlords such as Qin Shi Huang (founder of the first dynasty) and Liu Bang (founder of the Han dynasty), and he is attributed to the success of their military campaigns. The background of being worshipped by notable warlords kinda adds some awe to it (despite Qin Shi Huang being a tyrant). I relate to his backstory of opposing the emperor from heaven as like the ideal of refusing external authority, and his belligerent nature to my own.

Dairokuten Maou (a.k.a. Mara) – Dairokuten Maou, or Mara, is my desire, lust, and questing for pleasure, and maybe my emphasis on it. The name means “Demon King of the Sixth Heaven” and comes from a demon lord who appears in the Gohonzon Mandala in Japanese Buddhism. The deity resides in the highest of the six desire, or lust, realms and is the personification of lust, desire, and worldly pleasures and pursuits. This obviously relates to my embracing of desire, lust, and worldly passions rather than denying them. But, he’s also tender, because love relates to desire, and love is tender.

Asura Matsuda (a.k.a. Asura) – Asura is my quest for strength and power, and valuing of it, and also confident, strong will. You probably know Asura comes from Hinduism and Buddhism, and refers to power-hungry divinities. But the name Asura Matsuda is of my own thinking, a version of the name Ahura Mazda, whose name comes from Asura, thus bringing Asura and Ahura Mazda together. This brings an association with fire, which Ahura Mazda was associated with, and a righteous flame against evil. Thus he is a god of power, might, fire, light, strong will, and righteous flame. Like Chi You, he represents a warrior’s spirit.

Shiva – Shiva is my pursuit of Chaos, of rawness, of primal ecstasy, and of creation, and also energy. We all know Shiva is from Hinduism. He is a free spirit. His power is pretty much without equal. He is creation and destruction. He is very potent, and sexual. Passionate and spiritual. I detach Shiva from whatever ascetic associations he has to envision the life-filled, passionate, wild, yet noble deity he is, aligned with both spiritual and material ecstasy. He is my fascination with creation, and destruction, and my fixation on the raw, primal, and energetic, though as an energetic person I can relate to Asura Matsuda as well as Shiva.

Beelzebub (a.k.a. Ba’al, Bel) – He is my alignment towards Chaos, and the freedom and individuality it represents. This Beelzebub is the bringing to together of Baal/Bel, Satan, Lucifer, and Beelzebub. Before Satan was the name of the Christian devil, Rabbinical texts mention a entity named Baal-Zebub (Beelzebub) as the chief rival of “God”, or Yahweh. Thus, Beelzebub is the original adversary of Order and oppression, and the advocate of Chaos and freedom. Since he is Baal, he is a god of power and fertility. He is the pagan in me, and the Satanist. He is pride, ego, selfhood, and individualism. He is the closest thing to the Satan ideal. The supreme advocate of Chaos, save only for Lucifer himself. He shares some traits with Dairokuten Maou, but in a more unique flair. He has an occult flair, and thus represents occult/mystic pursuits.

Kartikeya (a.k.a. Murugan) – He is youth, and the will that it never die. In Hinduism, Kartikeya is a son of Shiva and a young deity of war and youth. In my envisioning of him, he is removed of the ascetic associations he sometimes receives, and is like a younger Shiva. Energetic, heroic, adventurous, and ever young, he represents the ideal of the freedom of the spirit. Even if the body should age, my soul will remain strong and youthful, the ideal of Sanat Kumara (another name for him, it means eternal youth).

I must mention Agni. I don’t know if he counts, but he has symbolic importance, as I already talked about.

So there you have it. The six deities who I take up personally as meaningful to me.

My thoughts on Asura (or the Asuras)

Asura-Oh, from Shin Megami Tensei. Probably based on the Japanese Buddhist depiction of Asura.

Asura is a figure of intruige in my opinion. He is a strong and powerful. A bright and brilliant god, yet also associated with dark, demonic forces. A fierce god, a god of war.

In Indian myth, they are considered power-seeking deities who exist alongside the devas, the gods in heaven. They are often considered materialistic nature-beings. The term first appeared in Vedic religious literature, in which asura was mainly a title for various gods. It means “mighty”, or “powerful”. Many Vedic gods were described as asura, and have been ascribed that epithet many times, such as Indra, Agni, Varuna, Mitra, and Rudra. This epithet, and its variants (such as asurya, meaning “strength”), indicate the strength and power of gods.

Indian art of an Asura or Rakshasa.

Unfortunately, when Hinduism began interacting with Islam and Christianity, through the Muslim invasions and British conquests respectively, Hinduism became something more black and white, and Asura became demon. While in the lands of Persia (a.k.a. Iran), where Zoroastrianism was prevalent, asura become “ahura”, and refers to three entities: Ahura Mazda, Mithra, and Apam Napat. Ahura Mazda’s name comes from “asura medhira” which was a title given to the Vedic god Varuna, thus Ahura Mazda’s link with Varuna. I’ve heard that Ashura was also the name of a sun goddess from somewhere who was feared for bringing droughts.

A statue of Asura in Japanese Buddhism.

In Buddhism, they are gods of war, and quarrelsome demigods who always fight with the devas. The Japanese seem to have fleshed out Asura’s warrior characteristics and fierce expression. Fitting when you consider that in Japan, Asura is also a guardian.

Asura in Asura’s Wrath by CyberConnect2

Then we have the game, Asura’s Wrath, which heavily incorporates and fleshes out the Hindu and Buddhist themes it was inspired from. Asura here is shown as a being of potentially infinite strength, someone who won’t back down from a fight. The game itself is also awesome.

I consider Asura a god of war, light (like the sun), fire (Ahura Mazda was also associated with fire), power, and dark forces (in reference to its demonic status in Hinduism). Not a demon, not a demigod, but a fierce war god who is both light and dark. A symbol of power, maybe even the power we could potentially have.