Forgive the interruption between my inquiry on Revolutionary Demonology, but it seems there’s been a nuisance coming my way. Suffice it say that, it is quite incredible to see what lengths some people will go to in order to keep other people’s mouths shut. Last month, I wrote an article about a small Italian Theistic Satanist organisation called the Union of Italian Satanists (or, Unione Satanisti Italiani), in which I analysed their philosophy as best I could, and discussed its relationship to the ideology of National Socialism. It would seem that, since then, the leader of the USI, Jennifer Crepuscolo (or rather Jennifer Mezzatta), has discovered that article, and is none too happy about what I have said. In fact, she sent a message to the Facebook page of this website to say this:
Hi Aleph.
Your article on Unione Satanisti Italiani is dishonest and leads to slander. Precisely for this reason we’re evaluating with our law firm to proceed with a lawsuit against you. We hope that in the future you will be more careful about making unfounded accusations. You should have read more about us before writing such slanders. We are open to discussion but we do not like those who try to cleverly reinterpret our contents with malice.
Since you chose to wrongfully assault us, if we have any other contact between us, it will likely be through the law.
Best regards.
JC
For posterity, here is the same message in a screenshot taken from the messages of my blog’s Facebook page:
“Best regards”? Yes I suppose that is the polite way to conclude a message in which you accuse me of “assault”. But observe the utter folly of what Jennifer is saying. Her objection is that my article is “dishonest” and “leads to slander”, and that for this reason she thinks she can intimidate me with groundless threats of litigation. Take stock of this: I am not even primarily being accused of slander, I am being accused of writing things that “could lead to slander”. How exaclty do you intend to prove that? And just how can you charge someone on the basis that you think what they said “could lead to slander”? Do you not see how legally absurd that is on its own, let alone the idea of hashing that out internationally?
As long as we’re focusing on the “dishonesty” canard, I intend to talk about many things I discussed in the original article, but I would also point out that Jennifer Mezzetta’s Facebook bio contains the words “Onore a Satana, il Dio Gentile dell’Anima”, or, “Honor to Satan, the Gentile God of the Soul”.
I don’t know how anyone thinks they can beat any allegations of Nazism when they openly and publicly refer to their version of the Satan they worship as “the Gentile God”. Remember that the USI also talks on their website about Jewish influences being a corruption of Satanism. In this context especially, “Gentile” is a dogwhistle being used by non-Jews, or more specifically by white non-Jews, define themselves in active contradistinction to Jewishness.
Jennifer seems keen enough to talk about “slander”. But slander is only slander if I am wrong and have made up everything that the USI website says from whole cloth. I contend that I am not wrong, and that the USI cannot prove that I am inventing its own words, let alone drag me from my home country just for a case that they don’t have and which would be dismissed. And just to underscore all of this, let’s focus on the parts where I talk about the particularly objectionable highlights of the USI’s website. We will present screenshots of these highlights, with the Italian and English language versions side by side, in that order, for maximum posterity.
This will be a systematic overview of the antisemitism and Nazi alignment of the USI, focusing largely on material I already covered, and more. These are, in large part, Jennifer’s own words, in that most of the articles being discussed have been written by Jennifer Creposcolo. We will also cover a few articles written by a USI member named Mandy Lord. Any accusation of “slander” will have to prove that they are not her own words. I maintain that this would be impossible, because they are clearly their words. This will not be terribly exhaustive, at least not compared to the entire breadth of the USI website, the totality of which I will not be covering. But I will cover much of what I have already discussed in my original article, which should also be enough to encapsulate the ideological content of the Union of Italian Satanists, in their own words.
Now, just bearing in mind. I am not entirely fluent on the Italian language. I have certain aspirations to effect, of course, but for the purpose of covering this article I am relying on available translations, which are of course provided as an option within the website via my browser. All English screenshots come from a Google-provided translation, which I am reasonably confident is not inaccurate, especially since I have not been made aware of any translation errors by anyone, especially not Jennifer Creposcolo.
The “God of the Gentiles” and Antisemitic Screeds About Jewish Mysticism
To start with, let’s refer to their pages on “Original Satanism” where they discuss Jewish mysticism as blasphemous, decry modern Satanist movements by accusing them of “Judaizing” Satanism, and assert that atheism is a product of “Jewish influence”. But first things first let’s just get one point out of the way right now: the fact that they refer to Satan as “God of the Gentiles”. That is what Jennifer says for instance in “What is Satanism really?” and it will be fairly important as a cornerstone of the USI’s philosophy.
Now, let’s see them talk about Jewish mysticism and the “Judaization” of Satanism. In “Cult of Origins”, Jennifer can be seen accusing other Satanists of being “slaves of the Jewish preconception” by accepting the etymology of Satan as meaning “Adversary”.
And here, in the same article, Jennifer writes that Satanic intiation centers around the “Satanist”‘s self-declaration of their “Gentile nature” and that the “Gentile” is centered around both their roots and the evolution of their “spiritual race”.
Immediately after this, Jennifer describes Jewish mysticism as “blasphemy”, again seemingly without a shred of irony or self-awareness, and accuses it of being “violent” and “opportunistic”.
There is much more antisemitism and Nazi ideology in this page alone right below this paragraph. Here, for instance, Jennifer refers to the awakening of “Gentile Memory”, and thereby a return to “our blood” (as in, the “blood of the Gentiles”), as the goal of her particular system of “Original Satanism”.
And afterwards, Jennifer goes on to refer to Jews as “historical criminals” who “corrupt” and “distort” the “Gentile” in various ways. For some reason the English translation seems to repeat the last few sentences.
Jennifer’s Nazi-esque Definition of Satanism
Moving on from this page, let’s briefly, and just as an aside, refer to this fairly colourful paragraph from the page “Define Yourself As Satanist”, in which we can see familiar fascist rhetoric about sex and gender identity that is used to justify transphobia, itself couched in a concept of “rootlessness” that is inherently tied to white identiarianism and antisemitism (the concept of “rootless cosmopolitans” as an antisemitic reference to Jews).
In their page “Etymology of the name Satan”, Jennifer refers to Satanists as the purest form of the “Gentile” while accusing Jewish people of racism towards non-Jews. It is important to note that here Jennifer incorrectly asserts that the Hebrew word “goyim” means “cattle”. The word “goy” actually means “nation”, not “cattle”, while in the Biblical context the word “goyim” often referred simply to the various non-Israelite nations.
Here of course we also see Jennifer establish a Sanskrit etymology by way of the words “Sat” and “Nam” as what she claims to be the “true” etymology of Satan, as opposed to the Hebrew etymology. There is of course no basis to any of this, and in fact it is an idea strongly associated with neo-Nazis such as the Joy of Satan group. I suspect that it was originally invented by Kerry Bolton, a white supremacist fascist who spent the 1990s spreading neo-Nazi interpretations of Satanism, neopaganism, and Thelema to various subcultural movements (such as black metal and industrial music) before eventually converting to Christianity.
There is an entire section dedicated to the etymology of the word “Aryan”, which the USI claims does not influence their philosophy in way, though it is also full of defenses of Nazi iconography as ancient and therefore legitimate symbology. Note that Jennifer also personally connects the mythology of Aryans and Hyperboreans to her own views the divine origins of the “Satanids” as linked to the lineage of the Nephilim and therefore the Fallen and Satan, which, contrary to what Jennifer says otherwise, establishes a credible ideological link between the concept of “Aryans” and her philosophy.
And, once again, at the end of this page, Jennifer once again links the religious identity of the “Satanist” with the racial identity of the “Gentile”.
Racist Nazi-esque Ramblings About “Satanid Nature”
Next, let’s refer to the article “Satanid Nature”. Here, we see Jennifer assert that the Jews made their pact with Yahweh because they wanted revenge and conquest and this is the cause of a progressive civilizational decline. She also seems to contrast this with the example of Jesus and his refusal of the temptations of Satan.
It is in this same page that Jennifer, who calls herself a “Satanist”, lauds the figure of Jesus Christ as a personifiction of “the Gentile spirit” as supposedly represented by ancient pre-Christian gods and by Satan. This idea clearly echoes Nazi ideology, which portrayed Jesus as an “Aryan” German god or hero instead of being Jewish.
Jennifer also seems to refer to the idea of a link between Satan and “wanton materialism” as the product of “Judeo-Christian corruption”. This opinion reflects a Nazi belief that materialism is Jewish in origin and thereby a corruption of the “Aryan” spirit.
And here, Jennifer accuses modern American Satanists of trying to “Judaize” Satanism, and thereby make it more “plebeian”, “lifeless”, and atheistic. Again, this presents the idea that atheism is a Jewish product, which is both inherently antisemitic in that it positions atheism as a form of corruption and a major component of Nazi ideology, in which the main opponent “Jewish materialism” is presented in opposition to “Aryan” idealism.
Blatant Neo-Nazism
Now let’s turn to the page titled “The Way of Signs”, which features a discussion of the “black sun” alongside an image of the Nazi Sonnenrad symbol, which was invented for use by Heinrich Himmler, leader of the SS, as the insignia for Wewelsburg Castle.
Next let’s refer to their page about Lucifer, or “Luciferus”, written by Mandy Lord. This page contains multiple expressions of antisemitism and Nazi ideology. For example, Mandy almost dismisses a source because it was Jewish, and then proceeds to quote Otto Rahn, a Nazi Ariosophist who was also literally an Obersturmführer in the SS.
Later in the same page, Mandy quotes Miguel Serrano, a neo-Nazi occultist and proponent of a system referred to as Esoteric Hitlerism, before describing contemporary Christianity as “totally Judaicized” in contrast to its “Gentile origins”.
Jennifer’s Remarks on National Socialism
An important source of concern would be Jennifer’s “Joy of Satan Analysis”. First of all, let’s note that even Jennifer’s supposed criticism of Joy of Satan’s antisemitism also consists in the objection that she thinks that they are too Jewish. I’m not kidding around: Jennifer critcises Joy of Satan for having a “Jewish mentality”, even in their antisemitism. This “Jewish mentality” appears to simply consist of summoning demons in order to fulfill material needs, which is again based on the Nazi belief that materialism is a “Jewish corruption”.
And then, of course, there is in the same page Jennifer’s defense of National Socialism, which she seems to regard as fundamentally moral, noble, and ethical in substance.
The “Kabbalah” of Mandy Lord
In the page “Occult History”, Mandy Lord claims that Kabbalah is actually a non-Jewish system of mysticism that belonged to “the Arii” and came from Satan and his demons. Mandy also claims that there is an Egyptian Kabbalah, called “Ka Ba Ankh”, and a “true runic Kabbalah” practiced by the Druids, in contrast to Jewish Kabbalah. This idea is very similar to an idea from the Austrian volkisch mystic Guido von List, who claimed that the Kabbalah was originally invented by German “Aryans” rather than Jews.
Jennifer’s Views on “The Illuminati” (Somehow Even More Antisemitic!)
In an article titled “Are The Illuminati Satanists? But Also Not!”, Jennifer runs through a litany of antisemitic tropes about Jews while discussing the Illuminati. For example, early on she falsely claims that Adam Weishaupt, the founder of the Bavarian Illuminati, was the son of a Jewish rabbi and supported by the Rothschild family. Adam Weishaupt’s father was a man named Johann Georg Weishaupt, who was in fact a lawyer and a professor of law at the University of Ingolstadt, and there is no record of him ever having been a rabbi or of him having been Jewish.
Later, Jennifer talks about the so-called “Protocols of the Elders of Zion” in an incredibly apologetic manner. She claims that it is not possible to know if “Protocols” was written by Jewish authors, claims that its content is being proven true “before our eyes”, and brings up verses from the Talmud that supposedly justify the book’s contents. I need to stress that this is blatant antisemitism.
There is also this take from Jennifer in the same article, which is once again a familiar element of fascist conspiracy theories, naturally latent with antisemitism. Basically she’s asserting that the Illuminati want to eliminate traditional gender roles and biological sex or all that stuff in order to somehow control society.
Of course this also comes with a standard ethnonationalist argument.
Jennifer again explicitly ties “the Illuminati” to Jews and asserts that they are aligned to Yahweh as the “God of Israel” and want to destroy all cultures that are not Jewish.
Jennifer puts forward an argument that Jews cannot be Satanists because Jews are “the Sons of Yahweh” and Satanists are “the Sons of Satan”. This is Jennifer arguing that Jews, because of their race, cannot be Satanists, and conversely that Satanists are Satanists because of their race. It is a racialist argument, and in this sense is antisemitic.
In the same article, Jennifer also defends ancient Roman colonialism by saying that the white colonialism was bad specifically because the white colonialists and slavers in question were “Judeo-Christian”. This is effectively blaming Jews for the enslavement of African-Americans and the systematic genocide of native Amerindians by white colonialists.
The Racial Mission of the Union of Italian Satanists
Finally, the mission of the USI, as outlined in “Presentation of Italian Satanists Union”, consists of three objectives. The third objective is “Restore Satanic Identity”. In the article, Jennifer establishes that the goal of the USI is to activate what she believes to be the racial consciousness of “the Gentiles” and that to be a Satanist you have to be born a Satanist as if genetically, and hence ethnically or racially.
In Closing
I think that I have shown more than enough at this point. The website itself has much more content within it, but this was about demonstrating that what I have said to be the words of the USI are in fact the words of the USI. I would ask again: would anyone be able to prove that I am fabricating these words, and that this is not what Jennifer and the USI have said? What basis could there be for any claim of “dishonesty” or the potential to “lead to slander”, let alone “assault”? These are Jennifer’s own words, as well as those of Mandy Lord where applicable.
Being that there is little point in discussing any supposed case, let us simply summarize what USI say in their own words. We are talking about an organisation whose “Original Satanism” appears to be based on a racial ideology built around the idea “recovering” the “genetic memory” of the “Gentiles”. There is a heavy emphasis on “de-Judaicizing” Satanism, which entails reinterpreting Satan as a “Gentile” god of truth, soul, origin, and the divine order rather than The Adversary, Kabbalah as “Gentile” mysticism, and even Jesus as a “Gentile” hero who only opposed the Jewish Satan rather than the “Gentile” Satan, all of which mirror the Nazi ideology of “Positive Christianity”, whose volkisch interpretation of Christianity meant bracketing out everything the Nazis deemed to be Jewish “corruption”. The USI website contains defenses of the ideology of National Socialism and also features quotes from Nazi and neo-Nazi esotericists. Antisemitism is pervasive in the USI writings, sometimes more subtly and sometimes quite blatantly, as an effect of their racial ideology, even to the point that they can’t criticise antisemitism in others without also expressing their own antisemitism. The “noble Gentile spirit” is positioned in opposition to Jews and “Judeo-Christianity”, Christianity is described as an originally “Gentile” faith that they deem totally “corrupted” by Judaism, and antisemitic conspiracy theories form a major part of the USI’s opposition to both Judaism and Christianity. In short, USI an organisation that promotes an ethnofascist ideology strongly aligned with National Socialism. Based on the mateiral available this is an open and shut matter of fact.
For additional posterity, I will provide archived links below to each article being referred to here, to remove any last shred of doubt without requiring you to provide traffic to their website. The archived links, however, will only show the pages in Italian. However, it should be evident that these are the same pages contained within the screenshots.
Even though it is yet another unplanned interjection between working on my article about Revolutionary Demonology, I just can’t say no to the opportunity to address some common secular conceptions and misconceptions about Satanism by responding to YouTube commentator Big Joel’s short ramble about Satanists and why he seems to dislike them.
Joel, obviously, does not “love the Satanists”. That much is not in question. What, though, are misgivings towards Satanism? Joel recounts a video he previously uploaded where, in a larger discussion about Christianity, he briefly discussed Satanists as defined within the Christian imaginary. This apparently was a cause of offence to certain Satanists, who insisted that Satanism is not about worshipping or loving Satan, but instead is about atheism, rationality, and “free thinking”. Joel thinks that this is actually false, and perhaps something of a facade: he thinks that the “Satanism” of his Satanist critics is actually not Satanism, that it’s just an edgy way of saying you’re a “normal” atheist, and that “real” Satanists are just people who, in some way, love Satan. To him, that most consistently means worshipping Satan. The funny thing is, I can say with confidence that there are Satanists who would completely agree with this assessment.
In its own way Joel’s understanding of what Satanism is is not incorrect. True, it lacks the sense of distinct philosophical subtext by which Satanism is usually defined and presented in contrast to other religions, but in many ways it presents a much simpler way of looking at Satanism, as an internally diverse contemporary religious phenomenon. The only thing is, it does still invite the obvious question of “what does it mean to worship, revere, or honour Satan?”, which must be up to individual Satanists to answer. But, if Satanism is simply any belief system centering around Satan in some way, and that really means any way, then even the very atheists who Joel considers to not be Satanists would indeed be Satanists. Of course, since I connect Satanism to the concept of a distinct Satanic philosophy, I can think of atheists for whom their Satanism is in fact nothing but a provocative facade. But, that being said, the rejection of God as entailing atheism was at least a part of Eliphas Levi’s concept of Satan himself, though as far as I can see Levi himself had no doubts about the existence of either God or Satan.
There’s really not much to what Joel says here except that he then complains about how, in his opinion, Satanists are solely interested in looking for ways to correct people who say that Satanists are people who worship Satan, looking for every opportunity to butt in and assert that Satanists are not Satan-worshippers and instead just love rationality and atheism. It would seem that he is talking strictly about LaVeyan Satanists, or even more specifically just the official Twitter account of the Church of Satan.
His objection, in this light, is a curious one. He asks, perhaps somewhat facetiously, “then why do you name yourselves Satanists?”, followed by the suggestion that they do this simply to get a reaction from non-Satanists. The funny thing about it is that, as much as I am loath to say it these days, this was an argument that Anton LaVey already addressed within The Satanic Bible. LaVey predicated the distinction his own brand of Satanism from standard secular humanism, and attendantly the justification for calling his philosophy Satanism, on the argument that .
“Satanism is based on a very sound philosophy,” say the emancipated. “But why call it Satanism? Why not call it something like ‘Humanism’ or a name that would have the connotation of a witchcraft group, something a little more esoteric – something less blatant.” There is more than one reason for this. Humanism is not a religion. It is simply a way of life with no ceremony or dogma. Satanism has both ceremony and dogma. Dogma, as will be explained, is necessary.
As elaborated further:
Inevitably, the next question asked is: “Granted, you can’t call it humanism because humanism is not a religion; but why even have a religion in the first place if all you do is what comes naturally, anyway? Why not just do it?”
Modern man has come a long way; he has become disenchanted with the nonsensical dogmas of past religions. We are living in an enlightened age. Psychiatry has made great strides in enlightening man about his true personality. We are living in an era of intellectual awareness unlike any the world has ever seen.
This is all very well and good, BUT – there is one flaw in this new state of awareness. It is one thing to accept something intellectually, but to accept the same thing emotionally is an entirely different matter. The one need that psychiatry cannot fill is man’s inherent need for emotionalizing through dogma. Man needs ceremony and ritual, fantasy and enchantment. Psychiatry, despite all the good it has done, has robbed man of wonder and fantasy which religion, in the past, has provided.
Satanism, realizing the current needs of man, fills the large grey void between religion and psychiatry. The Satanic philosophy combines the fundamentals of psychology and good, honest emotionalizing, or dogma. It provides man with his much needed fantasy. There is nothing wrong with dogma, providing it is not based on ideas and actions which go completely against human nature.
In this context, the argument is essentially a psychological one, albeit one carried from a rather optimistic view of the institution of psychiatry and flat rejection of religion (except, of course, for Anton LaVey’s religion!). LaVey and LaVeyan Satanism treat religion as a psychological structure which, in selfish terms, fulfills the emotional needs or desires of humans, specifically the ones that all connect to the practice of ritual. It’s all taken as “fantasy”, or psychodrama, the specific form of which can unlock certain instincts and satisfy certain needs. The LaVeyan view in this sense is that most religions are psychodramas that satisfy a few specific needs or desires, but require the denial many others, often of a basic variety, and in the process elicit a tendency towards aggressive self-denial, whereas Satanic psychodrama is meant to satisfy the whole complex of the needs of “human nature” in its religious alignment with flesh and its wants. It’s an argument that is in many ways central to LaVeyan Satanism in particular, and I think this argument has sort of fallen out of focus in contemporary discussions of atheistic Satanism. I suppose that’s almost just natural as the Church of Satan, for all its internet presence as a notable Twitter gadfly, gradually slipped out of media relevance as The Satanic Temple eventually eclipsed it.
But as to the other atheistic Satanists, who may not be LaVeyans and in the overall may or may not share the LaVeyan view of religion as psychodrama, one may indeed still say, on a case by case basis, “why even call yourselves Satanists?”. The Satanic Temple is in this respect all the more hollow, lacking a larger philosophy of Satanism and preferring instead to take up aspects of the mythology of the Romantic Satan in service of an opportunistic commitment to egalitarian secular humanism. Yet, as obnoxious as the insistence on correction must seem in view of the particular attitude of the LaVeyans and their successors regarding “real Satanism”, if we’re being fair, it seems a tad natural that contemporary Satanists might bother to correct any sort of record at all. Popular culture, still driven latently by the Christian imaginary, contains many misconceived or simply tropey ideas about Satanism, at least some of which can be traced to some rather old and often fascistic conspiracy theories, which then occasionally, often subtly, still feed back into public consciousness. Thus, in principle, Satanists do have an imperative to push back against popular conceptions of Satanism. For one thing, it is an essential part of our broader struggle against the Christian imaginary, and Christianity as a whole. For another, at least some of these ideas and narratives are, in themselves, weapons against us, and they do often support actual social persecutions against Satanists as carried out typically by Christians.
In this sense, there are pretty much only two problems. The first is the fact that some Satanists are doing it in the wrong way, like the Church of Satan insisting its own distorted narrative and narrow definition of Satanism as the sole truth, or the far more general flat denial of all historical or pre-1960s expressions of Satanism on the grounds of their non-atheism. The second is that the media at large, whenever it does not cover Satanism through stories of criminal sects and neo-Nazi “accelerationist” cults, focuses pretty much all vaguely sympathetic or at least non-hostile coverage on atheistic Satanism: whether that’s the Church of Satan, The Satanic Temple, or the Global Order of Satan, to the exclusion of many esoteric or theistic tendencies within Satanism.
I will say that in the overall Joel’s video was more underwhelming than offensive, and I find it embarrassing that, even as a joke, he feels the need to insinuate that we might be itching for a fight with him over his ill-informed commentary. But I suppose I could close this with an answer to the question of why I embrace the label of Satanist, and I promise to keep it brief. For one it’s because it is the natural expression of religious egoism, hedonism, and “active nihilism” at least in our context, and for another its solar myth and philosophy of inversion has always been, for as long as it has been known, the key to your own inner freedom. Satan is the being who himself is the primordial spiral of insurrection, a solar myth denoting the “other side”, the inner and outer of life, the darkness, that is nonetheless life’s true basis. While I am Pagan, I am a Satanist because I see the war of all against all in the cosmos, the insurrection that ceaselessly propels life, and thus recognise and in turn honour Satan as its divine-demonic apogee, and to follow his black light. In short, I am a Satanist because I honour the war of all against all, and aspire to fight in it on my own side, just as he did.
For months I had been obsesssed with the idea of a link between Satan and the sun. I believe this fixation in recent times started off a while after I wrote my article about Darkness, and I encountered solar references to Satan in the work of Aleister Crowley. The main point of reference here would be in Liber Samekh, which features invocations to Satan as identified with the Sun, such as in section B:
Thou Satan-Sun Hadith that goest without Will!
And section C:
I invoke Thee, the Terrible and Invisible God: Who dwellest in the Void Place of the Spirit:
Thou spiritual Sun! Satan, Thou Eye, Thou Lust! Cry aloud! Cry aloud! Whirl the Wheel, O my Father, O Satan, O Sun!
Another link Crowley made between Satan and the Sun is his assertion that 666, the colloquial “number of the beast”, is the number of the Sun. This may have been playfully derived from Heinrich Cornelius Agrippa’s assertion that the Sun has a square composed of 36 squares, which then produces the number 111 and the sum of all squares as 666. Section J of Liber Samekh also contains this rather explicit link:
Now this word SABAF, being by number Three score and Ten, is a name of Ayin, the Eye, and the Devil our Lord, and the Goat of Mendes. He is the Lord of the Sabbath of the Adepts, and is Satan, therefore also the Sun, whose number of Magick is 666, the seal of His servant the BEAST.
The Crowleyan Satan presents an interesting picture of Satan as a cipher of inversion in the precise sense of being the god of the other side. We get some interesting commentary on this theme in Cavan McLaughlin’s The Dark Side of the Sun, which focuses on the double-sided nature of solar myth; a theme that will be central to later explorations of our subject. The observation that McLaughlin gives is that Crowley presents Satan as a chthonic double of the Sun, or Self in Jungian terms. From one perspective, though, we can think of the dark solar double as absolutely inherent to the Sun as it is: the other side, which is at once the “true” image. The Devil is thus the shadow of the world that is also its ultimate and original truth.
The Typhonian occultist Kenneth Grant seems to have developed this idea of the other sun as Satan, and in turn Satan as the true root of life. In The Magical Revival, we find a description of Satan, here identified interchangeably with the Egyptian god Set (clearly a manifestation of the erroneous Set-Sat-Satan line) as the “true formula of illumination”. The full quotation is as follows:
In the preceding Aeon (that of Osiris), Set or Satan was regarded as evil, because the nature of desire was misunderstood; it was identified with the Devil and with moral evil. Yet this devil, Satan, is the true formula of Illumination. “Called evil to conceal its holiness”, it is desire that prompts man to know himself – “through another” (i.e. through his own double, or “devil”). When the urge “to know” is turned inwards instead of outwards as it usually is, then the ego dies and the objective universe is dissolved. In the light of that Illumination, Reality, the Gnosis, is all that remains.
In this doctrine, enlightenment means to know yourself through “your own double”, presumably meaning your own shadow. In a sense, knowing Satan is to know “the self behind the self”. The macrocosm of this idea consists in Satan, or Set, or Sirius as the “sun behind the sun”, and so “the hidden god”.This idea is extrapolated further in Cults of the Shadow wherein Grant gives the following description of Set:
The prototype of Shaitan or Satan, the God of the South whose star is Sothis. Set or Sut means ‘black’ (q.v.), the main kala or colour of Set is black, or red (interchangeable symbols in the Mysteries), which denotes the underworld or infernal region of Amenta. As Lord of Hell, Set is the epitome of subconscious atavisms and of the True Will, or Hidden Sun.
We need not concern ourselves with this portrayal of Set as an actual reflection of the historical representation of Set, because there can be no doubt that it has nothing to do with the historical cult of Set. What matters here is the idea of Set/Satan as the “True Will” or “Hidden Sun”. Earlier in the book, Grant explains that, in his particular parlance, the “True Will” is the term given to the “Hidden God” that accompanies humans through the cycles of birth and death, always uniting mankind with “the Shade” and seeking reification in the objective universe, and only the adept can determine its substance. The Magical Revival explores the notion of “the sun behind the sun” via Sirius as the original presence of the Sun:
As the sun radiates life and light throughout the solar system, so the phallus radiates life and light upon earth, and, similarly, subserves a power greater than itself. For as the sun is a reflection of Sirius, so is the phallus the vehicle of the Will of the Magus.
Grant obviously means here that Sirius is the power behind the Sun, and as Sirius is identified with Set/Satan, this itself is to be understood as meaning that darkness, or Set, or Satan, is the power behind the light of the solar system. In a much larger sense, it’s an idea that positions the forms of nature as the expressions of an unseen force or substance, the “true will” or “hidden god”. This is perhaps viewed in terms of a sort of subconscious content, though perhaps we can extend it to the realm of unconscious content, that is then the source of conscious thought and form. Obviously this hidden power is darkness, this hidden god, for Grant, is Set, but for us it could as well be Satan. Though, it could be said that in a pre-Christian context chthonic gods would be that hidden divinity: for example, Paramenides’ descent to the underworld in search of being seems to have led him to the goddess Persephone, the queen of the underworld.
Finally, in Nightside of Eden, Grant brings up a quote from J. F. C. Fuller’s The Secret Wisdom of the Qabalah which, in full, goes as follows:
Satan, as we call this power, is in fact the Tree of Life of our world, that free will which for its very existence depends on the clash of the positive and negative forces which in the moral sphere we call good and evil. Satan is therefore the Shekinah of Assiah, the World of Action, the perpetual activity of the Divine Essence, the Light which was created on the first day and which in the form of consciousness and intelligence can produce an overpowering brilliance equal to the intensest darkness.
The power in question seems to refer to the divine power that conciliates all oppositions and permeates and vitalizes all things. It is course likely purely the interpretation of Fuller and later Grant that this power is supposed to be Satan, but our focus is not the interpretation of Kabbalah (a conversation that, in the hands of white occultists, may invariably veer towards cultural appropriation). What does interest me is the way in which Grant, through Fuller, positions Satan as the inner active creative force that is, thus, the deep source of the agency of life. Grant ultimately links this concept of Satan to inversion, and it would seem this inversion is linked to enlightenment. A footnote in Cults of the Shadow references an apparent quotation in Helena Blavatsky’s The Secret Doctrine which says “Satan represents metaphysically simply the reverse or the polar opposite of everything in nature.”, which in certain ways conforms with many similar ideas about Satan that persisted in the occult milieu and ultimately in Stanislaw Przybyszewski’s view of Satanism as a religion based in a rebours (“reversal”, as in the reversal of values). The full significance of this theme will be revisited soon, but here we can say that this inversion is also inseparable from the reality that Satanism seeks to access, for the “reverse” image also lies beneath the world as it is.
But, enough about Kenneth Grant. The other more profound throughline in McCaughlin’s essay is in the amorality of the Sun, and the implications of this in solar mythos. The sun, McLaughlin stresses, is amoral, inherently double-sided. We understand the Sun as the giver of life, but it is also a bringer of suffering, pain, and even death. For this analogy we can turn to a number of solar deities and myths across the pre-Christian world. We can start with the Iranian deity Mithra as a particularly interesting example. Mithra was, among other things, a sun god, occasionally even identified with the Sun itself. He was also a god with two sides: one of them is benevolent and concerned with the bonds of friendship and contract, and the other was mysterious, secretive, uncanny, even “sinister”, and according to Kris Kershaw in The One-Eyed God: Odin and the (Indo-)Germanic Männerbünde the daeva Aeshma may have been actually represented an aspect of Mithra’s being. Yet, it is said that Mithra only appears “malicious” to humans because they cannot control or understand him. The Egyptian sun god Ra has his own double-sided persona as suggested by his wrathful emanation of the goddess Sekhmet. The very solar image of the pharoah also contained a demonic aspect in the symbol of the black ram, denoting a divine sovereignty that at once protected and threatened the order of the cosmos. The Babylonian Utu (a.k.a. Shamash) is also a judge in the underworld. Nergal, a warlike god of disease and death, also represented a harsh aspect of the sun at noon. The Greek god Apollo, who over time was increasingly linked to the sun, shared Nergal’s domain over disease alongside the power of oracular healing, and was otherwise regarded as a destroyer and punisher, at least for the wicked. Helios, the traditional Greek god or representation of the Sun, was himself also one of the Titans, those ancient chthonic gods occasionally regarded as wicked, while one of his epithets, Apollo or Apollon, denoted him as “the destroyer”, suggesting that the Helios as the Sun was also a destructive power.
Somewhat related to this is Valerio Mattioli’s discussion of an ancient Mediterranean belief about the demonic; that the demons of the underworld materialised in the world above at midday, when the sun is at its highest. As strange as it sounds, it does seem to be reflected in other cultures – the Bible, for instance, talks about a “destruction that despoils at midday” – and it may harken to certain qualities of the sun that are linked to depression and melancholy. But for all that, there’s that jovial temperament we associate with sunlight, which we see as characteristic of Mediterranean life. It may, indeed, be something of a stereotype. Or, perhaps, there is a strange cipher for daemonic life: a vivifying light of an inner darkness, that is thus the soul of the world.
More importantly, though, is McCaughlin’s idea about the implications of Crowleyan solar myth regarding Thelema. The summary of McCaughlin’s idea is that the sun is by nature amoral and thus, if every man and every woman truly is a star, then the magical quest for transcendence or doing what thou wilt has the potential to “make monsters of us all”. The solar link to the axiom “every man and woman is a star” can be traced to the identification of Horus, the god of Crowley’s new Aeon, with the Sun, and as “a symbol of That which contains [and] transcends dualities, an image of our True Selves, identical in essence yet diverse in expression for each individual”. Horus, as the Sun, is meant as a cipher for the True Will and its inherent solar duality, presumably along with everything that goes with that. As the Sun itself is a star in space, McLaughlin interprets everyone being a star as everyone being their own Sun, in that everyone is the center of their own personal solar system.
An even more fascinating horizon is how McLaughlin plays with Arthur Schopenhauer’s assertion that “life is something that should not have been”, that life is, in some way, monstrous, and that in participating in life we’re all monsters. That monstrosity is taken as a starting point for the solar heroism of the New Aeon, particularly in its utter defiance and transcendence of the moral binary (“good” versus “evil”) on behalf of a totality true to its own nature, and from there an individuating process that facilitates the impression of Will in the world. The amorality of it all is observed to be a fundamental to the principle of “do what thou wilt”, owing to a Nietzschean root in the statement that there is no such thing as moral phenomenon, only moral interpretation of phenomenon. In this setting, morality is simply a reflection upon will or desire. Thus, if everyone is a star, or rather Sun, then everyone is the bearer of their own amoral quest to enact their will in and upon the world and transform themselves and the world around them, their solar light reflecting on the world and will in accordance with their own will (or “nature” or “purpose” in the official philosophical framing of Thelema), in a manner as heroic and beautiful as it is potentially monstrous, all in the same measure. Or, if not monstrous, then certainly demonic.
This all makes for ample conceptual space in which to play with Gruppo Di Nun’s underlying cosmic pessimism, and its mythological narrative concerning the “thermodynamic abomination” of the cosmos. Gruppo Di Nun would seem to be more or less in agreement with the sentiment that life is monstrous, something of an anomaly. They indeed dub the cosmos a “thermodynamic abomination”. Carved from the Mother’s flesh, the creation of the universe emerges arguably as a sort of “crime”. But crime or not, the universe is monstrous in its natural tendency towards disintegration and dissolution, its inherent finitude. And yet, it’s funny to think about life as a crime. Should life never have come to be? Should the stars, the animals, the oceans, the clouds, the trees, us, everything, all never have been? Was the void meant to last forever? Could it have been expected to never change into life as it is, even if we could never expect life to not change or decay? The solar myth ventures into this mystery with a sense of defiance, in the sense of will as this monstrous agency that can never be satisfied without its own art, and thus transforms the world.
The double-sided nature of solar myth brings us neatly into the consideration of solar inversion, and it is in this realm that we may can get a much deeper perspective on the solar dimension of Satan via Gruppo Di Nun’s Revolutionary Demonology, an entire section of which is dedicated to the dark mysteries of the sun, and the alchemical symbol of nigredo dubbed the “Black Sun” (or Sol Niger). This section, an essay titled “Solarisation” written by Valerio Mattioli, centers around inversion, particularly solar inversion, and the overall mystery being contained in the concept of solarisation through multiple conceptual avenues. Funny enough, it presents an interesting contradiction for Gruppo Di Nun’s overall rejection of modern Satanism, since Satanism from the outset has involved inversion, and even though Gruppo Di Nun criticized Satanism for reproducing Christianity by inverting it, their discussion of solar inversion leaves us quite a lot of room to expand and deepen Satanism by way of its inversion.
We can begin our analysis in the concept of solarisation, as through the Surrealist art of Minor White, Man Ray, and Lee Miller. Solarisation here ostensibly refers to a photographic technique used by these artists not just darken the photos but also invert their colour, which in a monochrome palette turns white into black and black into white. For Valerio Mattioli this also serves to create snapshots of a subconscious realm and, thus, an inverse reality. The Sun illuminates our world with its light, so more sunlight should mean more visible reality. But in solarisation more sunlight actually means the inversion of visible reality; the solar disk turns black, positive and negative change places, and a hidden, inverse, “incorrect” truth is revealed. This also brings us to how Gruppo Di Nun understands the Black Sun, by which we mean the original alchemical symbol and the misnomer given to the Nazi sunwheel. The Black Sun here is a symbol of nigredo, the initial state of the Great Work, the putrefaction in which matter is disinterested and reduced back to its primordial state. In alchemical terms solarisation as a certain kind of nigredo, in which the power of the sun translates into its opposite: the light of a realm of shadows, of the invisible and unnameable, as opposed to the sun of the phenomenal world in which all of this darkness is hidden – an occult world, accessible only by occult means.
I would recall here an obscure aspect of ancient Greek religion and philosophy: the belief in a dark, hidden sun, which represented the power of the underworld. At Smyrna, Hades was worshipped as Plouton Helios, and hence as a solar deity. His consort, Persephone, was worshipped alongside him as Koure Selene, the moon. But Plouton Helios did not simply represent the visible or phenomenal sun. Rather, he represented a dark sun, as contrasted with the heavenly sun in the form of Helios Apollo. Plutarch interpreted this sun – Hades – as “the many”, the multiplicity that was contrasted with the unity of The One, represented by Apollon, whose namesake supposedly denied “the many”, while Ammonius proposed that Hades represented obscurity, darkness, and the unseen into which things pass – dissolution and non-Being – in contrast to Apollo representing Being, memory, light, and the phenomenal – for which Ammonius calls Apollo God Himself. Hades was thus the sun of an invisible, chthonic realm; a “black sun” if you will.
This idea carries broad resonances and contains many horizons. We see one of the ancestors of Christian dualism, in which “Being” is located in unity, paired with phenomenal light (the celestial Sun), and called God, while darkness is presided over by the ruler of the underworld and representative of death and non-Being, and the stamp of God implies an ontological alignment with Apollon’s light. The opposition of multiplicity in The Many to unity in The One can, to a very limited extent, recall Satan’s role in the Qliphoth as the ruler (or co-ruler alongside Moloch) of the order of Thaumiel, representing division as opposed to the unity of Kether. The idea of the invisible sun takes a broader and somewhat different significance in Neoplatonism, where the invisible sun represents the form of the sun that exists beyond and behind the visible sun, the source of the visible sun, of which the visible sun is a mere representation or likeness. In Neoplatonist philosophy, this invisibility is meant to denote the noetic or noeric realms, the unseen layers of divine mind or intellect from which the visible and phenomenal world derives its origin. But from a chthonic lens, this framework is easy to reorient from the unity of divine mind to the dark life of the underworld, whose deifying power sleeps hidden in everything and contains all possibilities; and of course, where the daemons come from, where their vivifying power dwells and from which it crosses into the world in which we live.
But, our journey of solar inversion has still only just begun. We come to an exploration of solarisation in Italian neorealist films, whose aim was to nakedly portray the harsh realities of everyday life in post-World War 2 Italy. In Luchino Visconti’s Appunti su un fatto di cronaca, a short documentary about the kidnapping and murder of 12-year old Annarella Bracci, the outskirts of Rome are shown to be a massive refuse where human garbage is dumped alongside non-human garbage, and in the “golden city” blocks of flats connect to a dismal sky stinking of damnation. As Mattioli puts it: hell lies in the celestial vaults. Hard indeed to find a better representation of solar inversion. But that’s also it isn’t it: how many times have I seen Satanic inversion blur the line between heaven and hell by reversing them? After all, from a certain standpoint, Satanism says exactly that what we call “heaven” is actually closer to what we might call “hell”, or at least is more tortuous than hell, not to mention God himself being “evil”; and what we call “hell” isn’t so bad, while Satan is good.
Going right back to Aleister Crowley, there’s an important dimension contained in neorealism’s “need to know and to modify reality” (per the Enciclopedia Treccani), which we may in turn connect to Crowley’s definition of magic as “the Science and Art of causing changes in conformity with the Will”. Magic by this term is then connected to the hallucinatory quality of the Sun; it’s said that the Mediterranean sun can get so bright that its light induces a blinding whiteout: your vision becomes nothing but a vast white expanse. Mattioli figures the work of Pier Paolo Pasolini as an initiatory journey that sees Rome, in Accatone, take on an almost Lovecraftian character a la the lost city of R’lyeh, and then culminates in the blinding solar anus of Salo; unwatchable and brutal like the body of the Sun, and filled with absurdly sadistic inversions of the function of coitus. But then anal sex and its “unnatural” quality becomes an instrument of reconciliation with the reality and truth revealed by the “black sun”, which for Mattioli seems to be hinted through Austin Osman Spare’s concept of Atavistic Resurgence, where his explorations of non-normative sexual activity penetrate the psyche and allowed him to explore fantastical cities constructed of otherworldly geometries.
By now you’re probably wondering what all this has to do with anything, but don’t worry: by the time Mattioli discusses Ostia, the place where Pasolini was murdered in 1975, we get to the defining characteristic of solar inversion: as Mattioli says, it confuses and overturns everything. That’s the need to know and modify the world, which in turn overturns everything. I could not help but think of the “Gnostic” version of the Fall, as Sophia’s quest to imitate and thereby understand God throws the order of the Pleroma into chaos resulting in the creation of Yaldabaoth and the material cosmos. The Fall in the sense of rebellion emerges as a similarly creative act, rejecting God’s world on his own behalf, and carving out his own kingdom afterwards: his rebellion, even as it is repelled and subjugated, throws creation into disarray. Satanism in magical terms aims for the Fall as an act of devourment, locating the darkness and the Fall in order to imitate it, to then storm heaven and seize all things in a dark solar myth, carving out a new kingdom in the process. That of course sounds nothing like what Gruppo Di Nun has in mind, with its ontological masochism and its attendant emphasis on masochistic surrender and the resulting interpretation of nigredo as abdication. But it’s one way of looking at solar inversion. Perhaps it’s my bias – I definitely don’t consider myself much of a masochist. But I think we can turn to blasphemy to illustrate my point, since blasphemy contains solar inversion.
Mattioli suggests that the name Ostia carries resonances with the contradiction and inversion in the Christian host. On the one hand, the name Ostia relates to two Latin words for “victim” and “adversary” – “hostia” and “hostis” respectively; one almost thinks of Christ (that divine victim) and Satan (the Adversary himself). On the other hand, Ostia actually comes from another Latin word, “ostium”, meaning “mouth”. As a place where waste and shit spill out, it is the literal anus of the metropolis. But it’s also the host: that is, the Mithraic disk trapped inside the Christian host. Inversion and blasphemy contain themselves in solar mystery, and it reminds us: blasphemy is a willful act. To place your feet on the cross, to spit upon, piss on, or destroy it, to penetrate the flesh in acts of self-gratification, to practice kink, to queer the body in all sorts of ways, to disinhibit the human sensorium (to be intoxicated), to rise up in insurrection or revolution, to overthrow order and take the head of the Demiurge with your sword: there is a magic between all such acts that connects to the will of solar myth, perhaps even to a primal will that could not content itself with undifferentiation – and therefore, to the fatality, primacy, and eternity of the fall of Satan. Thus we return to Satanism, for Satanism can be understood as the belief that rebellion, or the Fall, constitutes the highest creative act, and Satan is the wellspring, the emblem, the god of that endless spiral of insurrection.
And while we’re here I think there is the opportunity to take a quick detour into the Satanism of Stanislaw Przybyszewski – for all we know, the first man ever to identify himself as a Satanist. Satanism, per Przybyszewski, is a religion whose sole principle is reversal: it is religion a rebours. This idea was probably forged from the combined influence of French occultism and decadence on the one hand (Joris Karl-Huysman certainly described Satanism as “Catholic religion followed in reverse”), and Friedrich Nietzsche’s concept of the transvaluation of values on the other hand. A rebours emerges as an active negating principle, that of spiritual insurrection against order and authority. Przybyszewski takes the Witch, who inverts all values and sensations, as the apogee of this principle, for whom it is a source of exceptional power and the revelation of Satan in the Witches’ Sabbath. A rebours allows individuals to gain power over their lives amidst the oppression they suffer, to remake themselves into defiant agents of transvaluation, who can refuse authority, and cannot be satisfied by it, or anything except blasphemy, and by blasphemy the ability to know and modify the world. The association with intoxication completes the Przybyszewskian context of solar inversion: drunkenness, intoxication, enivrez-vous is necessary in order to not be a slave of God or the world. The hallucinatory aspect of solar inversion is here intoxication, and it completes the spiral of Przybyszewskian Satanism: swear yourself to Satan as the true father of this world, break the laws of God and his kingdom of spirit, get drunk, and have your name written in the book of death, then you will overthrow everything in the name of your own satanic will. That, in Przybyszewski’s Satanism, is negation.
The context of solar inversion that we explored through Luchino Visconti can also be found in none other than Przybyszewski’s inverted cosmogonic dualism. God, the spirit of “good”, is the ruler of a celestial kingdom of slavery, and on earth his rule is the author of countless brutal repressions carried out in his name; heaven truly is a hell. Satan, the spirit of “evil”, is actually humanity’s greatest benefactor, teaching humans all of the ways that they can manifest and fulfill their desires and gain freedom from God. Satan himself also pronounces to the world that he was “the God of Light” and that God was the “dark god of revenge” who overthrew him out of jealousy, and meanwhile also inverting the power of the church itself: not based in “salvation”, possibly not even in “God” either (who is in turn revealed to be absent), but in acquisition. As to sunlight, Przybyszewski’s statement that Satan was called Lightbringer arguably has us skipping ahead to the solar inversion of Lucifer (which I will revisit later): Mattioli says that Lucifer is the light-bringer, but his domain is the shadows; that might just be another way of saying that the bringer of light always casts darkness. But we’ll soon get to that.
Another horizon for solar inversion, relevant to sun of the other side that we have previously explored, can be seen through the mythological city of Remoria: the city that Remus had built, and, for Valerio Mattioli, perhaps the Rome that might have been if Remus had prevailed against Romulus in their ancient fratricidal duel. The duel is said to have taken place under a solar eclipse, which Mattioli figures as the illumination of another world. Remoria emerges as an inverted twin city, the parallel opposite of Rome, and the incarnation of the beyond-threshold. It is the city of expenditure, of the sacrifice of that which never was nor will be, where Rome was supposed to be the city that continually reproduces what already is, and it is a round and circular city, welcoming the waste of the world of the living, where Rome was meant to be a square city that strictly boundaries the inside and out. Remoria as a spectral, abymsal double of Rome, almost echoes the idea of the underworld as a surreal mirror image of life on earth – like the earth and yet not quite. But perhaps it also lies locked in the heart of the metropolis. For Mattioli the Grande Raccordo Anulare (or “Great Ring Junction”) that encircles the modern city of Rome is akin to a magic seal replicating the features of the solar disk on the city ground: an anal symbol, without beginning and without end, and a site where solarisation projects in a spiral between the earth and the sky.
The solar inversion of the Mediterranean “disk of death” then takes us into a dark continuum, represented in Italian underground music and through which Mattioli ultimately portrays the legacy of the Witches’ Sabbath. The Witches’ Sabbath, whether real or strictly imagined, was never sanctioned within any sacred, and its dances sought to invert the existing regime, revealing, according to Silvia Federici, “the living symbol of ‘the world turned upside-down;”. This upside-down world is also the world in which the noontide demons raged: remember, the middle of the day, when the sun is at its highest, and none other than the city so burned by that sun’s light. This reveals a hidden world, perhaps one that is at once this world, which for Mattioli is the synthetic, inorganic world of the living dead, and their dead planet, the Sun; too much heat and light means death rather than illumination. We can again turn to Stanislaw Przybyszewski for the Satanic significance of the inversion in the Witches’ Sabbath. Here, the Witches’ Sabbath is the vehicle for a personal Satanic-Nietzschean transvaluation of values, initiated by a frenzy of orgies, ecstatic dances, and sacrifices that culminate in the dissolution of reality and sensorium into an endless night in which Satan appears to lead his mass. Flesh revolts against law, its instincts triumph over the society that exists over them, desire is elevated and heightened to the point of being fulfilled in the transmutation of divine communion with Satan, or perhaps the gods. Gold, God, power over others, these are worthless before the Sabbath of the flesh, and as it is partaken the concept of sin itself is destroyed along with the holy, dissolving into itself and becoming nothing. In the dark continuum that is the infinite night of the Witches’ Sabbath, good and evil cease to exist, leaving nothing but joy.
Finally, we turn to Valerio Mattioli’s examination the solarisation of Milan via Giulio Questi’s 1972 film Arcana, a giallo movie set in Milan and containing in the background a setting of tension between the modern, industrial metropolis of Milan and an exhausted but still deeply occult South. Questi seems to present images of Milan that include underground construction sites that ostensibly and unwittingly invoke dormant chthonic powers and latent irrationality smouldering both within the earth and in the southern Italy sunshine. Mattioli then illustrates the two worlds as interconnected: Milan, that rational, enlightened, advanced capitalist metropolis, sinks its bowels into an underworld of underground construction sites where southern immigrant workers regularly lost parts of their bodies, not to mention a host of curses, memories, and spells. The city contains within itself its own nemesis, its own negative, its own dark mirror image that pushes for inversion: solarisation. And for Milan, that solar inversion is imminent, or already underway. Mattioli sees the Covid-19 pandemic as having unravelled the truth of the disk of death: there is no consumption or nourishment without waste or excrement, and there is always an asshole somewhere. Thus the mass flight of southerners from Milan to the South, which was interpreted as a betrayal of the metropolis, was simply the city having consumed and then excreted a labouring mass. In this sense the inverting quality of solarisation again reveals a hidden world, a hidden Remoria, that is perhaps at the same time this world.
And so we at last return to the Canicola, the conclusion, as our final exploration of Valerio Mattioli’s discussion of solar inversion. His summary of the inverting power of the sun centres on none other than Lucifer, the morning star, whose name is here invoked in reference to the sun. At first that’s a little strange, but given all the references to Italian folklore and counterculture I’m actually tempted to think it echoes the Lucifer, or Lucifero, of Charles Leland’s Aradia, who was cast as a sun god. What Mattioli says of “Lucifer” is more or less a summary of the whole discourse of solarisation. The sun, perched 150 million kilometres from our planet, shoots intense rays of light at Earth every day. Its rays, just as much as they support life, melt the shadows, evaporate knowledge of things, and make a desert of the earth. The light does not illuminate, it only brings darkness, because too much of it can only blind you. So the fire of the sun is also the very fire of hell, and Lucifer, though the bearer of light, would appear to be a master of shadows. The Sun itself is the source of both life and death for Earth, and, for Mattioli, the principle of delusions, abnormalities, and all abysses of the human psyche. One is almost tempted to call it the Father of Lies.
What’s somewhat amusing is that, when I read that Canicola, I picked up what sounded like a description of Christian negative theology, in the sense that God is dark because his light is beyond comprehension. For Pseudo-Dionysius the Areopagite, the “darkness” of the apophatic God is actually light, in his words a “light above light”, some might even say an excess of light. Even the negative theologians, insofar as they were Christians, would not worship a god of darkness, not as I would, so the apophatic God must still be light. Just that this light is too much for us, it would make us dark. The apophatic Christian God indeed blinds us by the supposed radiance of his absolute presence in the cosmos. There is also for them the darkness that is ignorance, and there is the darkness that is actually the supreme superabundance of God’s light. Perhaps it is a matter of interpretation for the Christian. Though of course, Christianity is not quite alone in its understanding of divine darkness. Neoplatonists also seemed to refer to a certain concept of divine darkness: Damascius said that the “first principle of the Egyptians” was what was called the “thrice unknown darkness”, beyond all human comprehension, and Iamblichus referred to the same concept in On the Mysteries of the Egyptians, Chaldeans, and Assyrians. Older Greek philosophers such as Heraclitus referred to a divine quality referred to as “unseen”, “unapparent”, or “unknown to men”, the rammifications ought to be fairly different from the need to maintain light as the supreme centre of truth rather than darkness in itself. In any case, one almost thinks of the God of negative theology as a sun in the way Mattioli talks about, so bright that it whites out the entire universe.
But the more important takeaway involves going back to the subject of solar myth. Let’s return to solarisation in relationship to Italian neorealism and Aleister Crowley, to that very neorealist desire to know and modify the world, its connection to the Crowleyan precept of magic as the art of causing change according to will, and their suggested link to the hallucinatory power of the sun. This will to know and modify the world, to overturn everything, is what makes the hallucinations of the sun the property of solar myth. Here, we can insert a little bit of philosophical sadism, well, of a sort. Geoffrey Gorer in The Life and Ideas of the Marquis de Sade presents a remarkably broad definition of sadism, which he summarizes as “The pleasure felt from the observed modifications on the external world produced by the will of the observer”. Gorer submits that this is expansive enough to include creating works of art to blowing up bridges, so long as it constitutes a modification of the external world by a willing agent. This of course is fairly magically significant, in that it denotes the modification of the objective universe by the subjective universe of the will, a process that also transforms the magician, and it also in some ways echoes the creative-destruction that anarchists have talked about since Mikhail Bakunin first did. But in some ways, it also denotes a solar myth.
The Mediterranean whiteout is a phenomenon in which sun, at its brightest, turns the field of vision into a vast, dazzling field of white that then liquefies perceptual reality. As a creative and magical technique, it is a way of inverting the world into an unreal inner world of phantasmagorial structures and landscapes. Crowleyan solar myth sees the light of a willing Sun reforming the world in accordance with itself and its own universe, and again to some extent the magician. For Cavan McLaughlin, the whole life of Aleister Crowley is its own archetypical form of this process. As he points out, Crowley’s life is a personal mythology, supported by a magical authorial will. Born Edward Alexander Crowley, he dubbed himself Aleister Crowley as an act of magical self-authorship, itself understood as an expression of the “Western Esoteric Tradition” through the a key axiom of the Hermetic Orde of the Golden Dawn, “By names and images are all powers awakened and reawakened”, for which reason members take up new magical names for their initiation. In 1930 Crowley even faked his own death by suicide, leaving a “suicide note” and false information to the press, before re-appearing three weeks later, alive and well, in Berlin. In so doing he has blurred the lines between fact and fiction, and in this sense sort of solarising reality, in a sense blinding it with a hallucination, and in so doing creating a new one for himself. Crowley in this sense was a Sun named The Great Beast 666, whose light burned and warped his world in the image of his will. One might say similar things about other magicians as well, even the likes of Anton LaVey.
And what if, to turn back to the point about negative theology, God himself also qualifies? If we take that God’s light solarises the universe in his own image, and if we assume that God created the world, then God would be a magician who solarised his order of things into existence, theoretically at least overturning what state of things came before. God of course even has his own secret magical names. God, then, is at war with Satan simply for rejecting his creation and trying to do what God does, just as Sophia is cursed and having to redeem herself for the very same imitation of God. God, Pleroma, they are the egoists who would prefer that you deny this and not be egoists. But in rejection of monotheism, we may still assume an endless spiral of insurrectionary creative-destruction underpinning the whole of reality. That’s “Satan’s Fall”. From a certain standpoint this may indeed be the dragon at the centre of the world. By inversion, by blasphemy, overturn everything and reveal reality in order to create it anew. Perhaps this is the only meaningful way to express oneness with the nature of reality.
Now, after all of this exposition from Revolutionary Demonology, we should finally summarize what all of this discussion of solar myth and inversion means for understanding Satan in the view of Satanism. For this, I suppose we can briefly return to the subject of Lucifer. The relationship between Satan and Lucifer is complex to the point of occasional confusion, but I believe I can present a somewhat simple perspective in defense of their mutual distinction. Lucifer is the polytheistic spirit of the morning star, a rebel angel who emerges from a long chain of pre-Christian myth and chthonicism into modern day occultism, on his own an illuminating agent of gnosis. Satan, on the other hand, is a much larger presence. Satan is this great adversarial “Other” whose sign as it once within everything, a whole spiral of negative insurrection and desire that in its own way animates the flesh of everything, the atavistic rebellion that cuts through all silence and creates and destroys things without end, the Darkness of life that is inherent to it, cannot be ignored, and must embraced in order to access the truth and power of this world and run wild and free in it. In this exact sense, Eliphas Levi was correct to identify Satan as the instrument of liberty.
The relevance of the Sun is clearly in the significance of the Sun as a metaphor for the primordial ground of reality. That is why, in the course of the development of monotheism in antiquity, the Sun emerged as a cipher for the divine unity of the cosmos, or a nascent concept of “God”. This idea that still has some currency to this day. Carl Jung certainly thought it made sense when he wrote in Psychology of the Unconscious that the Sun is “the only rational representation of God” across culture, being the “father” or “parent” from whom everything on Earth derives its life, the source of living energy, the natural extra-human source of spiritual harmony, and simultaneously utterly destructive. George Gurdjieff proposed the “Most Holy Sun Absolute” as the kernel of all divine unity and reality, the ultimate platform, basis, and thereby original state of the universe, which he believed God created specifically to maintain the “Most Holy Sun Absolute”. Aleister Crowley also seems to have reflected the solar idea in his emphasis on a solar centre, encapsulated in his statement that Thelema (“our religion”) is “the cult of the Sun”. From a Satanic standpoint, obviously, it would be Satan that embodies this solar urgrund. Crowley certainly identifies him as such by identifying him as “Sun”, and Agrippa’s identification of 666 as the magical number of the Sun would do well assist Crowley in this regard. But Satan as the Sun is no mere cipher for the unity of reality. In some ways, perhaps the opposite is the case. Remember that Satan is, very literally, the Adversary. That’s the simplest way to understand Satan, but its significance for Satanism stems exactly from insurrection and longing in its primordial sense.
Think of it in terms of the exile of Adam and Eve from the Garden of Eden. This event is traditionally regarded as the primordial disgrace of humanity, in Christian terms the origin of our propensity to sin and, therefore, need for the redemption through Jesus. But, of course, for us on the Left Hand Path, in Satanic terms, this even is to be interpreted as the beginning of humanity’s initiation, the path of our own liberation and perfection. But there is another angle as well. There is the idea, a form of cosmic pessimism, that our existence is an exile, nothingness being our original home. That’s the question Emil Cioran posed in Tears and Saints, but if this is indeed the case then it means that life is a rebellion, an insurrection, that overturns everything that came before it. In that sense, life itself is an insurrection of solarisation, and one response to this is to simply embrace it. If to embrace life is to embrace exile, cruel as it may be, then so be it. To me, it is the only answer to the question of life that makes sense, if this is how one poses it. The mythological Satan and Lucifer both embrace their exile from heaven as the fruit of their insurrection/rebellion, and with it the very desire that it was based on. In Sethian or Valentinian terms, the exile of spirit in separation from the Pleroma, born of Sophia’s desire to understand God and the resultant creation of Yaldabaoth, was, from another standpoint, the sole reason a life beyond the order of the Pleroma is possible, thus life itself is a product of her Fall. On the other hand, perhaps it’s simply a more innocent longing to beyond what is. I remembered T L Othaos’ system of “Tenebrous Satanism”, and one idea from it being that life is basically an adventure of the acausal (spirit) in the realm of flesh, seemingly undertaken for the pleasure of the acausal. The point of reconciling with the Darkness is simply to disinhibit ourselves by removing the barriers of despair and fear in order to more fully embrace the adventure. The theme of exile and solarisation is still present in this interpretation of the Fall, however: here, Satan “fell” from heaven, embracing exile in order to reject the order of God, which traps the adventurous progression of life, which itself primordially overturns everything.
In a unique way the Sun, particularly because of its “black” and nocturnal aspect, is actually quite an apt analogy for Satan and the magical path of Satanism. Satan’s Fall overturns everything, and his spiral of insurrection is the basis of life. For this reason, his sign is the imprint of life. That is Satanic solarisation, and it can be our interpretation of the dragon at the heart of the world; the dragon for us can be other than Satan, though we usually much prefer to see him as the goat. Satanic nigredo is disinhibition, enivres-vous, blasphemy, inversion, a rebours, magic in itself, and, in Pagan terms perhaps, the journey into the underworld, going to the bottom of the earth so as to overturn everything per will, on the path to our own self-actualisation and alchemical perfection. Never surrendering to anything, the magician on the path fully embraces solarisation as the delirious overturning of everything, reshaping the world in their art in their will, and on the path to weaving their will into everything. That is our will-to-darkness, our path to becoming-demonic, for Satan is the whole basis of our path, by dint of everything that we have established so far. And for all of this Satan is also the emblem of our solar myth, the solar myth of the Satanist, overturning everything to reveal the truth of its double image, its hidden reality, whiting out everything in our black light and manifesting the truth our will, a new truth, in our own Art. That is our satanic solarisation.
I would like to conclude this article with an ironic note on the lamentation that in the next essay, “The Highest Form of Gnosis” by Enrico Monacelli, about the nature of the “worldwide annihilation” that is modernity. Monacelli says here, citing Amy Ireland’s The Poememenon:
Whereas pre-moderns lived in a world ‘marked by dogmatism, a drive towards unity, verticality, the need for transcendent rule and the symbol of the sun’, moderns live in a catastrophic miasma that can only be characterised as ‘lunar, secular, horizontal, multiple, and immanent’.
Why do I think there’s irony involved? Because one is to reflect on this either as a spiral of disintegration and lunacy pervading the world at large, or as proof of Nick Land’s argument that the universe is nothing but a distintegrating machine in which we’re all witnesses to our own laceration and martyrdom. But, if we humans are truly in need for a representation of the sun, we can have it, easily! Because that sun is not the unity of God or the daylight of the world of forms. No, that sun is the sun in the underworld, the shining light of Hades. Nay, the sun is Satan, without whose sign we should not be.
Whenever Satanism is covered in the press, the focus is usually on the representations of atheistic Satanism, usually consisting of the Church of Satan, The Satanic Temple, and/or the Global Order of Satan. This is a very problematic phenomenon, one that typically leaves out theistic and esoteric expressions of Satanism, both historical and modern, to service the presentation of Satanism as an edgy but ultimately palatable form of humanism. I see that Vice recently published an article that, on the surface, would seem to buck that trend. But, in doing so, even they do not tell the whole truth, and this is a problem.
The article, written by Camilla Sernagiotto and originally published in Vice Italy, discusses a Theistic Satanist organisation that refers to themselves as the Union of Italian Satanists (or, Unione Satanisti Italiani), and consists of an interview with Jennifer Crepuscolo, the apparent founder of the USI, and a number of other Satanists who are members.
Sernagiotto’s article ostensibly gives us a basic overview of the beliefs of the Union of Italian Satanists. The USI purports to believe in what they call “Traditional Satanism”, or rather “Original Satanism” (or “Satanismo Originale”). In this system, Satan is regarded as a real and ancient deity, who was later turned into a demon by God. We are told that USI’s “Original Satanism” also worships a Mother Goddess as a central deity, a “dark and shining feminine figure that is widely stigmatized by patriarchal religions”. They also seem to believe that Satan and the Mother Goddess descended to Earth in order to impart knowledge to humans, then had sex with some humans and created a line of descendants referred to as “Satanids”. USI members often refer to themselves as “Satanids”, they believe themselves to be actually biologically descended from Satan and, thus, capable of accessing divine knowledge through “genetic memory” contained in their blood. Of course, the USI rejects the notion of Satan as corresponding to the Devil in the Biblical/Christian imaginary, but instead see him as a distinct primordial deity of knowledge and the human soul.
So far we’re already getting into vaguely familiar territory. There are sentiments among members that sound familiar enough to garden variety Satanism, theistic or atheistic, such as the belief in self-ownership, egoistic spiritual independence, the notion of Satan as a being who is distinct from Christian myth, a rejection of animal sacrifice and respect for nature. The doctrine of the “Satanids”, however, bears a suspicious similarity to the concept of the “serpent seed”. The “serpent seed” doctrine is a Christian idea which holds that Eve had sex with the serpent in the Garden of Eden and consequently gave birth to Cain, and in turned created a entire racial lineage descended from the serpent and therefore genetically and fatalistically inclined towards evil and destined for eternal damnation, as contrasted with the line descended from Adam who could earn eternal life in heaven. It’s an idea that has some antecedents in early Christianity or more specifically the “Gnostic” sects, but its modern form is the specific product of white supremacist movements and preachers who wanted to present Jews as the product of the “serpent seed” and therefore evil. Of course, here being part of the serpent’s line is in this case not to be seen as evil (indeed far from it!), but it’s still sort of the same idea: Satan has sex with humans and spawns a distinct racial line genetically aligned with his will and knowledge. On their website, as we’ll soon explore, they even apparently use the term “the satanic race” in a positive sense.
This is basically what Sernagiotto’s article discusses so far, but that is not all there is to it. They have a website, which the article handily links to. But that website also reveals some deeply troubling ideas that, for some reason, Sernagiotto did not see fit to discuss in her article and its interviews with USI members.
There’s a lot to unpack, and keep in mind that we’re going off of the available translation. From the website we learn that the Union of Italian Satanists was founded on August 11th 2010 with the intention of presenting its own take on Satanism to the public. The organisation was founded by Jennifer Crepuscolo (who also goes by “Jennifer Twilight”), but the webstie also features other authors such as Mandy Lord, Kate Ecdysis, Paola Difilla, and Khaibit, to name just a few who are listed on the “USI Authors” page. They insist that they are not “Judeo-Christian”, not rationalist, not atheists, not Freemasons (weird that they felt the need to point that out), and not “anything that we do not openly declare”. Their main purpose is to bring together the “Family of Satan” by spreading a doctrine that they call “Original Satanism”.
There are many contours to this concept of “Original Satanism”. It positions Satan as the “God of Origins”, the god of choice and self-determination, the Sophia and Lucifer of the initiatory path of self-knowledge, the “root and essence” behind countless other cults and traditions, the originary truth hidden behind every alteration imposed upon it by successive generations under the influence of “Yahwehism”. The USI’s doctrine holds that reality is an illusion, a virtual form constructed around us as a way for humans to receive meaning, and beneath this illusion is the essence represented by Satan. It’s for this reason that the USI considers that Satan can be approached through a multitude of forms, and that it would be too static to approach him as just one. For example, the USI considers Enki and Odin to be Sumerian and Norse aspects of Satan repsectively. The same goes for traditions, on the basis that Satanism is a evolution and dynamism that nonetheless proceeds from roots; one could choose to interpret this as presenting Satanism as a “living tradition”. According to USI doctrine, Satan is not evil, the Devil or a servant of Yahweh, and is instead “the God of the Soul”, the guardian of the thresholds and of wisdom, and even Existence itself, even beyond this life. This Satan is also sometimes identified with Lucifer, to the extent that USI members occasionally call themselves “Heirs of the Morning Star”. The Fallen are counted as divine ancestors who descended to the Earth to give knowledge to humans and then created a line of humans who carry “the divine seed” through procreation. USI members also believe that the primary purpose of magic is to fully retrieve the memory of that “divine” seed in the soul.
The USI espouses something called “Natural Ethics” as the ethical basis of their version of Satanism. “Natural Ethics” is basically a form of ethics that is supposed to emerge spontaneously from the person, and in turn links them to their divine ancestors and the “natural order” of the universe. Mind you, this “Natural Ethics” seems to be based on the concept of “genetic memory”. “Morality” (or rather “Imposed Morality”) on the other hand is an anti-spontaneous code of behaviour that the USI opposes because they think it leads to involution and separation from the natural order. The USI apparently does believe that “good” and “evil” exist but they’re defined as follows: “good” means what is in harmony with “the natural order”, allows or supports its maintenance and perpetuity, and facilitates the evolution and existence of life as a continuum, whereas “evil” means that which is not in harmony with “the natural order”, hinders and attacks this order, causes “involution”, hinders evolution, and supports non-existence. The USI also espouses nine points dubbed “The Nine Values of Satanic Ethics”. These are “Completeness” (meaning to “complete yourself” by acheiving a unity of opposites), “Beauty” (meaning inner and outer self-care in pursuit of the perfection of form), “Honor” (meaning to “keep one’s memory alive” or to live in harmony with your own nature or ethos), “Truth” (sort of self-explanatory I think), “Justice” (neither good nor bad, seemingly just upholding “the natural order”), “Freedom” (here meaning self-control, self-sufficiency, and the soteriological possibility of “really being ourselves”), “Wisdom”, “Pathos”, and “Identity” (meaning to uphold the identity of “the People of Satan”).
The USI tend to be very strict with the term Satanism, and uses the term “Acid” or “Acidism” to refer to really anyone who commits generically “evil”, “immoral”, or “criminal” acts, particularly if they do so while presenting ostensibly “satanic” imagery. This is essentially their term for what has conventionally been dubbed the “Reverse Christian”. These “Acids” are regarded as non-Satanists, entirely the product of “Judeo-Christian” society, who are simply either anti-Christian and nothing else or “bad Christians”. They also use the term “Hipster Satanist” for people who they think are not Satanists and simply call themselves and dress as Satanists for the purpose of transgression. Bear in mind, though, that in their eyes, being a “real” Satanist means worshipping Satan as they define him – that is, not The Devil, but their own god of truth and origin, the father of the so-called “Satanids”. By their standard, that could amount to many Satanists. Satanism to the USI is simply the “Cult of Origins”, a supposedly authentic form of the religious values of the so-called “golden age”, and the self-styled mission of the USI is the “restoration” of their cult.
The USI also seems to be polytheistic in that they recognise and venerate numerous deities besides Satan, which includes both pre-Christian deities and demons from Christian demonology. The website lists Lucifer, Samael, Bast, Sekhmet, Haagenti, Maat, Andras, Bifrons, Buer, Asmodeus, Hel, Abigor, Agares, Aini, Amon, Anubis, Beelzebub (here identified with Baal and Bael), Belphegor, Bune, Dantalian, Decarabia, Foras, Gaap, Glasya Labolas, Haagenti, Halphas, Khepu, Lucifuge Rofocale, Marchosias, Nergal, Ronove, Set, Sorath, Volac as the many gods worshipped, at least individually, within the USI. It also has a section focused on various gods of war (also dubbed “protectors of life”), and discusses a whole list of war gods including Ogma, Set, Anhur, Sekhmet, Neith, Sobek, Horus, Pakhet, Wepwawet, Montu, Menher, Maahet, Satis, Sopdu, Mars, Ninurta, Mixcoatl, Xipe Totec, Huitzilopochtli, Shay Al Qawm, Athtar, Hubal, al-Uzza, Minerva, Morrigan, Ishtar/Inanna, Tyr, Durga, Indra, Ogun, Shango, Sobo, and Hachiman, while also listing Baal, Azazel, Glasya Labolas, Halphas, Volac, and Andras as “Demons of War”.
The USI also seems to have to some fairly peculiar thoughts on the subject of aliens, as suggested by the fact that they have an article discussing the notion that the gods are aliens. The short answer, in their opinion, is yes and no. They sort of argue that it doesn’t really matter if the gods are aliens or not since either way they would be extradimensional beings, also insisting that the gods manifested on Earth biologically while taking every opportunity to assert the categorical rejection of atheism. That said they do regard the appeal to the extraterrestrial as an attempt by humans to “control” the gods, who otherwise cannot be controlled, through scientific rationalism. For USI members, “alien” is a word that can also refer to creatures from other dimensions, not just extraterrestrial but also “otherworldly”, and they do ultimately describe the gods and Satan this way too, so the lines between terms are ultimately blurred. As far as the USI is concerned, the divine beings may or may not be basically ancient astronauts.
More importantly, however, the USI also seems to be really antisemitic, and they can arguably be described as neo-Nazis. Their page on “Original Satanism” describes many people as being “slaves of the Jewish preconception” of Satan, while also attacking Jewish mysticism as blasphemous (yes I’m sure the irony isn’t lost on anyone here). They hit out at other Satanist movements by accusing them of “Judaizing” Satanism, which to them means making it “more plebeian” and atheistic; the idea that atheism is a product of Jewish influence is of course both inherently antisemitic one of the basic talking points of Nazi ideology. Their article on “Satanid Nature” asserts that they made their pact with Yahweh because they wanted nothing but power over and revenge (funny how now revenge is a bad thing!) on other lands and are in turn responsible for destroying “a world full of traditions and values” and “the birth of a progressive decline”. The same article negatively compares them to Jesus by stressing that Jesus refused the temptations of Satan (again, you would think that Satanists would prefer that Jesus not be the Messiah) whereas Moses allowed Yahweh to “corrupt” them. The article “The Way of Signs” features an image of a shining Nazi Sonnenrad alongside a discussion of the so-called “Black Sun” versus the “White Sun”. The USI rejects the popular notion of a “pact with Satan”, specifically because they believe it to actually be “the pact between the Jews and Yahweh”, which they deem to be “spiritual opportunism”.
Another almost baffling example of USI’s antisemitism is that the page about Lucifer appears to almost dismiss a source because it is ostensibly Jewish, and then presents quotations from Otto Rahn, a literal SS officer and Nazi Ariosophist ideologue, and Miguel Serrano, one of the major original proponents of Esoteric Hitlerism, as part of its discussion of the nature of Lucifer. They even argue that Christianity in its current state is “totally Judaized” and that the original Christianity was strictly “Gentile”, based on the “physiognomy” and philosophy of Jesus. This is literally just Nazi ideology, in that the Nazis argued for a Christianity that they felt be fully divested of supposed “Jewish influences”, thus an “Aryan” faith, based in turn on volkisch Protestant nationalist ideas that had already circulated in Germany during the early 20th century. More to the point it’s incredibly bizarre for self-described Satanists to be concerned with Christianity being “too Jewish” or having fallen away from some supposed origin, when the church of any stripe is still the church to us!
As a matter of fact, it seems to me that the USI has its own version of Nazi “de-Judaization”, at least as concerns the very etymology of Satan. You see, in order to prove that Satanism is not “Judeo-Christian” and is “pure” “Gentile” religion, they have to show that Satan is not a Jewish concept (as opposed to, you know, not being Nazis and not being interested in “de-Judaizing” everything). As opposed to the Hebraic origins of the name Satan, the Hebrew word “satan” or “ha-Satan” meaning “adversary”, the USI proposes a supposed Sanskrit origin for the name Satan. They claim that the Sanskrit word “Sat”, ostensibly meaning “truth”, and a supposed Indian mantra “Sat Nam”, supposedly meaning “whose name is truth”, or alternatively the words “Sanat” (meaning “eternal”) or “Sat Ana” (supposedly meaning “acting in the truth”), as the true etymology of Satan. There is of course no evidence of any correspondence between these Sanskrit terms and Satan or any figure or concept like Satan. In fact, I suspect that this idea is the brainchild of Kerry R. Bolton, a white supremacist esoteric fascist who set up several fascist occult and pagan groups before ultimately converting to Christianity. Not to mention, the fact that I only ever seem to see this idea espoused by Nazi Satanists tells me that the idea of Satan having a Sanskrit rather than Hebrew origin suggests a various obvious attempt to portray Satan as a fully “Aryan” concept.
And speaking of Nazism, there is a page of the USI’s website that implies the group’s possible ideological support for Nazism. In an article billed as an analysis of Joy of Satan, Jennifer appears to defend National Socialism by saying that “National Socialism has effectively been portrayed as the greatest evil in the world without however ever saying its positive aspects, much less telling how even Communism has shed blood and totalitarianism, indeed maybe more”. Ostensibly this takes the form of some argument about how all ideologies are violent and therefore none are sacred, which would still not merit any equivalence or defense of Nazism by any stretch, but then Jennifer goes on to say that she “learned about the ethics that moved the original ideology”, as well as “esoteric studies” and “the spirituality itself that distinguished our Aryan ancestors”. These suggest a clear ideological sympathy for Nazism. If I’m being honest, the fact that, in a separate article, the USI characterizes Jesus as a “personification of the Gentile spirit” modelled on the basis of pre-Christian gods and “pagan” heroism only further demonstrates that it is based on Nazi ideology . After all, the Nazis frequently insisted that Jesus was originally an “Aryan” German deity named Krist, while Adolf Hitler himself lionized Jesus as an embodiment of “Aryan” virtues. The USI similarly claims that there is a “real” Kabbalah (that is, an “Aryan Kabbalah”) that originated in ancient Egypt, was supposedly derived from a phrase “Ka Ba Ankh”, was violently suppressed by “Judeo-Christians”, and supposedly could be recovered by Satanists with the help of demons. In essence this is basically the same basic idea that the volkisch occultist Guido Von List (who did inspire the Nazis) had, except that List believed that Kabbalah was created by ancient Germans.
A major theme of USI doctrine is a supposed conflict between “Yahweism” and “the religion of the Gentiles”. This is of course forgetting for a moment that the “Gentiles” in Rome were really all too happy to embrace Christianity once it became part of the existing cultural and political spiral of proto-whiteness, or at least politically expedient for the ruling classes of European or “Gentile” nations. The subjugation of Satan by Saint Michael is thus interpreted as the subjugation of “Gentile religions” by “the Yahwehists”. They consider the awakening of “Gentile Memory” (which, if you’ll remember, is supposed to contained in the blood of the Satanids, which is supposed to be USI members!) to be a return to the origin of the soul of the Satanid, as the biological descendant of Satan, so as to deify themselves and “restore” their identity as a “spiritual race” – or, “the satanic race”. The fact that the USI repeatedly uses the word “Gentile” implores us to remember that “Gentile” is supposed to be a word used to refer to non-Jews. On this basis, using the word “Gentile” to refer to yourself, your religion, and your “racial memory” and contrasting it with “Yahwehism” or “Judeo-Christianity” is a clear statement of religious, spiritual, and ontological antisemitism. For fuck’s sake there’s an article in which Jennifer distinguishes Satanists from Pagans by saying that Pagans are the “civilians” and Satanists are a kind of military force fighting against “the Judeo-Christian regime guilty of having contaminated our ancient traditions”. Not only is that classically antisemitic, it’s essentially just the original Christian distinction between the Christian as “Milites Christi” (literally soliders of Christ!) and pagans as “civilians”.
Based on all of this, there are times when I question even the very validity of the USI’s self-designation as “Satanist”. The “Satan” they worship may share characteristics with prevailing ideas about Satan within Satanism, but can be understood as essentially their own “god of the Gentiles”, strictly separated from the idea of Satan as The Devil or The Adversary (which for the record is still typically honoured within Satanism) and representative of an originary “Gentile” religion. Jesus is lauded for refusing the temptations of Satan because to them the Biblical Satan is not Satan, but rather a “Judeo-Christian” construction meant to serve as God’s shadow, while the “real” Satan is basically the “Aryan” supreme deity and Jesus is one of the various “Aryan” gods. Everything about the USI’s doctrine is tied together by what is essentially a neo-Nazi ideology in which members believe that they are racially linked to Satan and are therefore biological representatives of ancient “Gentile”/”Aryan” religion. We can also see that the white supremacist concept of the “serpent seed”, originally created to demonize Jewish people, is basically reimagined by the USI as the lineage of the “god of the Gentiles” and thus the “Aryan race”. When USI members reject conversion on the grounds that “you are either a Satanist by nature or you will never be a Satanist”, what they mean is that you can’t be converted to Satanism because you have be born a “Satanid”, because their version of “Satanism” is basically an ethnic religion for “Gentiles” (“Aryans”).
It should thus also come as probably no surprise at all that the Union of Italian Satanists has also had a history with Joy of Satan, another notoriously antisemitic spin on Theistic Satanism in which Satan is believed to be Enki and worshipped as the god of the “Gentiles”. In fact, they even cited JoS leader Maxine Dietrich in their article arguing for the name Satan being Sanskrit rather than Hebrew in origin. There is a whole article written by Jennifer “Twilight” Crepuscolo (who we must remember is the founder and leader of the USI) about the Joy of Satan, in which a significant degree of praise is mixed with criticism. Jennifer wrote that she always admired the “passion”, “frankness”, “simplicity”, and “courage” of Joy of Satan, and praised them for allegedly coining the definition of “Spiritual Satanism” and thus supposedly slapping Satanists away from the materialism of atheistic currents such as LaVeyan Satanism, while also criticizing the organisation for its perceived dogmatism, angry young membership, and an obsession with having sex with demons and (ironically enough) antisemitism. I say ironically because the USI itself is a pro-Nazi antisemitic organisation that makes arguments based on Nazi ideology and cites Nazi authors, so really their only objection to JoS’ antisemitism is that they’re too loud and too virulent about it – nothing but a matter of taste, and I suppose the fact that JoS members like to call Jennifer things like “filthy Jewish whore” for not being sufficiently antisemitic. In fact, just to highlight USI’s antisemitism once again, there is an article on their website discussing the so-called Illuminati, which uses quotes from the Talmud to argue that Jews hate “Gentiles” and features a meme of a man wearing a shirt saying “I love shiksas”, so as to emphasize a supposed xenophobic misogyny in Jewish men (“shiksa” is apparently a disparaging word for non-Jewish women, which the USI article insists is an object of sexual fantasy). For a group that insists that JoS spends too much time hating on Jews, they seem awfully eager to do it themselves. By the way, that same article defends Roman colonialism while emphasizing that the colonization and enslavement of Africans was done by “Judeo-Christian” people and that the former was good and the latter bad.
OK, I think we’ve seen about enough. That website obviously has far too much content for the Sernagiotto’s article to cover fully in its intended scope, but I reckon that Sernagiotto could have at least visited the website once and asked questions about, among other things, the USI members’ opinions about Jews, National Socialism, and what the USI website says about those subjects. That she did not cover this at all is a serious omission, because all this stuff about “Gentiles” versus “Judeo-Christians” is core part of the USI’s worldview, not just an incidental oart of the beliefs of some individual members. The only problem there is that perhaps they might not have answered. I attempted to ask Jennifer Crepuscolo about the USI’s support for Nazism as she was responding to QueerSatanic, but she has not responded.
Let me clear about a few things, I want there to be more positive coverage of Theistic Satanism. I’m tired of glorified humanist think tanks and the Church of Satan, or just this narrative that “Satanism isn’t about worshipping Satan”, getting all the limelight whenever the press wants to talk about Satanism to the normies or what have you. What I do not want is for this to mean that neo-Nazis get to have puff pieces wrriten for them by people who don’t ever do the research they’re supposed to. And make no mistake: the Nazism is the main issue. It’s not their theism, it’s not necessarily their beliefs about aliens (though that subject has some problematic contours on its own), its primarily the fact that they uphold repackagings of Nazi and white supremacist ideology that they use as the basis for their broader worldview, and the fact that their founder and apparent leader seems to support National Socialism.
While reading Gruppo Di Nun’s Revolutionary Demonology I encountered an interesting discussion of the figure of Dracula in the essay “Gothic Insurrection”, which was written by Claudio Kulesko. Here, Dracula figures as a major archetypical expression of the barbarian in popular culture, and it’s this particular context that I feel inspired to explore.
Why would I focus on this, you might wonder? Isn’t it a little early for Halloween? Fool! For some of us every day is Halloween, at least if you mean what I think you mean, but only one day of the year is Samhain! But seriously, I think that Kulesko’s discussion of Dracula in the context of the barbarian presents a fascinating opportunity to explore thematic underpinnings that have frequently found expression in the Left Hand Path and adjacent subcultures. Vampires have never been absent from the archetypal considerations of the Left Hand Path, indeed there are often frequent explorations of the theme of vampirism within modern Satanism, which is perhaps not too surprising when we consider how often that vampires were frequently linked to Satan himself as antitheses to Christianity. And it’s perhaps this combined with the Paganism of Dracula’s “barbarian heritage” in which Dracula emerges as a glorious icon of the intersection so important to my own polycentric project of Satanic Paganism.
But I suppose first of all: what is a barbarian, besides perhaps a loaded term? We can stay on Kulesko’s analysis for this question. The term “barbarian” derives from the Greek word “barbaros”, which in ancient Greece seemed to denote those who spoke in “incomprehensible” non-Greek languages, and therefore referred to foreigners. The barbarian’s linguistic outsideness from Greek (or indeed “Aryan”) civilization led to their consideration as almost non-human, more animal than human, and certainly not subject to the rights that civilization affords its subjects. By the Middle Ages, the term “barbarian” also came to designate non-Christians at large (“pagans”, “heretics”, Muslims, atheists, etc.), and in theological terms those who opposed God because they somehow lacked the light of natural intellect that would allow for some supposed latent intuition of God. Conceptually, the barbarian is always someone who not only sits on the wrong side of civilization but also threatens to cross through the borders and invade that civilization.
The barbarian’s “non-human” animality is reflected in the civilized imaginary via the nightmare of the Berserker, the ecstatic bear-skin warriors who dedicated themselves to the Norse god Odin. These Berserkers would actively negate the cultural boundary between “the human” and “the animal” by not only dressing in animal skins but also by taking on the traits of the animals they sought to emulate. It was even believed that they actually transformed into wild animals, thus completely transgressing the line between “human” and “animal”. For Kulesko the Berserker’s wildness and separation from the word figure strongly into black metal, such as in the case of Bathory with songs like “Baptised in Fire and Ice” and “Blood and Iron“, lyrically narrating a lost time without any clear boundaries between Man and beast and where humans were immersed in the voices of the land. Kulesko actually quite beautifully describes this admittedly nostalgic expression of the Pagan worldview:
The forest spoke in a non-human voice, the gods had not been relegated to an unreachable sky, humans had not been separated from non-humans; nature was one and, at the same time, many things constantly striving to know, relate and interpret each other.
So, without stretching our preamble too much further, how exactly does Dracula figure into all of this? Well, Dracula does share certain characteristics with the barbarian as we have thus far discussed. He along with the archetypical vampire share a sort of becoming-animal with the Berserker. He can turn into a bat or a wolf, and beyond this he could even turn into mist, thus going beyond even animal. The barbarian’s outsideness is also reflected in the way Dracula presents a chaotic and elusive threat in the form of the return of the undead, or of undeath itself, and with it the possibility that humanity could be destroyed by something that seems fundamentally alien to life. Perhaps Dracula inherits a “barbarian” reputation via the cruel reputation of the historical “Dracula”: Vlad III, also known as Vlad Tepes (“The Impaler”), the Voivode of Wallachia (modern day Romania) who became known for his exceptional brutality. The barbarian outsideness of Dracula is also, in Bram Stoker’s novel, given a conspicuous racial subtext, reflective of the anxieties of 19th century eugenicism. In Chapter 3 we find Jonathan Harker recounting his conversation with Dracula, in which Jonathan asks Dracula about the history of Transylvania and then Dracula regales Jonathan with the stories of his people – apparently the Szekelys, a Hungarian subgroup who lived mostly in the Eastern Carpathian Mountains in Romania.
We Szekelys have a right to be proud, for in our veins flows the blood of many brave races who fought as the lion fights, for lordship. Here, in the whirlpool of European races, the Ugric tribe bore down from Iceland the fighting spirit which Thor and Wodin gave them, which their Berserkers displayed to such fell intent on the seaboards of Europe, aye, and of Asia and Africa too, till the peoples thought that the werewolves themselves had come. Here, too, when they came, they found the Huns, whose warlike fury had swept the earth like a living flame, till the dying peoples held that in their veins ran the blood of those old witches, who, expelled from Scythia had mated with the devils in the desert. Fools, fools! What devil or what witch was ever so great as Attila, whose blood is in these veins?
The description of Dracula’s lineage as a “whirlpool of European races” serves to emphasize a background that is meant to be seen as both exotic and dangerous. Dracula descends from an ethnic melting pot of peoples, whose diverse admixture is from his perspective a source of unparalleled strength. In Victorian England “whirlpool” was a term reserved for impoverished parts of the East End in London, home to a diversity of immigrant populations, which to Victorian audiences seemed inexorably violent and unruly. This subtext is only exasperated when we remember that part of the plot of Dracula is that Dracula wanted to buy property in England in order to infiltrate English society, especially by seducing English women, to create more vampires.
All of that having been said, the point of my article was to disccuss the intersection involving Paganism, and having established the overall theme of the barbarian in Dracula, we can safely move on. In the same chapter, we see Dracula invoking, or at least recalling, the Norse gods Odin and Thor in the name of his apparent ancestors, the Vikings and the Huns. Kulesko notes this as a conscious choice on Stoker’s part, meant to convey a link between Dracula on the one hand and the polytheistic “barbarians” who were subjugated by Christians on the other hand. Dracula’s conceit is that he and his people derived their strength, their ability to conquer, from the lineage of Attila the Hun as well as the divine inspiration of Norse gods, and to this effect he later credits this influence to the successful repulsion of invasions by various enemies. It’s here that we can get into a theme that interests me.
The idea of evil pagan barbarians worshipping warlike gods and marching against Christian civilization has its own long chain of historical context. For one thing, the pre-Christian Vikings acquired that sort of reputation among Christian Anglo-Saxons, whose accounts described them partaking in ecstatic war dances dedicated to their gods during their campaigns. Before Scandinavian kings started converting to Christianity, the Vikings could be contrasted from other parts of early medieval Europe, and so marauding Vikings were feared as great heathen armies at war with Christendom. The Odin and Thor invoked by Dracula could be seen as “warlike” in their own way, at least in that both of them were warrior deities, though Odin was also more like the magician who directed the course of battle than the frontline fighter that Thor was. But there were also many other gods to some extent connected to war and battle, such as Freyja, Freyr, Tyr, Ullr, or Hodr, and in the end, when Ragnarok comes, all the gods are warriors fighting in the “ultimate” war. But before Christianity there was the Roman Empire, whose imperialist narratives about barbarians are ultimately an urgrund for the later Christian imagination, and ultimately further the imaginary of the construction of whiteness. Consider the Roman campaigns against the Germanic tribes and Britain. Rome, Germania, and Britain, were all polytheistic, but they worshipped different gods (which the Romans often interpreted as actually being their gods) in their own cultural contexts, which have since become (perhaps utterly) lost to time. The Romans frequently depicted their Celtic and Germanic adversaries as practicing gruesome rites such as human sacrifice and contrasted them against the civilization of Roman religion, even as they also cast the gods of their enemies as their own Roman gods.
In the case of Vlad III, we should note that he was probably not a polytheist, and nor for that matter was the Wallachia he ruled over. Wallachia was officially founded in the 14th century long after what we now call Romania had already accepted Christianity as its official religion, and Wallachia was founded as a Christian principality. Still, it could be said in Eastern Europe there were late converts. The Bulgarian Empire, for instance, was officially polytheistic until the year 864, under Tsar Simeon I and his successful campaign to Christianize the empire. Pre-Christian Bulgarians worshipped Tengri alongside the various gods of Slavic polytheism, and in the eyes of Christians they were a warlike society that, initially, did not take well to Christianity. The Principality of Hungary essentially remained polytheistic, or at least continued to be ruled by pagan monarchs, until the year 1000 when Stephen I became King of Hungary after defeating the pagan duke Koppany. The Magyars likely remained pagan for centuries until the 11th century, what few sources remain of their beliefs suggest a prevailing animistic worship of the natural world. Lithuania, known as “the last pagan country in Europe” did not officially adopt Christianity until 1387, prior to which Lithuania continued to practice pre-Christian polytheism and had to fight the Christian crusades against it while expanding as a sovereign power in their own right. But, of course, even under the veneer of official Christianization, in the Slavic countrysides pre-Christian polytheism persisted among the general population, to the point that it took centuries for Christianity to actually integrate. The Kyivan Rus (which consisted of what is now Ukraine, Belarus, and parts of Russia), for instance, officially became a Christian state in the year 988, after Volodymyr I Sviatoslavych converted to Christianity and renounced polytheism, but most of the population still did not consider themselves Christian for centuries, and in the northern settlements (now corresponding to western Russia) many people continued to practice polytheism and occasionally revolted against Christian rule. Similarly, in Poland, polytheism persisted by the 11th century and there was popular opposition culminating in revolt against Christian rule, and the Catholic Church struggled to eventually suppress it.
Relevant also to the context of “barbarian” outsideness would be the nomadic Mongols that eventually came to be dubbed the “Golden Horde”. As they spread across Asia and towards Europe, the Mongols were feared by Christendom for the strength of their armies and the devastation they wrought, and with it the threat they posed to Christian Europe following the invasions of Hungary and the Rus, which by this point happened to be Christian states. Until the institution of Islam as the official state religion in the 14th century, the Mongols maintained the practice of their own autochthonous animistic religion, and although the Mongol empire probably had no particular anti-Christian animus, their being non-Christian while attacking Christian kingdoms led to the church presenting them as basically agents of Satan. Perhaps Christian leaders feared that a successful Mongol conquest of Europe would lead to the dethronement of Christianity, though within Mongol territory Christianity was actually tolerated alongside many other religions.
Bram Stoker’s Dracula in the context of his ancestral conceits emerges as a reflection of Pagan outsideness within the Christian imaginary. The “whirpool” of Dracula’s origins curiously reflects a cornucopia of antagonisms to Christianity. He claims descent from Attila the Hun, the leader of the Hunnic Empire, which was likely a non-Christian territory worshipping gods like Tengri or “Mars” (probably the Roman identification of a Hunnic god of war) and which led a campaign against Christian Rome, as well as the Norse Vikings, who up until between the 9th-11th centuries would typically have been polytheists. Dracula also claims that the Magyars, whose ancestors he asserted gave rise to the werewolves and the Beserkers (a claim, by the way, that Stoker probably sourced from Max Muller’s work), recognized the Szekelys as their kindred after conquering the Carpathian Basin under Árpád (who was a pagan), and trusted them with their protection from Turkish forces. Transylvania and Wallachia in the time of Vlad III would definitely not have been pagan, but it’s interesting that this context in Dracula swirls here, in the remnants of pagan resistance alongisde another sense of barbarian outsideness. Dracula, as contrasted with the seemingly unproblematic chain of English Christianity (we should at this point keep in mind that England had its own complicated history of Christianization), is presented as emblematic of the legacy of anti-Christian barbarism, positioned as foreign to Christian civilization.
At long last we can focus on the legacy of the warlike gods and spirits, and it is something I rather enjoy reiterating when I get the chance here. I could take any chance, for instance, to repeat the subject of the Mairiia, that purported band of polytheistic ancient Iranian warriors who celebrated orgiastic feasts, had promiscuous sex with women who were termed “jahika” (traditionally understood as promiscuous sorceresses), and worshipped “warlike” deities such as Indra, Rudra, Mithra, Vayu, Anahita, and Θraētaona (or Fereydun), and whose ecstatic cult we are told was proscribed by Zoroaster and banished from Iran as an enemy of the emerging Zoroastrian religion. These Mairiia, in this sense, embody barbarian outsideness in that they were considered enemies of the community within the Avestan context. They may or may not have been echoes of older Indo-European clans of warriors who disguised themselves as wolves, held orgiasitc sacrifices and feasts, and devoted themselves gods that represented “dark forces of life”, or Indo-European bands of warriors who similarly devoted themselves to esoteric worship of gods with strong connections to the realm of the dead. This is what scholars refer to as Koryos, meaning “war band”, or alternatively as Mannerbund, meaning “alliance of men”. The barbarian is well-reflected in them, not just in their resonances with the Berserkers but also in their nomadic outsideness, living outside the boundaries of their society with nothing but their weapons, and going on raids thus always threatening to cross the borders of the community; and also being employed by powers to do the raiding for them, perhaps so that they would not be raided themselves.
The rites and gods of these war bands tell us something else. In Greece, adolescent war bands typically dedicated themselves to Apollo, who was often called Lykeios and regarded as the master of wolves that symbolised their fighting style. The mythical battle between Melanthus and Xanthos, the former associated with Dionysus Melanaigis, has also been interpreted as a rite of passage for the ephebes, who wore dark goat skins just as Dionysus did. The Norse Ulfhednar and the Berserkers, of course, were devoted to Odin, the patron of their divine inspiration and madness. The wolf association spreads far and wide; the Langobards of northern Italy who worshipped Godan/Odin and the Vanir were intially called Winnili, meaning “wolves”. In Vedic India, adolescent warriors would be initiated into a band of warriors during a winter solstice ritual where they would go into a trance and then “die” and be reborn as war dogs. The outlaw warriors and their priests had the gods Rudra and Indra as their divine patrons, both linked to the Maruts, the latter believed to be a mythological representation of the Mannerbund. At Krasnosamarskoe, located in the Russian steppes, some people practiced midwinter rituals where they inverted social customs, particularly the taboo against eating dog meat, in order to become like dogs or wolves themselves, thus transforming themselves as a rite of passage. Darkness seems to be a theme for these sorts of ancient warrior bands, in that there may be keen preference for the nocturnal and the mobilization of chthonic forces. The Roman author Tacitus recorded something like this in the Germanic Harii, who he dubbed “savages”, wearing dark dye, brandishing dark shields, and preferring to conduct battle at night, while the Athenian ephebes wore dark black cloaks (or rather chlamys) and both hunted and fought at night. In India, warriors who worshipped the gods Rudra and Indra wore black clothes.
For Amir Ahmadi, writing in The Daēva Cult in the Gāthās, this would all resonate not just with the Mairiia but with the cult of the Daevas at large, with its preference for nocturnal sacrifices and its self-emphasis on a warlike divine centre. The Daeva cult was very chthonic in emphasis, with the daevas being worshipped at night and often underground, while the Mairiia also performed nocturnal sacrfices to their gods. Many of the ancient Koryos or Mannerbunds have their own chthonic link, often more implicit and symbolic by their wearing black or just the association with the wolf, which itself is often symbolically linked with death across culture, but also sometimes more forthrightly in the associations with gods such as Odin or Rudra. Ahmadi tells us that one of the operative points is that the warrior of the Koryos or Mannerbund took up a mystery in which they separated themselves from the herd, both in life and in death, in order to win not only fame in this life but also a place of distinction and honour in the afterlife. One then plunges into the underworld, and across the world sword in hand, to carve one’s own place in the beyond, one that cannot be taken away. But the consistent theme of wolves and bestial transformation also returns us to the subject of Dracula and the vampire.
The vampire, the barbarian, the warlike Mannerbunds that turn into wolves, and to a certain extent the witch (part of the fabled Witches’ Sabbath involves a carnival of shapeshifting into animals), all these share a very similar Deleuzian sense of becoming-animal, and in this sense we can understand that as a unique mode of becoming: freedom from the civilizing perception of the civilized human organism, a subject that is no longer stable but constantly anomalous, inaccessible to definition, and in a certain way irrepressible because of it. The sort of localised chaos, the double negation that elevates individual expression, a kind of abject liminality as subject to desire, that is the tendency of passing through dimensions at will instead of drawing permanent boundaries – thus Kulesko notes of the barbarian. Pagan religious consciousness is resplendent with this latent sense of barbarian liminality and outsideness, even in view of the many boundary-drawing civilization-states of pre-Christian antiquity. The spirits of the netherworld could always cross into our world, and at certain points the borders between worlds could be shattered completely: the divine was seen to be everywhere, always intermingled with the world, and could cross the boundaries of our world anywhere. Kulesko notes the reflection of this consciousness in Quorthon’s modern reassertion of Paganism, in his lamentation for the lost time when “Man and beast was one and the gods of the sky walked the face of the earth”. Per Kadmus Herschel we can be reminded of the way that polytheistic myth echoes the notion of a potentially endlessly transforming form or body. And, of course, we may recall Stanislaw Przybyszewski’s satanic observation of remnant paganism as the latest negativity beneath the Christian order, and its resonances with barbarian outsideness and perhaps the pre/intra/preter/anti-cosmic darkness that Gruppo Di Nun speaks to in their larger body of work.
I would invite the consideration of another theme as well: how the death of Dracula figures into the magical art of the Left Hand Path.
Consider Kulesko’s telling of the novel’s end, from the lens of a Marxist critique of neoreaction and its interpretation of catastrophic time (the bold/italic emphasis is my own):
In the last pages, Dracula is cornered and stabbed in the heart, whereupon he turns to dust – but not before, for a brief moment, an expression of peace crosses his face. The narrator interprets this expression in a moral sense, attributing it to relief at being freed from his tormented existence, consisting of crime and eternal damnation. However, the Marxian analysis, and what we have said so far here, would seem to indicate that a different interpretation is more appropriate: the vampire has returned to his place of origin, the atmospheric-inorganic world, only to be reincarnated in the complex cybernetic system of machines and monetary flows that shapes Capital, waiting to once again unleash his annihilating fury. The Anthropocene, the age of ecological catastrophe, is the era through which the cybergothic age winds like a snake.
When I read that passage, the first thing I immediately thought of was Hellsing, both the manga and the Hellsing Ultimate series. Why? Because it felt a lot like how Alucard “died” in the end.
For one thing, Hellsing’s Alucard is supposed to be none other than Dracula himself. The name Alucard is obviously the name Dracula in reverse, and prior to Hellsing it was used as the name of the son of Dracula, the first version of which was Count Alucard in the 1943 movie Son of Dracula. Here, though, Alucard is not the son of Dracula, but rather is Dracula himself. Based on the narrative of Bram Stoker’s novel, he was Vlad III, Voivode of Wallachia, who in turn came to be known as Count Dracula. Dracula was defeated by Abraham van Hellsing, and then for some reason Abraham decided to, instead of killing him, bind him with sorcery and turn him into his servant, and from then on he became the servant of the Hellsing Organisation deployed in its battles against various occult adversaries.
Now, as regards Alucard’s “death”. The Millennium Organisation, a Nazi paramilitary group, created artificial vampires from the blood of an old vampire (referred to simply as “She”) and then sent a whole army of them, dubbed “the Last Battalion”, to invade London and destroy the Hellsing Organisation. These artificially-produced Nazi vampires do battle with the forces of Hellsing and the Vatican, and with Alucard himself. As Alucard slaughters all of his enemies, including his comrade-turned-traitor Walter Dornez, he absorbs the blood of all those who were slain in London, and with it their souls, gaining their knowledge and memories – in a sense their very lives – within himself in turn. That ability is what allows him to learn about the continued existence of Millennium after their presumed destruction during World War 2. Then, amidst Alucard’s protracted blood feast, Schrodinger, the Millennium Oberscharführer, cuts off his own head with a knife, and then falls into the ocean of blood in order to also be absorbed by Alucard. This results in Alucard vanishing into thin air, disappearing and “absorbing into himself” as Schrodinger’s power being absorbed along with millions of souls causes Alucard to no longer perceive himself. The flipside of this, however, is that while Alucard seemingly accepts his defeat and “dies”, he is also not really dead. For 30 years he persisted in an inert corpse-like state, in which he had to kill the millions of souls he had already absorbed to control Schrodinger’s power, and upon succeeding, he could then seemingly reincarnate into the whole body of existence. Somehow he became both everywhere and nowhere.
In Hellsing’s Alucard, Dracula’s “death” manages to take on a new and elevated significance. Dracula per Kulesko is a being of pure gothic time: that is to say, an “inorganic” or “eternal and motionless time, suspended below the veil of the present, ready to seize those human beings naive enough to go snooping around in the dark recesses where evil hides”. This makes him both Vlad III and not Vlad III, and both Dracula and not Dracula, and his thirst for blood is a desire for atmospheric dissolution that emerges from exactly his origin in the otherworld of gothic time. Alucard naturally shares this sense of gothic time, and the obscure essence of the vampire, with it double negation of individual unity, is magnified by his ability to contain countless souls in himself, as well as the way this eventually causes him to “disappear” into everything by absorbing Schrodinger. Alucard has simultaneously returned to his origin in gothic time and weaved his power into the whole world. He is and is not Alucard, because he is and is not everything, and this allows him to appear and disappear like a shadow at any time and any place. Moreover, perhaps even Alucuard’s thirst for battle can be interpreted on these terms in that it draws him to the conclusion of awesome cosmic dissolution and reincarnation. For this reason, Alucard could never be satisfied by any battle that would not draw him towards this conclusion: only the Battle of London, an apocalyptic confrontation with Millennium, could bring about this end, and that’s why, to the shock of everyone, he welcomes the Major’s declaration of war with such maniacal joy.
It is not sufficient for the Left Hand Path individual to exist as an eternal temple, gnawing away at everything in the name of its absolutism and sovereignty. No, there must be a different point to the cultivation of will, to divine identification. The Left Hand Path adept would rather strive to be reborn in the whole body of the endlessly becoming universe through their will. A will capable of imprinting itself and being absorbed into the world, as if becoming part of an endless stream of blood, or entering into the whole of things from the soul’s origin. Thus, we go to the bottom of the earth. Some aspect of this feels like I’m talking about Thelema, except there’s no surrender involved. It’s more like the blood thirst, or more appropriately as though you’re plunging into the world, and thus still penetrating it as the Left Hand Path practitioner might. In an endless chain of becoming, we will dictate the horizons of our own becoming, and gain the power to thrust open the doors of divine reality that we may enter the world itself, and join the company of the gods.
Actually, that whole analogy is very suitably barbarian. If you’ll forgive the flaws in this initial comparison, remember that the barbarian is recognised as one who not only dwells outside the borders of civilization but also seeks to cross into them, invade them even. Barbarian outsideness invites the consideration of our own relative position. If there is a realm outside us perhaps we are just as surely outside of it. While Gruppo Di Nun speak of an outer that threatens to penetrate our own world at every turn, it could also be said that we stand outside another world or plane: one that stands beyond our perception, and (or) one that is as well inner to us. In a way, I suppose we can lend on a distinct interpretation of what Kulesko and Rhettt have called “stepping out of our present condition into an alien state of absolute Outsideness and community with the Unknown”. Humans, indeed all living things, are born into a world that they wake into without understanding it, as they then reach out to each other. The esoteric barbarian of the Left Hand Path will descend and penetrate the world, going down to open the doors that others will not, and into the unknown, and by doing so surpass the condition of other humans: perhaps, even, of humanity. The idea of storming heaven to steal the fire carries with it a similar meaning. Stirner’s notion of heaven-storming is also somewhat relevant, in that for Stirner the real storming of heaven consists in the total destruction of the heavenly boundary between the Unique and the world: that, after all, is the point of transgression, to destroy the boundaries that alienate our consciousness.
The theme of barbarian outsideness also inevitably connects us to the demonic, in the sense of demonic outsideness. The demonic, for Kulesko at least, is connected not only to un-being and becoming but also outsideness, in that demons represent a dimension that is both external to the order of humans and capable of breaking into it: that, of course, is the spectre of demonic possession. We may find that Bernard Faure’s analysis of the demonic in Japanese Buddhism, per Rage and Ravage, more or less aligns with this idea, with the addition that it represents a reality that not only subverts and overflows structure but also acts as the negative source of movement and life itself. Kulesko would probably nod to that to some extent, in that he locates a demonical presence in even the most mundane actions. In some contexts, such as in Egyptian magic, demons exists at the margins between this world and the otherworld, protecting the afterlife from intruders, and could be invoked, thus entailing the demonic as representative of a liminal space, or an interstice between life and death. And, of course, none other than The Devil himself brings together the demonic and barbarian outsideness. In the medieval imagination, The Devil, or Satan, was frequently positioned in the wilderness, outside the borders of the Christian community, but also constantly threatening to infiltrate this community. That sense is part of the root of the fears and superstitions around witchcraft, and with it the medieval mass panic that was the witch hunts. This idea also has its resonances with the Biblical conception of the wilderness, or rather particularly the desert, as the home of demonkind, not to mention Satan’s appearance in the wilderness as the attempted tempter of Jesus, and with the wild men or woodwoses that also preoccupied the medieval imagination and may themselves have also been identified as demons. In medieval Scandinavian folklore the Devil is allied to nature spirits and nymphs that were perhaps previously honoured or venerated before the dominance of Christianity, and in this setting the wilderness is pictured as an inverted world, as gateway to demonic powers. Outlaws would be believed to step in and out of this inverted world, making pacts with the Devil as their patron god and having sex with nymphs in order to gain magical knowledge and powers. Medieval devil-worshipping Swedish outlaws, such as Tideman Hemmingsson, Hakan Jonsson, or Mickel Kalkstrom, can here be pictured as stepping out into a realm of outsideness, into the unknown community, precisely so as to elevate themselves.
Dracula, of course, ultimately connects back to the realm of the Devil in some way, even at the level of his namesake. The name comes from the fact that Vlad III was called Dracul, which means “dragon”. It was originally inherited from his father, Vlad II, who gained this moniker from his service in the Order of the Dragon. But the word “dracul” in modern Romanian also came to mean “devil”. Perhaps this is shaped by the reputation of Vlad III, or equally by the long-standing link in Christian symbolism between the Devil and dragons, solidified in the Book of Revelation by the reference to Satan as “the great dragon” who “deceives the whole world”. In some versions of the Dracula story, Vlad III became Dracula by renouncing God and making a pact with the Devil for eternal life. A short story by Bram Stoker, titled Dracula’s Guest, seemingly links Dracula to Walpurgis Night, and to ideas about how it marks the arrival of the Devil in the world, along with the attendant uprising of the dead. It is even sometimes suggested that Dracula himself is a like a modern symbol of the Devil, from the Christian standpoint of course, emphasizing the idea of the Devil as the intractable adversary of humanity, struggling bitterly and insidiously against humans, to corrupt or destroy us.
In the end there’s much to be said for the crossing of boundaries as regarding the Left Hand Path. I remember a few years ago encountering certain ideas about, in Roger Caillois’s terms, the “left side of the sacred” in relevance to Paganism. This aspect of “the Sacred” (a term that I now accept as fairly insufficient as a descriptor as a descriptor of divine reality) concerns itself with the transgression of the “normal” boundaries that are attached to life, can be defined by a relationship with death and the powers of the underworld, and emphasizes the power of the sacred to disrupt and penetrate the day-to-day order that we live in. I remember Finnchuill relating this to certain practices of the pre-Christian world, such as Dionysian rites and the worship of chthonic gods such as Hecate in Greece, dealings with the dwellers of the sidhe mounds in Ireland, the invocation of chthonic deities by Gaulish sorcerers, and the Sumerian myth of Inanna’s descent to the underworld. He also used Bataille’s image of the Akephalos, the headless demon, to convey “the left sacred” in terms of the death of the monarch, the destruction of hierarchy, and the resulting disruption of the social order (Bataille’s Acephale was likely intended to symbolize the radical rejection of fascist spirituality in favour of anti-authoritarian mythology and ritual). For Paganism, this means the core matter is the trangression and dissolution of the boundaries between humans and “the Sacred”, which would come a resulting fixation on chthonicism, as contrasted with the “right sacred” which sought to preserve boundaries between Man and “the Sacred”, to prevent “the Sacred” from constantly pouring into the world. Disinhibition is central to this outlook: this meant flagrant defiance of the prevailing social customs as a means to access divine consciousness or community in ways that could be acheived within the boundaries of the civic order.
Dracula, that dragon containing within himself the wild negativity of demonic and pagan outsideness, the vampire lord who invokes the warlike gods and the Devil and can turn himself wolves, bats, and mist, the barbarian who thirsts for blood and so invades Christendom, is an emblem of the gothic time that shines upon and in the Left Hand Path. Here lies an interesting nexus of intersection that can be cultivated between Satanism and Paganism, and a darkly radiant ethos for the Left Hand Path. Thirsting, devouring, battling one’s way into the world, living forever in the black atmosphere of everything, becoming without end.
The hits just keep on coming for the start of 2023. First Andrew Tate gets arrested because he decided to tip himself off to Romanian authorities, then Benedict XVI dies, and now The Satanic Temple has once again lost their primary case against the Queer Satanic collective.
Yesterday, the United States District Court for the State of Washington in Seattle granted a motion to dismiss the claims made by The Satanic Temple, and its parent LLC the United Federation of Churches, against four queer Satanist activists collectively referred to as Queer Satanic. This is apparently the second time in the entire history of The Satanic Temple’s three year legal campaign against Queer Satanic where TST has had their case dismissed in court, which certainly does not bode well for TST’s attempts to silence their critics or their larger litigation record. In 2020, the United Federation of Churches and the leadership of The Satanic Temple accused the Queer Satanic activists of taking over their social media for the purpose of defamation as well as absurd charges of cyberpiracy, computer hacking, unfair competition, and tortious interference with business expetancy, and served them papers for a lawsuit. The case was originally dismissed in court in 2021, but TST re-filed it in order to finanically drain the defendants, no doubt hoping to demoralize them into submission. I would expect that these efforts have failed, at least for now. It remains to be seen what The Satanic Temple will do next.
The documented court ruling outlines that the plaintiff’s case was lacking in numerous regards. The US District Court seems to more or less accept the defendant’s argument that the case lacks subject-matter jurisdiction, which would necessarily mean the case being dismissed, as well as noting the absence of facts establishing an amount in controversy that would be required for the case. In simple terms, TST’s case was dismissed because it appeared to consist of nothing.
This ruling constitutes a major defeat for The Satanic Temple in that they had hoped to suppress activist dissent against the organisation. Indeed, it would add another failure to their long list of failures, which I will present below for reference:
This is the most recent databse for TST lawsuits and their various outcomes, as compiled by The Satanic Wiki and presented by @QueerSatanic on Twitter on December 2nd 2022.
I can already see, however, that this case is not getting much coverage. There has been no media coverage of this court ruling and its outcome for TST. The most recent media coverage of The Satanic Temple that I can see is an article from The Guardian, written by Adam Gabbatt, which largely lionizes The Satanic Temple and its official leader Douglas Misicko (or rather “Lucien Greaves” as he prefers to be called) as fighters against the religious right – no mention is given, of course, to Douglas’ public defense of Church Militant. The Satanic Temple itself appears to have no comment on the latest court ruling, and the same appears to go for their leadership and membership. It would seem that TST’s supporters can do nothing but sit in silence at this failure. Or perhaps they will regard it as a minor incident, irrelevant to the broader mission and priorities of the Temple. It would be a weak position, though, in view of how the “larger priorities” have been shaping up for them. The media is no doubt uninterested in this case, perhaps because it does not matter to them or perhaps because it interferes with the progressive reputation they mean to construct around The Satanic Temple as a pre-eminent countercultural adversary to American conservatism. Perhaps the Temple itself will continue to try and extend their SLAPP suit after dismissal, just as they had before, or perhaps they will find themselves facing the upper limit of their legal options before long.
But regardless, this remains an important victory against The Satanic Temple for queer, anti-fascist activists that have been fighting against the SLAPP suit. The Satanic Temple cannot maintain its litigious campaing forever, and the financial drain has clearly not destroyed the cause, as Queer Satanic continues to raise the funds necessary to continue fighting TST’s campaign against them. Freedom of speech has been upheld. TST’s case remains decrepit and stands in ruins while their hypocrisy lay bare, though perhaps a sympathetic media might see to it that this last part remain obfuscated.
The struggle against oppression can never truly be defeated, and it is without end. The minions of the Demiurge who impersonate the legacy of Satanism will not win, and will either be scattered to the wind or collapse on their own. The black flame will continue to burn in spite of The Satanic Temple, while the fighters of the black flame forever persevere.
Satanic Panic has returned, or so we’re told. It certainly feels that way when we consider the extent to which hardcore American conservatives and the far-right in general are leveraging the same essential moral panic, and all its inherently fascistic undertones, as part of the gradual consolidation of fascism across the world. Indeed, long-time readers of this blog may have noticed that this past year has so far has seen me cover new iterations of Satanic Panic. This includes the conservative outrage against Lil Nas X, conspiracy theories about the Astroworld disaster, Jordan Peterson’s transphobic rant in which he compares trans people to Satanic Panic, and the whole industry of conspiracy theories that cast Ukraine as a Satanic fascist nation in opposition to Christian Russia. Just hold that last thought for later, because it will be important to cover that in more detail. Indeed, the Russian state to whom the Western far-right is allied has played a unique role in thrusting Satanic Panic back into focus by making it part of the ideological basis for their ongoing invasion of Ukraine. But while a lot of commentary on the subject seems to present this as a revival of 1980s moral panic, the reality is that Satanic Panic never actually died out. The basic tropes still persist to this day and are a fundamental part of the core of hardcore right-wing ideology and the conspiracy theories that build themselves upon it. We laugh rightly about the fact that there was a time where some people seriously believed that heavy metal was indoctrinating people into some sort of violent Satanism, no matter the actual religious affiliations (or often the lack thereof) of the bands in question, but that basic idea still has its adherents in this very decade! In this setting, I hope to demonstrate not only the way that Satanic Panic has been brought back into focus, but also the way in which Satanic Panic has always been present in Western societies.
Contemporary Satanic Panic
But first of all, let’s bring focus to perhaps the most recent discourse of Satanic Panic that jumped onto my radar, and in all truth is my impetus for writing this article to start with. Last week, a Twitter user going by the name Rob (or @.houellebecq_2) has gone semi-viral for suggesting that the Satanic Panic of the 1980s was actually “justified”. To re-state the basic facts of our subject, this Satanic Panic was based around a number of right-wing conspiracy theories. One of those conspiracy theories asserted that schools and daycare centers across America were secretly controlled by devil-worshipping paedophiles who (we’re told) carted their victims off through underground tunnels and into their ritual chambers to abuse or kill them. Another popular Satanic Panic idea that sort of connected with that is the belief that heavy metal (not to mention its more “extreme” varieties), Dungeons and Dragons, video games, horror movies and more were portals through which children and teenagers would be brainwashed into becoming Satanists and start ritualistically murdering people or committing other crimes as a result. Rob’s argument is that these beliefs are all justified because “there actually was widespread abuse in the 80s”. When he was called out for this, Rob asserted that his critics were simply weaponizing some alleged experience of gaslighting, then argued that people don’t accept his claims because of media hyperfocus on the occult aspects, an alleged overcharging of cases, and supposed outgroup anxieties about suburban Christians (which, if anything, is probably what is actually justified for reasons I plan to elaborate). He then suggested that people read The Witch-Hunt Narrative by Ross E. Cheit, which ostensibly argues against the idea that the McMartin accusations constituted a witch hunt, while rather suspiciously refusing to link to any court documents to support his case. Forgetting the obvious problem with trying to bat away decades of disconfirmation (not to mention explicit repudiation by children involved) with a single source coupled with the refusal to present any relevant legal evidence that just might refute Rob’s case, a quick search for Cheit’s book The Witch-Hunt Narrative gives us no indication that he actually endorses the idea of Satanic Ritual Abuse – even though he argues that widespread abuse was real, he does not seem to support the idea that this was ritualistic or “Satanic” in nature.
With this established, let’s emphasize exactly what’s wrong here. First of all, the argument that Satanic Ritual Abuse was a real, widespread phenomenon, and that Satanic Panic is therefore justified, is a fundamentally fallacious argument; one which, I suspect, has applications for other fascist conspiracy theories. Why, with this peculiarly shoddy reasoning, someone may as well argue that the fact that the USS Liberty was mistakenly attacked by Israeli military forces off the Sinai peninsula, for which the government of Israel had apologized and given restitution, was proof of some broader nefarious Jewish conspiracy against white people. I don’t bring up this example by accident. Not only is the logic the same, many of the same people who still believe that Satanists are secretly abusing and killing your kids also tend to hold some really toxic and bigoted beliefs about Jews – sometimes coded (see the way the Right has been talking about “globalists” for decades or even close to century), and other times overt. That’s not a coincidence either, because the basic premise of Satanic Ritual Abuse conspiracy theories is itself evolved from a much older tradition of blood libel in which Jews were frequently and maliciously accused of abducting people as victims of blood sacrifice, and these ideas are both pillars of a far-right/fascist ideology whose aim is to preserve a traditionalist notion of “the natural order” applicable to human civil society by oppressing or exterminating any designated Other seen as defying this order. I must stress for the record: this is what Rob thinks is somehow “justified”, and on such an appallingly weak standard of evidence.
I’m sorry to say this, but there’s more. Rob is not the only person trying to argue that the old Satanic Panic was justified. Anna Biller, the same woman who gave us The Love Witch, also recently endorsed the idea that Satanic Panic was justified based on the supposed reality of the McMartin preschool abuses. In fact, Biller even went so far as to claim that the “tunnels” where children were taken through to be abused were actually real, that the McMartin case was only debunked because no one at the time could prove that the tunnels existed, and that they were supposedly later found and the media wouldn’t cover it. How does she claim to know all of this? By going down a “Satanic Panic rabbit hole”…by which she means she went to some message boards and saw people claim that the tunnels were real and that they were covered up. Well, that and her other source is a website run by a man named Neil Brick, who incidentally has apparently also claimed that he was brainwashed by the CIA to be some sort of super soldier to go and kill people in Eastern Europe. His organisation, S.M.A.R.T., repeatedly claims the existence of large scale CIA mind control programs, and Brick himself repeatedly claims that the CIA financed various mass brainwashing programs. But there’s more. On S.M.A.R.T.’s website, you’ll find an article about Michelle Remembers, Lawrence Padzer’s infamous and discredited book that was taken up as the basis of the whole Satanic Panic nonsense, written by a retired psychologist named Alison Miller, in which Miller argues that the claims presented in Michelle Remembers are almost literally true and praises Padzer’s credentials. The website also seems to defend the work of Bennett Braun, a doctor who planted false memories of ritual abuse and demonic possession into the head of Pat Burgus – a charge that, surprise surprise, S.M.A.R.T. categorically denies. So Anna Biller is basing her “expertise” about Satanic Panic on conspiracy theories concocted from SRA theorists/apologists and probably also 4chan for all I know!
Of course, Biller has other arguments at her disposal. She claims not only that the ritual abuse cases were all real, but also that they were part of a massive international criminal trafficking operation, which she claims was, like Donald Trump’s abuse cases, too big to prosecute because they involved rich, powerful men at the centre. This new spin on the old Satanic Panic is fundamentally indistinguishable from the basic claim made by the QAnon movement, which claims the existence of an elite conspiracy to traffic minors in order to ritually abuse and sacrifice them, but is also if anything slightly more ridiculous (even if still less lurid) simply because it would have us assume that the richest of the rich and the highest echelons of US state power are somehow almost entirely invested in the fates of some random preschools daycare centers, and their faculty members, to the point of assassinating (or “Epsteining”) witnesses. Truly, I can hardly think of anything more absurd than this. But as ludicrous as this all is, it seems that we should make note her precise point of comparison – Jeffrey Epstein – as it seems to be a part of not only Biller’s Satanic Panic narrative but also other narratives from the last four or five years.
Biller claims that rich men abused children in the McMartin case and dressed it up in “Satanic trappings”. It seems that she never actually specifies what “Satanic trappings” she’s meant to be referring to. What is true is that all sorts of claims of ritualistic behaviours have been made about Little Saint James Island, and while we know that the human trafficking was real, the ritualistic behaviour probably wasn’t. One thing I do remember seeing from the Epstein cycle is a photograph of a bizarre mask via Getty Images, apparently found at Ghislaine Maxwell’s house in New York City. The mask is strange, it seems to resemble an old man with a long forked beard, some red eye-shadow on his face, a headdress seemingly meant to recall ancient Chinese royalty, and a mysterious triangle symbol on his head and on the cloth flowing downward. There’s almost certainly nothing “Satanic” about the mask, in fact as far as I can tell no one seems to really know what, if anything, it actually represents, but the usual conspiracy theorists took it up as evidence of “Satanic” inclinations on the part of Jeffrey Epstein, Ghislaine Maxwell, and their clique of haute-bourgeois paedophiles. It is repeatedly claimed that the triangle on the mask is meant to be the symbol of NAMBLA, that notorious pro-paedophilia activist group, and the conspiracy theorist more or less expects you to connect the dots to Satanic Ritual Abuse from there somehow; you may remember PizzaGate adherents trying to tie the same symbol to Comet Ping Pong Pizza and cast it as a nod to Baphomet despite there not actually being a link.
And it’s not just QAnon types who peddle certain theories about the Ghislaine Maxwell mask. Some leftists have also joined in, and I don’t just mean Anna Biller. Matt Christman, on an episode of the Grubstakers podcast, speculated about the nature of the Ghislaine Maxwell mask and linked it to PizzaGate, though ultimately admitted that he cannot know what it actually means. Fans of the TrueAnon podcast are much less cautious, actively labelling the mask “demonic”. That whole “dirtbag” scene has a bizarre relationship to QAnon, where they outwardly mock and deny QAnon, but some figures, like Christman, at the same time describe QAnon as “half-right”, agreeing with them that the world is ruled by “a cabal of cannibalistic psychotic sexual abusers” (which, to be honest, sounds an awful lot like the way that the Polish far-right ideologue Andrzej Lobaczewski talks about “pathocrats”) while disagreeing principally with the idea that Donald Trump is going to arrest them all. It is curious that this way of discussing QAnon makes no mention of the fact that the concept of Satanic Ritual Abuse is a central part of QAnon ideology or the fact that anti-semitism, both overt and coded, is also so fundamental to QAnon beliefs. I wonder what could explain such oversight.
In this setting, we can’t escape the impression that a generalized mode of conspiracism, and from there various degrees of Satanic Panic, are really everywhere, spread out across much of the political spectrum. In fact, S.M.A.R.T. has sometimes enjoyed mainstream media credibility. In 2020, Associated Press (yes, the same Associated Press that was recently partially responsible for legitimising the idea that Monkeypox is a “gay disease”) ran an article titled “SMART Founder Neil Brick Speaks at Child Abuse Conference in Dundee, Scotland“, whose content, if you look closely, is a word for word copy-paste job of an article from S.M.A.R.T.’s website titled “THE ORGANISED AND RITUALISED ABUSE OF CHILDREN: THE CURRENT INTERNATIONAL SITUATION”, published as a paid press release by S.M.A.R.T. with no editorial involvement from Associated Press. Think about that for a moment or two: an SRA conspiracy theorist group paid Associated Press to publish one of their articles as a press release to basically promote their cause, and by implication Associated Press didn’t do much research into S.M.A.R.T. before agreeing to run a paid press release from them. This is not even the only press release from them that AP has run. In the same year AP also ran an article titled “SMART Newsletter Celebrates Twenty-Five Years of Publishing – Neil Brick Editor“, which is another paid press release from S.M.A.R.T., and towards the end of that year they published yet another article titled “SMART announces the 24th yearly Child/Ritual Abuse and Mind Control Conference“, which is unsurprisingly another paid press release, this time ran via a company called PR Newswire. There’s another article like that from last year too. PR Newswire, in turn, has published multiple articles from S.M.A.R.T. promoting their conferences as press releases. These articles also end up reproduced wholesale on other mainstream media outlets such as Yahoo News.
The American media seems to be normalizing S.M.A.R.T. by running articles from them without any critical considerations, without any research into the organisation, their work, or who its participants include, let alone challenge Neil Brick, the head of S.M.A.R.T., for his claims that he was brainwashed by the CIA to be their super soldier. That’s not necessarily a surprise considering that the media still has a habit of contributing to Satanic Panic discourse. Stop and wonder why, for a time, the only outlet that would cover The Satanic Temple’s lack of financial transparency or their litigation against Queer Satanic was Newsweek, and even Newsweek couldn’t cover it without including weird reporting about “Satanic” orgies. Stop and wonder why, to this day, news outlets will report instances of murder committed by apparent Satanists as connected to Satanism without ever doing the same thing when it comes to murders committed by Christians who openly say that God or their faith told them to do it. Even in cases of writing about the real threat posed by groups like the Order of Nine Angles or Tempel ov Blood, writers such as Matthew Feldman cannot help but disingenuously construct their own broader anti-Satanist moral panic. In this setting, Satanic Panic definitely has not gone away, and the mainstream media are surprisingly and alarmingly complicit in its perpetuation. No wonder, then, that even people like Anna Biller eventually fall for it.
But make no mistake: the lion’s share of Satanic Panic comes from hardcore right-wingers. In the run-up to the destruction of the Georgia Guidestones, Georgia gubernatorial candidate Kandiss Taylor proclaimed that she was “the ONLY candidate bold enough to stand up to the Luciferian Cabal”. The moral panic directed against Lil Nas X was manufactured by Republican politicians running on a Christian Nationalist culture war. As I pointed out earlier, QAnon itself is built upon an ideology that starts from the premise that “the elites” (mostly referring to Democrats) are secretly abducting, abusing, and killing children as part of a “Satanic” cult, a premise that itself evolved from the earlier PizzaGate movement. Right-wing conspiracy theorists such as Alex Jones have done much to cultivate the mythology of Satanic Panic in casting prominent Democratic politicians and others he doesn’t like as demons and Satanists. Many have observed that the increasing right-wing emphasis on what they call “grooming” – a term meant to refer to emotional manipulation for the purpose of sexual exploitation that the Right now uses to refer to things like promoting gender affirming care – has taken the form of Satanic Panic in that it retains basic tropes thereof, such as the basic idea that children are being manipulated in order to be exploited by the same people that the far-right already thinks are Satanists. American culture is in a peculiar place now where people are reckoning with the nature of moral panic through media such as Stranger Things and at the same time a chunk of the country believes in and will reproduce the same panic.
America is not even the only part of the world where Satanic Panic continues to persist. In the United Kingdom, in 2015 there was a Satanic Panic centered around the Christ Church Primary School in Hampstead, where several faculty members and parents were accused of the ritualistic abuse and murder of children, and even after the accusations were debunked there is still a movement of conspiracy theorists, or “Satan Hunters”, based around that conspiracy theory to this day. In Switzerland, within the last year, it was found that a number of psychiatric professionals have employed Satanic Ritual Abuse conspiracy theories as the basis of their therapeutic practice. The German Federal Ministry of Family Affairs, Senior Citizens, Women and Youth seems to have actually produced a report featuring Satanic Ritual Abuse terminology. In South Africa, an actual “ritual murder task force” called the Occult Related Crimes Unit, which was originally established in 1992, was re-established in 2012 and apparently still exists.
I haven’t even gotten around yet to discussing Russia, and as war in Ukraine rages on so too does the Satanic Panic narrative. Since I wrote about Russian Satanic Panic narratives back in March, I have seen more examples of just such a narrative. For one thing, it is the explicit and official argument of the Russian armed forces that the Russian army is “the last bastion against the satanic new world order”. This was ascertained from an official Russian Officer’s Handbook, which was obtained by the Ukrainian GRU. It is suggested that related texts have been circulating in Russian military forums for a maximum of six years, which could mean that Russian soldiers have already primed themselves to regard their enemies as “the satanic new world order”. This would be consistent with the fact that the idea of Russia as the “last bastion of the world of faith” has itself circulated in the Kremlin and Russian media for years. Then, in April, Russian forces had supposedly uncovered Satanic paraphernalia in the Ukrainian city of Mariupol; Channel One claimed that there was evidence of a “satanic organisation of gays and lesbians” that was supposedly funded by the United States in order to destroy Russia. In May, some strange and practically indecipherable graffiti was discovered in a Ukrainian village called Trekhizbenka, which RIA Novosti interpreted as a “Satanic seal” and on this basis accused Ukrainian soldiers of practicing”black magic”. Sometimes this is paired with narratives that Ukraine is under the thrall of some sort of nationalistic neo-pagan religion based in neo-Nazi ideology. Stranger still, in May and June it was reported that Russian “shamans” were performing rituals, blessing Russian troops, and calling upon “the spirits of the earth” to protect Russia from Ukraine and its allies. One might recall Gerald Gardner performing a group ritual to try and protect Britain from Nazi invasion back in World War 2. If nothing else it shows that Russia not only regards their struggle with Ukraine as a holy war, they also seem to see it as having some sort of “occult” significance, and they take that very seriously.
The Russian establishment has, over the course of the war, aggressively denounced Ukraine and its people as “Satanists”. Alexander Novopashin, an Archpriest who was also a “corresponding member” of the European Federation of Centers of Research and Information on Cults and Sects, recently expressed his support for the Russian invasion of Ukraine, which he described as “anti-terrorist”, and claimed among other things that “the West” is conspiring with “cults” (which he later says are “Satanic”) in Ukraine in order to spread Nazism and undermine supposed Ukrainian unity with Russia, that Ukrainian schools teach Nazism and cannibalism to children, and that all Ukrainian Nazis are also Satanists. Russian state media, especially Rossiya One, constantly stresses the idea that Ukrainians are Satanists as part of their coverage of Ukraine. In one segment, Rossiya One pundits claim the existence of a joint “satanic plot” by Ukraine, America, Britain, and the European Union to destroy Russia in a “hybrid World War 3”. In another segment, Vladimir Soloviev portrays Ukrainians as “Satanic Nazis” and claims that Ukrainian President Volodymyr Zelenskyy is “not a Jew” – both are apparently standard-issue Kremlin talking points. In a more recent segment, Apti Alaudinov, commander of the Chechen Akhmat forces, argued that the Russian war in Ukraine is a holy war against “Satanism” and “the armies of the Antichrist/al-Dajjal” – by which he means Ukraine, America, NATO, and LGBTQ people. Tsargrad TV, owned by arch-conservative Kremlin ally Konstantin Malofeev, supported the war in Ukraine by arguing that Russia is fighting against “the enslavement of the once brotherly Ukraine” by “the Global anti-Christian system”, and claimed that LGBTQ pride rallies (which they call “Gay Marches”) are the symbol of that system as well as a larger “Satanic ideology”. Aleksandr Dugin, of course, continues to support the campaign against Ukraine, continues to present it as a battle against “the Antichrist”, and has argued that the war is not really a war but instead a “geopolitical exorcism” of Ukraine.
As I’ve outlined in my original article about Russian Satanic Panic, these narratives all align with similar conspiracy theories promoted by the American far-right, which also emphasize the idea of “satanic” bio-laboratories, and as I have shown in that article American and Russian right-wing conspiracy theories are connected in the same network of right-wing propaganda warfare. Moreover, Satanic Panic is not new to Russia. Russian fascists sometimes depicted their Bolshevik enemies in a sort of diabolical fashion. One example is a poster created by the fascist White Army in 1919, which depicts Leon Trotsky, then the commander of the Soviet Red Army, as a red devil wearing nothing but a pentacle, reclining upon the Kremlin wall and presiding over extra-judicial killings. In Poland, Nazis depicted Trotsky in a similar manner in a poster called “Bolshevik Freedom” (or “Wolnosc Bolszewicka”) in which a devilish Trotsky sits naked on top of a pile of human skulls. Given the atheistic nature of Soviet state life and the abundance of Soviet anti-religious/anti-theist propaganda, it seems unlikely that the Soviets would have contributed to Satanic Panic mythology. However, there were instances where the Soviet Union did echo aspects of the Satanic Panic found in their Western rivals.
In 1985, a Komsomol (youth wing of the “Communist” Party of the Soviet Union) in Soviet-controlled Ukraine produced a list of bands that were to be banned from Soviet radio stations on the grounds of “containing ideologically harmful compositions”. There’s no mention of Satanism on this list, but the general formula is very consistent with American Satanic Panic directed at heavy metal and Dungeons and Dragons and the like. I suppose the closest thing on the Komsomol’s list of transgresssions would be “religious obscurantism”, a rather enigmatic charge specifically levelled against Black Sabbath and Iron Maiden. Given that Black Sabbath and Iron Maiden were frequently accused of being “Satanic” simply because of their imagery and references to Satan despite not actually having any sort of Satanist message, I suspect that “religious obscurantism” may have just been how the Soviets interpreted artistic references to the Devil. The Komsomol also seems to have hated basically all punk music with a passion, so bands like The Sex Pistols, The Clash, Madness, the B-52s, the Stranglers, Depeche Mode and more were all denounced (although that said I can probably think of one punk band the Soviet Union did like). They also seemed to genuinely think that AC/DC, KISS, 10cc, Sparks, and even Julio Iglesias were all promoting “neofascism” somehow. Van Halen, Pink Floyd, Judas Priest, Talking Heads, and Dschinghis Khan were all denounced as “anti-communist propaganda”. And of course, several bands and artists were denounced on charges of “violence” and “eroticism” that feel very familiar to the way that certain video games and movies, not to mention some bands even, were frantically denounced in America and parts of Europe. Apart from the relative absence of discussions of Satanism, virtually every aspect of this seems to mirror similar moral panics against popular media in the Western countries that opposed the Soviet Union.
Of course, the modern Russian state is not the only nation to manufacture Satanic Panic for political purposes. From 1972 to 1974, British intelligence concocted stories of black masses, devil worship, witchcraft, and ritual killings in Northern Ireland in order to present to a public narrative which asserted that Irish paramilitary groups, in addition to threatening Britain politically, were also Satanic black magicians who were unleashing the forces of evil to destroy Christianity in Britain. British agents would go and plant all sorts of ritual artefacts and occult paraphernalia in abandoned buildings across Northern Ireland, as well as parts of the Republic of Ireland, in order to manufacture stories about Satanic rituals to local newspapers that were then passed onto local newspapers who would turn them into sensationalist front page scoops. According to Colin Wallace, a former British army intelligence officer who spoke about this scheme with Professor Richard Jenkins in the book Black Magic and Bogeymen, the idea was to discredit paramilitary organisations not only in the eyes of the public but also in the eyes of the Roman Catholic and Protestant churches, both of which were seen to be influential over the paramilitary movements. By having the media cast paramilitary groups as Satanic magicians through fake stories about black masses and ritual killings, it was hoped that a devout Christian population and local religious leaders would be convinced that paramilitary groups were responsible for somehow unleashing supernatural evil into the world and thus turn against them. British forces also hoped to keep young people indoors at night and within view of army observation posts, thus effectively monitoring the local population.
However, it seems the campaign never panned out. Coverage was ultimately confined to certain newspapers, with next to no corresponding national television news coverage. Meanwhile, in Ireland, the stories were treated with widespread skepticism to the point that some Irish news outlets and citizens suspected that it was all a hoax created by the British army as a counter-insurgency tactic. In fact, Irish republicans at the time theorized that rumours of black magic and “Satanic” ritual killings were a black propaganda campaign carried out by British intelligence in order to cast the “freedom struggle” as “diabolical”, with the ultimate aim of manufacturing consent for a curfew to be imposed upon the population. Given the facts of the matter, I would suppose that these republicans were not off the mark in their guesses, and that in the end they were at least correct to assume it was an intelligence operation. In 1990, Colin Wallace spoke out about it in Paul Foot’s book Who Framed Colin Wallace?, where he confessed that the aim of the “Information Policy” section he worked for was to demonize paramilitary groups and keep young people indoors through horrific rumours of ritual brutality.
According to Wallace, the operation played on and took influence from Northern Irish media coverage of horror films such as The Exorcist and The Devil Rides Out, not to mention the actual films themselves, as well as Dennis Wheatley’s books (such as The Devil Rides Out, The Satanist, and To The Devil, A Daughter), Rosemary’s Baby, and possibly a right-wing evangelical text called The Back Side of Satan (which was apparently an early text of new Christian right of the 1970s and 80s). This all gels very well with the context of what was dubbed the “occult revival”, a period of widespread popular fascination with occultism during the late 1960s and 1970s which saw the spread and growth of many occult and alternative religious movements and, naturally, also came with a lot of fear and religious panic directed towards the occult. This, of course, was reflected in horror movies, some forms of popular music (in fact, it’s part of the very birth of heavy metal as we know it), and reactionary Christian backlash towards occultism and alternative religions. There’s a sense in which the Satanic Panic that became infamous in America largely developed from the already-existing Christian anxieties towards the broader occult revival, its reception or representation in popular culture, and its bouts of media prominence. And of course, during the British witchcraft craze in view of the overall occult revival, there were certainly many sensationalist scare stories about witches involving their supposed worship of the Devil. Even some occultists, such as Charles Matthew Pace, sought to opportunistically exploit this climate by passing on their own self-made legends as tell-all exposes to a tabloid media eager for sensational stories to fill their pages.
The Evolution of Satanic Panic
For all that, though, Satanic Panic in its modern sense, or at least its central thesis, is essentially an ideology – one whose tropes are incredibly old and equally persistent. Many iterations of Satanic Panic centre around the idea of a secret society of “Satanists”, “Luciferians”, “devil-worshippers”, “Illuminati”, whatever the preferred term may be (in conspiracy theories their use is completely interchangeable), who somehow control all the major institutions and whose mission it is to subvert the order of the country by destroying its religion and traditional values, presumably in order to turn it into a totalitarian dictatorship. Putting aside the actual nature of totalitarianism, the basic idea is an outgrowth of conservative reaction in the aftermath of the French Revolution. The French Revolution, with its overthrow of the French monarchy, its equally violent rejection of Christianity, and its support for new doctrines of rationalism in the form of civic cults, no doubt shocked traditional Christians in both France and elsewhere. Such a seismic rejection of the traditional order of civil society, they reasoned, could only be explained by way of conspiracy, and so they blamed the “Illuminati” among other scapegoats. Like many lasting conspiracy theories, this one had a little kernel of truth to it: there was a secret society by that was called Illuminati, founded in Germany by Adam Weishaupt in 1776, whose aim was to promote rationalist philosophy and undermine the influence of religion and superstition in both public life and government. But they did not last long: in the 1780s, the Illuminati and all other secret societies were banned by Charles Theodor, the Elector of Bavaria.
It was Augustin Barruel and John Robison who, in the late 1790s, first set out the argument that the Illuminati had survived criminalisation and that it had somehow organised the French Revolution from behind the scenes. Their ideas soon spread to the United States, where they inspired religious sermons directed against the Illuminati and a wave of anti-Illuminati authorship. Barruel himself was a conservative and traditionalist Jesuit priest, whose main political concern was the preservation of the dominance of Roman Catholicism over public life. The French Revolution, naturally, was deemed a threat to that order, and so he weaved a conspiracy theory in which the Illuminati used the French Revolution to destroy the French monarchy with the ultimate aim of overthrowing Roman Catholicism, and in service of this idea he posited a broad connection between the Enlightenment, Freemasonry, occultism, and “Paganism”. After receiving a letter from a man identified as Jean Baptiste Simonini in 1806, Barruel also began to consider the idea that Jews may have been involved in his imagined conspiracy. Simonini’s letter argued that both the Illuminati and the Freemasons were created by a Jewish organisation based in Piedmont, and claimed that he himself had been initiated by these Jews and that they had revealed this to him. Barruel himself had insisted that he did not consider Jews to be primary conspirators and not principally responsible for the French Revolution, and had originally refused to publicize the letter, ostensibly to prevent anti-semitic violence from breaking out as a result. However, in 1820, Barruel confessed on his deathbed to a priest named Grivel that he had written a new manuscript which posited the existence of a centuries-old anti-Christian conspiracy that he believed was started by the prophet Mani, involved the Knights Templar, and whose council was partially led by Jews. Barruel had apparently destroyed this new manuscript two days before his death, but the manuscript itself goes to show how Barruel’s basic idea ultimately evolved into an anti-semitic canard.
If you look at modern conspiracy theories surrounding the “Illuminati”, many of them inevitably incorporate familiar anti-semitic tropes, depicting Jews as part of a dangerous secret society plotting some sort of evil agenda. In the 19th century, Simonini’s anti-semitic letter was spread throughout influential conservative circles and was eventually published in a conservative magazine called Le Contemporain in 1878, despite Barruel’s intentions to the contrary. In fact, Barruel’s basic idea about how the French Revolution was created and organised by the Freemasons formed part of the premise of the notorious “Protocols of the Elders of Zion”, which argues that Jews were at the head of Freemasonry and to this day is part of the canon of anti-semitic bigotry. Then, as now, right-wing conspiracy theories about some anti-Christian cult or secret society plotting to destroy Christian civilization tend involve anti-semitism. That is not by accident, because these conspiracy theories, and the general idea of widespread Satanic Ritual Abuse, all evolved from a much older trope known as blood libel.
Blood libel is the name given to a whole genre of anti-semitism in which Jews were accused of abducting non-Jewish children in order to sacrifice them and use their blood to make matzos. The entire idea is just grotesquely and absurdly wrong on all levels and remains a classical example of xenophobia, but it’s an idea that has been trafficked in order to justify anti-semitic persecutions or pogroms for centuries – particularly by Christians. The Christian church fathers repeatedly denounced Jews and accused them of all manner of brutal crimes against Christians. Martin Luther repeatedly and notoriously attacked Jews, regarded them as being possessed by the Devil, and accused them of plotting against Christians. Such ideas continued to proliferate and evolve throughout the Middle Ages, during which time Jews were ruthlessly persecuted across Europe. So widespread was the idea of blood libel in the Middle Ages that you can find an example of it in Geoffrey Chaucer’s Canterbury Tales, specifically The Prioress’ Tale, in which Jews are depicted as being incited by Satan to murder a young boy for singing “Alma Redemptoris Mater” through a Jewish ghetto. Incidences of children who disappeared and later died were blamed on Jews by people who accused Jews of killing them as part of a ritual sacrifice, resulting in trials and executions of innocent Jews, rafts of anti-semitic legislation, and the emergence of whole popular anti-semitic cults centered around celebrating these children as Christian martyrs while reviling Jews as the agents of Satan. Blood libel as a trope continues to persist in anti-semitic circles to this day, and in fact the Nazis made it part of their own anti-semitic mythology in papers such as Der Sturmer, a 1934 “special issue” of which depicted Jews as murderers of Christians and Christian children while denouncing them as “the devil’s brood” and accusing them of shedding blood in accordance with “the secret rite” (I have to stress the emphasis that Der Sturmer placed on Christianity in this issue, which suits their nature as a Christian fascist movement). Far-right conspiracy theorists naturally follow suit in this trend; this includes Alex Jones, who at one point blamed what he called a “Jewish mafia” for America’s problems and elsewhere publicly threatened CNN’s Brian Stelter while referring to him as “drunk on our children’s blood”.
It is also worth noting the extent to which anti-semitism formed an important part of the horrors we rightly associate with the Middle Ages. The Spanish Inquisition itself was originally created for the purpose of rounding up Spanish and Portuguese Jews who converted to Catholicism, who were targeted by Catholic monarchs who feared “Jewish influence” for the apparent purpose of coercively and tortuously ensuring the loyalty of local Jewish communities to the Catholic state and monarchy. Furthermore, the Inquisition viciously persecuted Judaism by burning Jews on the stake for refusing to convert to Catholicism, as well as burning copies of the Talmud, and they were also involved in deporting Jews from Spain and Portugal.
The blood libel trope can also be found in the medieval moral panic against witchcraft. One of the beliefs that people developed about witchcraft concerns a so-called “witches’ salve” or “flying ointment”. According to Francis Bacon, one of the ingredients of this ointment was human fat, specifically the fat of children or infants who were killed or exhumed. In the Middle Ages, it was widely believed that witches would kill newborn infants and suck their blood through their navels. It was frequently believed that witches abducted children for the purpose of collecting their blood and fat in order to consume or use to make ointments that granted them the magical power of flight. In one 17th century account, witches were accused of not only killing an infant but also digging up its buried corpse and later boiling and then roasting it for consumption and also to extract fat for their ointments. In many ways this idea is somewhat identical to the old blood libel directed against Jews. There is also an obvious line of progression between these stories about witchcraft and the broader mythology of Satanic Ritual Abuse.
A notorious 17th century French moral panic is perhaps illustrative in this regard. In 1677, a fortune teller named Magdelaine de La Grange was arrested on charges of forgery and murder, and La Grange’s claims to know about other crimes, particularly poisonings, being committed in the court of Louis XIV opened up an extensive investigation by French authorities into what was dubbed “The Affair of the Poisons” – a scandal involving mysterious deaths that were suspected to have been caused by poison. Numerous members of the aristocracy were implicated on charges of murder and witchcraft, fortune tellers and alchemists were rounded up and arrested on suspicion of providing various “illicit” services, and the king himself feared that he might have been poisoned by someone. Among the royal court, a major suspect was none of other than Madame de Montespan, Louis XIV’s mistress, who was widely believed (though never confirmed) to have been involved in the Affair of the Poisons. It was claimed that Madame de Montsepan consulted a “witch” named Catherine Monvoisin, with whom she supposedly performed rituals and prayed to the Devil in order to craft a love potion meant for Louis XIV, and that they ritually sacrificed and crushed newborn infants in order to drain the blood and mashed bones for their concoctions. It was thought that 2,500 infants were killed and buried in Monvoisin’s garden, but no evidence of infant remains was ever found and there is no evidence that the garden was ever actually searched. It was also claimed that Madame de Montespan allowed both Monvoisin and a priest named Etienne Guibourg to perform a “black mass” for her, in which Guibourg supposedly sacrificed an infant by slitting its throat over de Montespan’s body, had its blood pour into a chalice placed on her navel, and then used the blood and a consecrated host to create a potion or communion wine. It’s not clear if any of that ever actually happened.
The resemblance between this account and the blood libel trope should be somewhat clear: a religious renegade takes children (in this case supposedly purchased from prostitutes) to be ritually murdered in order for their blood to be consumed in some mixture or another. Instead of matzos or flying ointments, it’s wine or potions, but you can see the basic formula. Moreover, Satanic Panic continued to develop in France in tandem with the growth of the French occult underground. French occultists would sometimes accuse each other of being “Satanists” almost as a matter of course. “Satanists” (insofar as they were said to exist back then) were accused of holding black masses and engaging in various “immoral” activities. Eugene Vintras, a heterodox Catholic mystic who proclaimed “The Work of Mercy” was accused by Eliphas Levi and Stanislas de Guaita of being a Satanist who received “bloody hosts”. Joseph-Antoine Boullan, despite being a Christian, was often accused of being a prolific Satanist and of celebrating “black masses, particularly by Stanislas de Guaita”, possibly because of his apparent association with sex magic and his supposed encyclopedic knowledge of Satanism. Boullan himself claimed that it was de Guaita that actually performed the “black masses”. Jules Bois, in turn, accused Stanislas de Guaita of killing Boullan using black magick. French occultists alongside traditional Catholics also tended to accuse Freemasons of worshipping Satan or Lucifer. Jules Doinel, writing under the alias “Jean Kostka”, claimed in the book Lucifer Unmasked that Lucifer was the “secret god” of both the Freemasons and the “Gnostics”. Jules Bois claimed the existence of a “satanic temple” in which Lucifer was venerated as the “master builder”, suggesting a link between Luciferianism or Satanism and Freemasonry.
One event that marked perhaps the most lasting influence on modern Satanic Panic was the Taxil Hoax, which fooled the Catholic establishment by convincing them of the existence of a “Satanic sect” within Freemasonry. In 1885, a man named Marie Joseph Gabriel Antoine Jogand-Pagès, better known as Léo Taxil, publicly professed his apparent conversion to Roman Catholicism while denouncing his earlier anti-clerical works, and over the course of the 1890s he began writing a series of tracts denouncing Freemasonry. A year prior to this, Pope Leo XIII published an encyclical in which he accused the Freemasons of organising the “partisans of evil” against the Catholic Church and of “rising up against God himself”. Taxil claimed that the Freemasons practiced Satanic rituals and murder and worshipped the Devil, and that members of the upper ranks of Freemasonry were members of a sect called the Palladium Rite, which worshipped Lucifer as the God of Light and Good, denounced God (or rather Adonai) as the God of Darkness and Evil, and practiced sexual congress with demons. Taxil further claimed that the Palladium Rite was based in South Carolina in the United States. Later on he introduced a character named Diana Vaughan, the supposed High Priestess of the Palladium Rite, and later proclaimed that she had converted to Catholicism. Of course, “Diana Vaughan” never made any public appearances to corroborate his story. Then, in 1897, Taxil called a press conference in which he promised to reveal “Diana Vaughan” to the public and deliver other revelations about Freemasonry. But when the conference took place, Taxil instead revealed that there was no Palladium Rite, that “Diana Vaughan” was a fictional character played by his secretary, and that everything he had said about the Freemasons, and even his conversion to Catholicism, was all an elaborate hoax played on the Catholic Church, by which he meant to expose the fanaticism and gullibility of Catholics who denounced Freemasonry.
But far from extinguishing this anti-Masonic fanaticism, Léo Taxil may have ended up furnishing it for generations. Despite the fact that all of Taxil’s claims about Freemasonry and Satanism were exposed by Taxil himself as being completely false, the same claims continue to be repeated by right-wing Christian conspiracy theorists against Freemasonry to this day. Taxil’s work, including an infamous fake quote attributed to Albert Pike that was made up well after he died, has been continuously cited in both right-wing tracts against Freemasonry and in Satanic Ritual Abuse conspiracy theories. In fact, the idea that the Freemasons were some kind of diabolical religious sect who either led or were part of the forces seeking to destroy the Catholic Church is one of the classical elements of fascist politics, where just as before this idea is almost invariably connected to anti-semitic beliefs about Jews.
In France, the proto-fascist Charles Maurras attacked Freemasons alongside Jews, Protestants, and “foreigners” as threats to the French nation, blaming them for its supposed “decline”. This idea formed part of the ideology of Action Francaise, a far-right movement which he co-founded, and in 1940 the Vichy regime organized an anti-Masonic exhibition based on these ideas. The Vichy government oppressed Freemasons and applied its statutes against Jews to the Freemasons and other groups, and the Nazi propaganda ministry within Vichy France commissioned the production of an anti-Masonic (and anti-semitic) movie titled Forces occultes (“Occult Forces”), which depicted the Freemasons as conspiring with Jews and the Allied nations to push France into going to war against Germany. In Spain, Freemasonry was already periodically regarded as the source of all crimes and regularly persecuted by Spanish monarchs and the Inquisition, fascist propaganda depicted a “Judeo-Masonic” plot, and when fascists took power Freemasonry was banned and Freemasons were killed. Francisco Franco believed that the Freemasons were part of a communist plot to destroy Spain and frequently ranted about how Freemasons were supposedly behind everything from the British Broadcasting Corporation to the assassination of Carrero Blanco. After the establishment of democracy in Spain, right-wingers similarly blamed “Jewish-Masonic-Communist” propaganda for the fact that voters didn’t elect them. In fascist Italy, Freemasonry was deemed incompatible with fascism and banned by Benito Mussolini, despite the fact that many prominent Italian Freemasons at the time actually supported Mussolini’s fascism. In Britain, fascists such as Barry Domvile advanced the idea that a small section of Masons were plotting to impose a global system of financial control at the behest of a section of Jewish elites. In Nazi Germany and its occupied territories, Freemasonry was banned, Masonic lodges were forcibly disbanded, Freemasons were sent to concentration camps where they were marked as political prisoners, and anti-Masonic exhibitions were created to depict Freemasonry as part of a Jewish conspiracy to destroy Germany. Adolf Hitler himself believed that Freemasons were responsible for “paralyzing” Germany’s “instinct for self-preservation” and otherwise regarded them as an instrument of the Jews. The Empire of Japan also enlisted Freemasonry as a scapegoat for their own purposes, as is at least evidenced by a Japanese delegate to the Welt-Dienst in 1938 stating his belief that “Judeo-Masonry” had somehow forced China to attack Japan; the delegate also denounced both Sun Yat Sen and Chiang Kai Shek as Freemasons. In the United States, hardcore right-wing televangelists and other reactionary ideologues are typically inclined to attack Freemasonry as a form of Satanism and for its supposed association with the Rothschilds.
Of course, it should be noted that not all attacks on Freemasonry came from fascists, and the attacks that didn’t did not necessarily come from the same place, though authoritarians of various stripes tended to view the Freemasons as a threat in some way or another, often as a source of opposition. That might be why Masonry seems to have been criminalized or denounced throughout the old “Communist” bloc. The Soviet Union banned Freemasonry and condemned it as bourgeois, and so did China, Czechoslovakia, and Hungary – post-war Marxist-Leninist Hungary in particular seemed to regard Masonic lodges as places where capitalists, imperialists, and enemies of the “people’s democratic republic” all gathered to oppose socialism. Even Fidel Castro, who was relatively tolerant to the Freemasons, still seemed to regard Freemasonry as potentially subversive, and Masonic lodges were sometimes assumed to be places of refuge for possible political dissidents. Masons often attribute this consistent authoritarian mistrust of Freemasonry to their own equally consistent moral support for liberal-democracy and its attendant values, which in theory would be repellent for any dictator. But I think that it is probably all the more the case that the secrecy of Freemasonry was always the primary source of authoritarian anxiety, that is to say the idea that there is a domain possibly outside of the control of state power whose liberty is guarded by secrecy. I intend to establish this as an important theme in the older roots of Satanic Panic, but for now let us establish that, even with all of this in mind, most anti-Masonic tendencies are fascist in nature, typically incorporating anti-semitic talking points and stemming not so much out of contempt for all things “bourgeois” but more out of a long line of Catholic traditionalist reactionary ideology which is itself nourished by a legacy of medieval bigotry.
You might wonder, though, how Freemasonry comes into it at all. What was so scary about Masonry that it might inspire generations of moral panic? Not much, it would seem. Freemasonry as we understand it is not a religious organisation as such. Masons were frequently accused by religious groups, particularly certain Christian and Islamic groups, of setting up their own religious group in competition with traditional religion(s), but there doesn’t seem to any set of distinct holy books, theology, religious philosophy, or the like that can together be described as “Masonic religion”. Yes, admission to Masonic lodges typically requires that you believe in some kind of supreme being, but there is no distinct “Masonic God”, and people of many different religions, believing in different gods or concepts of God, can be a Freemason. In fact, despite widespread Christian mistrust of or hostility to Masonry, several Freemasons are also Christians. Freemasonry can best be thought of as fraternal society based in a series of rituals, allegories, and mysteries that are, from their perspective at least, meant to develop the integrity of their members. For all the secrecy, there doesn’t seem to be much more to it than that. But again, secrecy is part of core of anti-Masonic mistrust. There is of course the general religious pluralism of Freemasonry, and the tendency among Masons to support rationalist ideas, but secrecy is the element on which reactionaries base the idea of the Masons as some sort of “Satanic cult”.
The “Origin” of Satanic Panic?
I said before that I would establish the reason why Satanic Panic has always been with us, and in the idea of a secretive cult that threatens to destroy the order of things was not invented as a reaction to the Enlightenment. Satanic Panic in its modern sense is a direct descendant of conspiracy theories that emerged in the Enlightenment as a sort of reactionary narrative in defense of a traditionalist society, but there are much older forms of the same idea that have recurred before modernity, and well before the Middle Ages.
Returning to the subject of anti-semitism among the church fathers, we can establish that they laid the ground work for the medieval blood libel that evolved into Satanic Ritual Abuse conspiracy theories and their antecedents. Tertullian regarded Jews as the source of heresy, claiming that they guided heretics in discussing ideas contrary to Christian orthodoxy, and argued against Marcion’s doctrine by saying that Jews were an inferior people whose sufferings were caused by their lack of belief in the Christian God. John Chrysostom accused Jews of murdering Jesus and claimed that Jewish synagogues were brothels and places of criminality and demonic possession. St. Ambrose accused Jews of tempting Christians into heresy and justified the burning of synagogues by Christian mobs. Jews were considered “anathema to Christ” by Christian Councils, which prohibited Christians from sharing feasts with Jews and regarded Christians who violated these edicts as Jews themselves. When Christianity took over the Roman Empire, Roman imperial law regarded Jews as a detested category of Roman citizen – officially legally protected, but religiously reviled and politically marginalized – based on Church doctrine that Jews were not only inferior to Christians but also supernaturally evil.
Whenever people discuss Christianity as a supposedly “progressive” world-historic force or even “egalitarian” belief system, it’s often forgotten that, although Judaism as a religion was never outlawed, discrimination against Judaism as a religion as well as Jews as a people was extensive in the Roman Empire during the Christian era. Jews were forbidden from receiving any honors or offices equivalent to their non-Jewish counterparts, Jews were not allowed to become attorneys, sue Christians, or testify in court, Jews who performed circumcision were punished with death, Jews were banned from serving in the military until they received Catholic baptism, Jewish synagogues were officially referred to as “conciliabulum” (which, in Roman slang, often meant “brothel”), and if a Jew “violated the rights of a Christian” he was punished more severely than a Christian would be for the same offense against a Jew. Conversely, Christians who converted to Judaism or agreed to be circumcised were exiled from Rome on the grounds of having “contaminated themselves with the Jewish disease”. From the beginning, Christian power tended to involve authoritarian anti-semitism.
Blood libel, of course, was also ancient. A Greek Christian historian named Socrates Scholasticus accused Jews of mocking the death of Jesus by binding a young Christian boy to a cross and scourging him to death. And yet it was not only Christians who made blood libel accusations against Jews. In pre-Christian Greece, there were people who accused Jews of abducting Greeks and fattening them up to be sacrificed to their god, then going to groves to eat their flesh, burn their bodies, and swear eternal hatred to Greeks. Such anti-semitic accusations were advanced by figures such as Apion (who claimed that the king Antiochus Epiphanes discovered a Greek captive being prepared for temple sacrifice), Posidonius, Apollonius Molon, and Diodorus Siculus. According to the Suda, a Greek historian named Damocritus in the 1st century BCE claimed that Jews captured a non-Jew every seven years in order to sacrifice them to their god, which he claimed was the head of a golden ass. Hellenistic anti-semitism typically stressed the belief that Jews were superstitious and misanthropic, claiming that Jewish people were impious, hated all people of all other nations, refused to share table with them, and because of this were hated by the gods. Some argue that these accusations originally emerged as justifications for Antiochus’ persecution and criminalization of Judaism. Of course, it is worth noting that, according to Louis Feldman in Studies in Hellenistic Judaism, anti-semitism was not a dominant strand of pre-Christian writings about Jews, and, by his count, many pre-Christian writers had an either neutral or positive opinion of Jews. In fact, polytheistic philosophers such as Aristotle, Theophrastus, Hecataeus of Abdera, Varro, and Numenius all praised Jewish theology. It is possible that Judaism was so influential on or shares so many similarities to ancient Greek philosophy that it was even claimed by Philo that Heraclitus “stole” from Moses. Then again, even anti-semitic writers such as Apollonius Molon reserved some positive remarks for Jewish patriarchs such as Noah and Abraham, and even some people who praised Jewish theology, such as Hecataeus, still nonetheless regarded Judaism as “unsocial” or “hostile to foreigners”.
The Hellenistic anti-semitic trope of Jews abducting Greeks in order to sacrifice them to their deity is obviously absurd, both from the standpoint of Jewish religious law and Greek and Roman law. But it is also worth noting just how close we come to modern images of devil worshippers sacrificing people to the Devil. Medieval Christian blood libel itself cast Jews as performing sacrifices and committing murders on behalf of Satan, and so we can map out an obvious line of developmental progression from medieval blood libel to Satanic Panic. With the Hellenistic version, instead of venerating the head of a goat, the imaginary cult of misanthropic human sacrifice venerates the head of an ass. One can easily imagine the idea of a sect that hates all other sects and is charged with abducting people outside of its cult for sacrifice as a very antique form of what would become the Satanic Ritual Abuse canard, and the line of progression between Hellenistic blood libel and Christian blood libel is not hard to notice.
Hellenistic anti-semitism can probably be analysed in the context of a period of interaction between Hellenistic polytheism and Judaism, which took place against the backdrop of the colonization of much of Asia by Alexander the Great and the attendant birth of that very construct we call the Hellenistic age. In this same setting, a syncretic tendency emerged in which Judaism merged with aspects of Hellenistic Greek culture and philosophy; this came to be known as Hellenistic Judaism. One product of this contact is the occasional identification of the God of Judaism with the Greek god Zeus, or, perhaps more frequently, the god Dionysus. Plutarch claimed, via interpretatio graecia, that the Jews worshipped a form of Dionysus or Bacchus, arguing that they represented themselves with symbols similar to those of Dionysus and hailed their god with ritual words similar to those uttered by worshippers of the god Sabazios, and similar ideas were expressed by many authors in antiquity. This likely emerged from confusion on the part of Greeks and Romans who may not have entirely understood Judaism or Hebrew, and here we arrive at one of the results, through which we link to another ancient conspiracism, this one involving the cults of Sabazios and Dionysus.
In 139 BCE, the Roman praetor Cornelius Scipio Hispalus ordered the deportation of the first Jews who settled in Rome. Cornelius accused the Jews of trying to subvert Roman religion by promoting the “corrupting” cult of a god called “Jupiter Sabazius”. Sabazius (the Roman name for Sabazios), of course, was not the God of Judaism but rather a Phrygian sky god who was worshipped with ecstatic rites and in mystery traditions in Anatolia and Thrace and was repeatedly identified with either Zeus/Jupiter or Dionysus (the Suda, for instance, regards Sabazios and Dionysus as the same god). The name Jupiter Sabazius may well have been, by way of interpretatio graeca, in reference to the name YHWH Tzevaot (or Sabaoth), one of the names of the God of Judaism, thus interpreting YHWH as a foreign version of Jupiter and again confusing the name Sabaoth as Sabazius. We typically understand that Roman society was happy enough to incorporate non-Roman gods into its own religious life; examples include Isis (from Egypt), Mithras (originally Mithra from Iran), Apollo (from Greece), Cybele (from Anatolia), and Serapis (from Hellenistic Egypt). But, as we can see, this inclusivity was not always consistent.
Sabazios in general has a strange reputation in both Rome and Greece. In Rome, he was of course identified with the God of Judaism and hence reviled by Roman authorities who regarded him as a threat to Roman religion in a manner out of step with their attitude towards many other foreign gods. Once again, there’s an obvious sign of Roman anti-semitism. But perhaps there is also a connection to the Roman attitude towards the cult of Dionysus or Liber, which was also frequently regarded as a subversion of Roman society. We will return to this theme momentarily. For now, let us note that, in Athens, the worship of Sabazios was mocked as superstitious and, because they were practiced largely by women, seemingly effeminate. Demosthenes tarnished his opponent Aeschines in a debate for allegedly joining his mother’s practice of worshipping Sabazios, while Aristophanes mocked Sabazios as one of an entourage of foreign deities being kicked out of Athens. However, despite such mockery, Sabazios did come to be worshipped in Athens over time. Yet the idea, for instance, that women worshipped Sabazios with sexual orgies points us in direction of the prolific Roman moral panic against the cult of Dionysus.
In 186 BCE, the Roman Senate issued a decree which placed restrictions and prohibitions against the Bacchanalia, a series of festivities dedicated to the god Dionysus and based around the Dionysian Mysteries. The decree ruled that no one could form a Bacchanalia or observe the sacred rites anywhere without the approval of the Senate, no man or Roman citizen or Roman ally could participate without, again, the approval of the Senate, men were not allowed to be priests of the Bacchanalia, no more than five people could observe the sacred rites, and all revelries that were not approved and regulated by the Senate were to be disbanded. This decree, which effectively bans the Bacchanalia in most cases, was issued amidst a period of moral panic directed against the Bacchanalia, which was regarded by the Senate and others as a threat to the Roman state. Roman authors such as Livy represented the Bacchanalia as a seditious conspiracy whose participants, coming from all classed and gendered backgrounds, gathered at night to get drunk, have orgiastic and promiscuous sex, and under the cover of darkness and religious veneer break all moral, social, religious, and civic laws and commit ritual and political murders in complete secrecy.
Where might we begin? We can look at how, in Livy’s narrative, the Bacchanalia was popular and appealed especially to women (who then outnumber men), plebeians, “men most like women” (possibly referring to “sexually passive men” by Roman standards, or perhaps more broadly to non-cishet males), the young, and the “uneducated and fickle”. In essence, the marginalized elements of Roman society. This would be much in line with the Greek cult of Dionysus, the god who was also worshipped by marginalized communities in ancient Greece, and who Euripides’ Bacchae presents as fighting against a king trying to oppress his worship. In Rome, a popular plebeian cult dedicated to Liber (Dionysus) was often regarded as subversive due to its association with cultic civil disobedience. Livy also presents the Greek origins of the Bacchanalia and its excesses as part of its untrustworthy and immoral character, suggesting that the Bacchanalia, from the standpoint of Livy’s narrative, is dangerous partly because it is “too Greek”, and thus entirely foreign and distinctly un-Roman. This, of course, is in some ways out of step with the inclusivity usually found in pre-Christian Roman polytheism, and can arguably be explained in the context of a reactionary fear that gripped the Roman Republic at the time.
But think about it: the whole idea of a religious movement holding orgies at night, worshipping a rebellious and subversive god, in whose name his believers break all social norms and laws and, supposedly, commit ritual murders in secret, fits a lot of the modern tropes by which we define Satanic Panic. Livy’s proposal that the Bacchanlia had the Roman masses and even some of the Roman elite in its sway implicitly suggests that the cult of Dionysus had a dangerous and insidious broad power over society, which can in some ways dovetail with the kind of power that Satanism is supposed to possess in the imagination of anti-Satanist conspiracy theories. In fact, as much as Dionysus has been compared to YHWH, there are many other ways in which you can compare Dionysus to the Devil. The whole rebellious vengeance that the Bacchae presents is one such way, but perhaps another is the darksome personage found in his incarnation as Dionysus Melanaigis (Melanaigis is an epithet meaning “black goatskin”), to say nothing of the fact that he was sometimes depicted with horns and has been shown with an entourage of satyrs. All this on its own doesn’t make Dionysus into a pre-Christian incarnation of the Devil any more than the comparisons given by Plutarch and the Suda among others might establish him as a pre-Christian precursor of YHWH. What it does point to, however, is a prefiguring of the assemblage of tropes that comes to form what we came to develop over the centuries until we see the Satanic Panic of modernity. We might even think about modern self-conscious representations of Satanism: the “sabbat” depicted by Stanislaw Przybyszewski in The Synagogue of Satan is arguably none other than the Bacchanalia in certain regards, albeit dedicated to Satan.
But, of course, being that this is pre-Christian Rome, we can’t quite call it a Satanic Panic. Yet, this is no trouble, for Satanic Panic itself is a type of moral panic, as was the anti-Bacchanalia panic, and both panics are in themselves also representations of an ideology at work in their respective societies. Within the context of ancient Rome, there is a clear conservative nationalist undertone to it all: the idea is that there is this massive foreign cult acting in conspiracy against the Roman state and working to destroy the social foundations of Roman society and, therefore, attacking everything about what it meant to be Roman.
This reactionary conservative ideology is fairly clearly expressed in Livy himself, who seems to have believed that Greek mystery cults were a source of “degeneracy” in Roman society to be blamed for its supposed decline in his time. In this regard Livy was perhaps a pre-modern exponent of social degeneration theory, complete with its attendant xenophobia. Of course, not everyone in Rome hated foreign mysteries, and not every foreign mystery was reviled, but the Dionysian Mysteries were not the only mysteries subject to conservative mistrust, even under official state tolerance. The mysteries of Cybele or its priesthood were treated with disgust by Roman men and in Roman literature, since the rites of self-castration performed by the galli were seen as an affront to Roman masculinity, and the Roman Senate even tried to enact legislation to prevent men from becoming galli. However, the Roman state still accepted a regulated version of the cult of Cybele. We might arguably count the cult of Sabazius among the mysteries that were despised in Rome, since Roman authorities presented the worship of Sabazius as a corrupt religion.
An important thing to remember about mystery traditions in both Greece and Rome is that, whereas traditional religion emphasized communal and social bands reinforced through ritual, mystery cults tended to encourage individual religious expression, which traditional civic society and its representatives would always have seen as divisive. It doesn’t take that much imagine for the Greek and Roman conservative to go from “this isn’t like our religion, that’s divisive” to “this is a threat to our social order and national identity”.
The Social Significance of Satanic Panic
A clear ideology and social function emerges from the moral panics of antiquity and thus inherited by the Satanic Panic of modernity. The social function is the function of marginalization, arrayed against basically anything that either state society or reactionary forces typically in support of it deem to be an insidious threat. The narrative of this function is that there is a sinister and secretive religious conspiracy whose goal is to corrupt the population, take over the institutions, overthrow the state, abduct and ritually kill people (often children), and/or destroy the identity of a given nation or society. The ideology implicit in this is very often as follows: there is a natural order that is apparent in human societies, expressed in nations and/or states, which humans must observe and obey and indeed do so by natural inclination, and anything that changes, supercedes, destroys, or simply turns away from this order, or simply does not figure in that order to start with, must be ontologically evil and the work of a murderous conspiracy.
In antiquity, the main object of this would be ecstatic worshippers of Dionysus, and in Rome’s case the participants of Bacchanalia and the cult of Liber. For a time, early Christians also experienced a similar marginalization. The Romans also had their own anti-Christian version of the blood libel trope: they sometimes accused Christians of killing and eating human babies, and of literally drinking human blood and eating human flesh based on a misunderstanding of the Eucharist. When Christians took power, the targets were very often Jews, and then magicians, occultists, Freemasons, “Satanists”, and, to be quite frank, anyone who challenged theocratic authority and often the ruling classes it supported. Consider, for instance, that in 1233, when the peasants of Stedingen revolted against local authorities over excessive taxation and stopped paying tithes to the archbishop, Pope Gregory IX accused the peasants of practicing “satanic rites” and declared a crusade against them. Similarly, in 17th century France, the Catholic priest Urbain Grandier, who also defended the autonomy of Loudon and opposed both the centralised authority of the French state and church orthodoxy, was accused of signing a pact with Lucifer and seducing nuns with black magic, blamed for a supposed outbreak of demonic possession, and ultimately burned at the stake over it.
I would also point out that this type of moral panic is not necessarily confined to the West, and that there are examples of similar panics with a different central subject that I can point to in Asia. In India, the practice of Tantra came to be demonized by orthodox/conservative Hindus, especially after the British Empire colonized India. Religious “reformers” blamed Tantra, particularly the “left hand path” of it, for weakening the moral fibre of the Indian nation – this is an expression of social degeneration theory similar to the kind espoused by Livy – and thus Tantra was blamed for the conquest of India by the British. In Japan, Tendai Buddhism was accused of partaking in illicit sexual rituals and “wicked teachings” over the worship of Matarajin, a syncretic Japanese Buddhist deity who happened to be (among other things) a patron deity of marginalized communities and social classes. Similarly, a somewhat popular Shingon sect called Tachikawa-ryu was similarly vilified by Shingon orthodoxy, accused of promoting black magic and illicit sexual rituals, its apparent “founder” Ninkan in turn was accused of cursing the emperor and conspiring against the Japanese nation, and ultimately the sect was outlawed and purged.
It may be worth stressing, though, that Satanic Panic as we understand it is fairly distinctly a Western phenomenon, in terms of its general setting and composition, while also pointing to the existence of similar panics wherever else they are found. In view of such a global perspective, we can make the following observation: Satanic Panic is a type of social/moral panic that is instrumented for the purpose of broad social marginalization. Moral panics in general tend to pervade organised human societies over the centuries, no matter how rational or enlightened they may see themselves as, and even some of the more “libertarian” or even “progressive” of us can end up falling into some moral panics for the simple reason that we do not even recognize them as moral panics. And the uncomfortable truth about human societies, or at least the societies we seem to create, contain within themselves the logic of marginalization, which it employs to preserve social authority through the marginalization of a given social or religious minority. Satanic Panic forms a conservative ideology of marginalization whose aim is to preserve a traditionalist order of society by attacking what it perceives as a sinister conspiracy against itself, with such a conspiracy inevitably constructed on anti-semitic tropes, whether directly or by conceptual lineage.
I would also point out that this does not mean that ritualistic abuse is a thing that never happens, but the extent to which it does has barely anything to do with the overall claim and ideological purpose of Satanic Panic. In my article on E. A. Koetting, I pointed out that the activities of the Order of Nine Angles and Tempel ov Blood could as well constitute an actual active fascist conspiracy, and that the same people who believe in QAnon or the like would never talk about it. That’s not for no reason. Satanic Panic as an ideological device does not concern itself with esoteric white nationalists, particularly not when they, despite their apparent opposition to Christianity, share the same reactionary Christian ideology that was designed to marginalize Jews, just that this time they claim to do it in the name of some fictitious ancient pagan cult. In the end, for Satanic Panic, it’s the ends of ideological marginalization that matter, and it is these parameters by which Satanic Panic determines what constitutes Satanic Ritual Abuse.
The simple summary of all this is that Satanic Panic, as a modern phenomenon, is a reactionary or fascist ideology that evolves from and within the social function of marginalization. That is why Satanic Panic is still a thing, that is why some antecedent of it has always been a thing, and that’s why it will continue to be a thing; not for as long as the light of Enlightenmentarian Reason doesn’t sufficiently shine upon the masses, but for as long as we do not rid ourselves of the structure and logic of marginalization locked into Society that, so long as it still operates, will continue to produce social panics and ideologies of social panic.
In May this year I wrote two articles outlining, in long form and short form respectively, my philosophy of Satanic Paganism. In so doing, I did not set out to examine the historical relationship between Satanism and Paganism as distinct concepts, and on Twitter I promised that I would write about this in its own article. What you’re about to read is exactly that article. I set out here to examine the relationship between Paganism and the various historical representations of Satanism, with of course the aim of supporting the overall project of my Satanic Paganism.
Before we start, I should take the time to note that as a historical treatment this will mean addressing a messy, problematic history fraught with reactionary tendencies. Unfortunately there was a time where folkism was not challenged to the extent that it arguably is now, and the history of occulture is not without the presence of the far-right to some extent or another. As such, going through the history that I mean to explore means exploring a history that includes some truly odious actors who just happen to have made a mark. Another thing worth stressing right away and which will be repeated going forward is that the instances of intersection that I present do not constitute proof that Satanism is itself a form of Paganism. It merely demonstrates the interaction between Satanism and Paganism to the extent that, although they are distinct religious worldviews that can each be defined on their own terms, the two are not as neatly separated as both parties present them to be.
We can start, rather appropriately, with Stanislaw Przybyszewski. Unless we count the “Sathanists”, Przybyszewski is easily the first person to actually refer to himself as a Satanist and espouse Satanism. As I have already established in my commentaries on his essay The Synagogue of Satan (see Part 1 and Part 2), Przybyszewski links his own Satanism to a certain idea of Paganism which he calls “the heathen cult”, which he regards as the original historical phase of Satan’s church. Przybyszewski repeatedly links his Satanism, his Satan, his Witch, and his “sabbat” to themes from pre-Christian religion. Here Satan appears as the gods Thoth, Hecate, and Pan, and through him Apollo and Aphrodite (as well as the Zoroastrian deity Ahura Mazda for some reason), and is also worshipped as a Phallus. People tasted “the holy joys of Pan” before Christianity arrived, whereupon the temples of the gods were desecrated and their priestesses reviled. The “heathen cult” in Przybyszewski’s narrative is essentially a mixture of polytheistic nature worship and orgiastic libertinism. His pagans lived in and with nature, and the demons dwelled in the forests, grottoes, and caves and gathered worshippers in orgiastic rites. Even as the church came to dominate Europe, the “heathen cult” still lurked beneath the Christian order which gradually conceded to its rites. The Witch, and the demonic femininity that Przybyszewski associates with Satan, descends from a lineage of pre-Christian goddesses and demons, and his “sabbat” is ostensibly a descendant of the orgiastic mysteries of Cybele. Although Przybyszewski never references Dionysus or his mysteries, he does describe the worship reserved for the “Black God” and aspects of the “sabbat” in ways that invoke the Bacchanlias and the classical mysteries of Dionysus.
Moving onto “modern Satanism”, Anton LaVey may have defined his form of Satanism as rather highly distinct from Paganism as we understand it, but he does nonetheless rely on pre-Christian references for his infernal pantheon, and they do sort of figure in his communication of Satanism. The Satanic Bible opens with a declaration of “the gods of the right hand path” bickering with each other becoming devils, while the Norse god Loki “sets Valhalla aflame” with “the searing trident of Inferno” and Lucifer, the spirit of the morning star, proclaims the dawn of the age of Satan. LaVey also appealed to a very flawed etymological argument in which the word “Devil” is purported to come from the Sanksrit word “Devi”, which in fact it doesn’t. Insofar as he held Satan to be the patron of Man’s carnal nature, he said that before the arrival of Christianity this was governed by the gods Dionysus and Pan, from whom the medieval Satan got his appearance. The “Infernal Names” comprises not only Satan and his menageries of devils but also pre-Christian gods and spirits who LaVey sometimes identifies as “devils”. These gods include Cizin (listed as “Ahpuch”), Ba’al-berith, Bastet (listed as “Bast”), Bilé, Chemosh, Dagon, Damballa, Enma-O (listed as “Emma-O”), Fenrir (listed as “Fenriz”), Eurynomos (listed as “Euronymous”, from which we get Mayhem’s Euronymous), Hecate, Ishtar, Kali, Loki, Mania, Mantus, Metztli, Jormungandr (listed as “Midgard”), Mictian, Mormo, Nergal, Nija, Pan, Pluto (but not Hades, apparently), Proserpine, Rimmon, Sabazios, Sekhmet, Set, Shiva, Supay, Tezcatlipoca, Tammuz (listed as “Thamuz”), Typhon, Xipe Totec (listed as “Yaotzin”) and Yama (referred to by his Japanese and Chinese counterparts “O-Yama”, “Emma-O” or “Yen-lo Wang”). These names are meant to be invoked in the course of a Satanic ritual, as though you are calling upon them for your craft, and so in this sense some of the gods theoretically join the LaVeyan Satanist in their praxis, though the LaVeyan rather definitely does not believe in those gods. It should go without saying that this dynamic has noticeable flaws; among them, the rather atrocious idea of listing Native American spirits such as Coyote as “devils”.
The Church of Satan in general tends to reject any and all suggestion of alignment with neo-paganism, on the grounds that Paganism is a “supernatural” religion. Nonetheless, besides invoking many of the same gods they refuse to actually worship into their rituals, the Church of Satan is content to mark the solstices and equinoxes as holidays. As a similarly atheistic Satanic organisation (or at least they avowedly present themselves as Satanists), The Satanic Temple marks not only the solstices and equinoxes but also go much further in appropriating and retooling whole pre-Christian festivities as their own religious holidays. Two in particular are Lupercalia, a Roman festival which TST brands as a “celebration of bodily autonomy, sexual liberation, and reproduction”, and Sol Invictus, named for the Roman god which TST brands as a “Celebration of being unconquered by superstition and consistent in the pursuit and sharing of knowledge” (now if only TST didn’t try suing people for doing the same thing!). While it’s not listed on their holidays page, members and chapters also claim to celebrate Saturnalia, the pre-Christian Roman celebration of the winter solstice. Indeed, The Satanic Temple actually argues that Satanic holidays come from a tradition long-predating TST, seemingly suggesting a claim to some sort of pre-Christian heritage. In TST’s case, this is unfortunately not much more than an act of cultural appropriation, and fitting for TST there are problems with its interpretation.
TST interprets Lupercalia as basically a BDSM sex orgy day built around celebrating bodily autonomy, sexual freedom, asexual awareness, and mock sacrifices. I wish! The actual Lupercalia was a festival dedicated to a sort of orgiastic worship of Pan Lycaeus or Apollo Lycaeus, but this involved the ritual sacrifice of a goat and a dog followed by a sacrificial feast. This was then followed by two young noble males receiving a sword dipped in blood a running around the Palatine in which participants run naked with thongs made from the flayed skins of the sacrificed animals. These thongs were used to whip people, women would sometimes get themselves whipped believe that this would ritually induce fertility, before returning to the Lupercal cave. As kinky as some of this must sound, the actual point was that it was a festival of attrition meant so that the gods would ensure the fertility of crops, and if all didn’t go well famine and disease would follow. As for Sol Invictus, TST interprets Sol Invictus as basically the Roman version of Christmas. This is in some sense the product of a popular myth regarding the origin of Christmas as we know it. As Andrew Mark Henry points out, early Christians landed on December 25th by calculating the date of Jesus’ birth backwards from the supposed date of his crucifixion and death, which was assumed to be March 25th – this, incidentally, was the same day on which pre-Christian Romans celebrated the vernal equinox. Sol Invictus was celebrated on December 25th, but only as far back as the year 354 under the emperor Aurelian, after Christianity had already emerged. Both Christians and Pagans celebrated December 25th because of its broader cosmological significance via the winter solstice, for which they respectively imparted very different religious meanings.
Returning to the subject of the Church of Satan, individual members tend to present their own intersections with modern Paganism. One example is Michael J. Moynihan, who is a musician who founded the neofolk band Blood Axis and otherwise a notable folkist fascist. Moynihan is a member and in fact a Reverend of the Church of Satan, but he has also been consistently affiliated with folkist forms of Heathenry. Since 1994 Moynihan was a member of a folkist Asatru collective called Wulfing Kindred, which was itself affiliated with the Asatru Folk Assembly until 1999, is friends with the AFA’s founder Stephen McNallen and sometimes joined him on stage with his band Changes, and is the editor of a “Radical Traditionalist” journal called Tyr, which is obviously named after the Germanic/Norse god Tyr and, sure enough, argues in defence of pre-modern and specifically pre-Christian societal institutions and a return to pre-Christian (typically Germanic) religion in the context of reactionary traditionalist ideology. One of the other fascists in the Church of Satan, a man named Kenaz Filan, is also a folkist pagan/polytheist who writes books about Paganism (in between grotesquely racist troll-posting, I assume) and has ties to other folkist polytheists such as Galina Krasskova and Raven Kaldera. This, of course, is all different shades of problematic on its own due precisely due to the fascistic folkism of the parties involved. Though, I would insist that this says more about the institutional fascism of the Church of Satan than anything else. Having said that, it’s actually somewhat ironic that the organisation which insists that Pagans, polytheists, or really any theist cannot be Satanists because they claim that Satanism is a strictly atheistic philosophy is nonetheless quite happy to have said people in their ranks as Satanists by virtue of being Church of Satan members. Of course, I assume that the Church of Satan only makes those allowances out of some shared affinity with fascism.
An important examination of the intersections between Satanism and Paganism comes from Between the Devil and the Old Gods: Pagan and Satanic Milieus, an essay written by Ethan Doyle White for the Alternative Spirituality and Religion Review. White argues that both Satanism and Paganism can be regarded as milieus within the broader movement of occulture, occultism, and alternative religion, and which actually intersect with each other rather than existing as completely distinct milieus. To study the extent to which the boundaries between Paganism and Satanism are blurred, White examines Wicca and what he considers to be elements of Satanism within it, as well as the Temple of Set and Order of Nine Angles.
In analysing Wicca, White points out that a few elements that he believes are consistent with Satanism. Perhaps the main such element is the presence of Lucifer, who is traditionally regarded as distinct from Satan but in practice carries in himself aspects of a “satanic” identity. Lucifer is the name that figures like Doreen Valiente and Alexander Sanders profess to be the name of the enigmatic Horned God of Wicca, an association that is likely inherited from Charles Lelands romantic-mythological account of Italian pagan witchcraft. The Horned God is not meant to be identical with the Devil, but the idea of an ancient horned god worshipped by witches dovetails rather nicely with traditional depictions of the Devil. Also noted by White is the inclusion of fallen angels such as Azazel (a.k.a. “Azael”) and Naamah as gods of witchcraft alongside gods like Cernunnos or Habundia in Paul Hason’s Mastering Witchcraft, which, while not really a “Wiccan text”, is part of the background of modern British witchcraft of which Wicca is a part. A much more obscure French sect of Wicca, known as Wicca Francaise (a.k.a. “Wicca International Witchcraft”), is purported to have taken Gerald Gardner’s basic system of Wicca and mixed it up with not only the Lucifer mythos but also a set of rituals that they interpreted as “Anglo-Saxon Satanist” rituals or the supposed “black mass”.
As regards the Temple of Set, there are many elements White considers that are not limited to the central role of the Egyptian god Set. Michael Aquino’s The Book of Coming Forth by Night declares that Set is the “ageless Intelligence of the Universe”, who only allowed himself to be called Satan because it meant that he might be perceived by humans. This premise itself establishes the Temple of Set as a Satanist organization in that it is consciously directed in alignment with an entity that is recognized as Satan by a different name, and indeed they still represented themselves with the inverted pentagram emblematic of Satanism. Indeed, Aquino expressly regarded the identity of Set as a way to fully divorce Satanism from the baggage of Christianity. Predictably, the identity of Set and the links to ancient Egyptian religion, to the point that the title of Aquino’s book is itself a play on the Egyptian “Book of the Dead” (which was also called The Book of Coming Forth by Day), would seem to link it to the context of modern Paganism, though this does not come without explicit boundaries as set by the Temple. That said, some members considered themselves to be practitioners of Satanism that was merely “hued” in the fashion of ancient Egyptian religions, while others earnestly believed that they were practicing the return of an ancient pre-Christian religion, and still others considered the Temple of Set to represent an entirely new vision. Indeed, many Setian Satanists would vehemently reject the label of “Pagan” on the grounds that they see themselves as “consciousness-worshipping”, in the sense of individual self-consciousness, and view Paganism as “nature-worship”, which they reject. While I see no need to label Setian Satanists as Pagans, the point is to explore intersections with Paganism, not outright identification with Paganism.
The connections to pre-Christian polytheism are not merely aesthetic, and can instead be felt in the doctrine and praxis of the Temple of Set. In Aquino’s book Black Magic, which is presented as sort of a manifesto of the Temple’s doctrine, there are several historical discussions ancient Egyptian religion buttressed by references to existing scholarship on Egyptology. Indeed, Black Magic opens with the statement that the Temple of Set is premise upon the apprehension of the “neteru” (or “neter”), which seems be referring to the gods, as well as Set in particular as the principal agent of individual self-consciousness. The Temple of Set is presented as a return to “the original, undistorted apprehension of Set”, which presumably also applies to the neteru as well who Aquino says were active controllers of the universe and present within it. This may also pertain to a supposed original cult of Set, which was then erased by the cult of Osiris that they say prevailed in the Egyptian establishment. Outside of this, White refers to the fact that the Temple of Set also established an inner esoteric order known as the Order of the Trapezoid, which ostensibly focuses itself on Germanic magical tradition. Unfortunately, this Order’s efforts take on a volkisch, indeed rather fascistic, character inherited from Aquino’s fascination with Heinrich Himmler’s Ahnenerbe, which itself was ostensibly obsessed with uncovering ancient Germanic history. It is worth noting that the Ahnenerbe cannot be counted as some link to Paganism, since Himmler expressly stated that you had to believe in God in order to join the SS. The Order of the Trapezoid professes its aim as to “extract the positive, exalted, and Romantic from the Germanic magical tradition” while removing all of the negative aspects linked to Nazism. In essence, it’s an attempt to rehabilitate German volkisch esotericism. Linked to this is a man named Edred Thorsson, otherwise known as Stephen Flowers, who was inspired by the Order’s efforts and joined the Temple of Set while also being a Heathen and active within the Heathen community. When this became public knowledge, other Heathens at the time condemned him for his association with Satanism.
When discussing the Order of Nine Angles, White points out that the writings of the founder David Myatt (or “Anton Long”) suggest the influence of older (presumably long-dead and now obscure if they were real) organisations. One of them, referred to as either “Camlad” or “Rouwyntha”, has been described as an “aural pagan esoteric tradition” supposedly found only in a few parts of England and Wales, specifically remote rural enclaves within Shropshire, Herefordshire, Sir Faesyfed (a.k.a. Radnorshire), and Sir Drefaldwyn (a.k.a. Montgomeryshire). White further points out that O9A writings often posit their brand of Satanism (frequently dubbed “Traditional Satanism”) as being descended from the depths of pre-Christian antiquity, taught for centuries from “Master”/”Mistress” to pupils and springing out from the area around Stonehenge since the year 7,000 BP at the oldest. Ancient stone circles in England were supposed to be aligned with the star Antares, which the O9A presents as being linked to Baphomet, who they present as a violent pre-Christian goddess who was worshipped with human sacrifice. This is then presented as an unbroken tradition whose survival stretched from the Neolithic era into the present, with “Western Civilization” thus containing an inherent “pagan” essence despite being “corrupted” by the “Magian” and “Nazarene” influence of Judaism, Christianity, and really everything that the O9A doesn’t like about modern society. Other conscious derivations from Pagan sources include the frequent use of the word “wyrd”, borrowed from Heathenry, and according to Nicholas Goodrick-Clarke the O9A sometimes emphasizes ceremonies performed during equinoxes or solstices and various practices meant to cultivate a sense of rootedness in “English nature” or “native tradition”, which of course is very obviously suggestive of a particularly folkist interpretation of Paganism. Moreover, as noted by Goodrick-Clarke, there were several spin-off groups scattered in “the West” that sought to combine O9A doctrine with existing neopagan movements such as Heathenry. Suffice to say, out of the three case studies White presents it would seem that the O9A is where the intersection is more pronounced.
To be sure, none of this intersection erases the differences between Satanism and Paganism, their distinction, or the enmity between certain practitioners. As White notes earlier in his essay, Pagans have, especially in the past, carefully and strictly defined themselves separately from Satanists – a move partially motivated by the fear of being cast as religious criminals by Christians. Many Satanists have, almost in turn, sometimes trafficked in their own brand of anti-Pagan rhetoric, branding modern Pagans as “soft”, “white light”, or “white witchcraft”. And, of course, both Pagans and Satanists have often taken turns accusing each other of failing to fully transcend the baggage of Christian morality in various ways. And yet, according to White, it is not actually not so common for Satanists to insist on hard differentiation from modern Pagans; White attributes this to a clear antinomian stance among Satanists through which they reject the desire to not be seen as a bogeyman.
Another examination can be found in Per Faxneld’s The Devil’s Party: Satanism in Modernity, specifically a section written by Fredrik Gregorius which discusses “Luciferian Witchcraft”. Here, Gregorius uses the term “Luciferian” loosely to mean groups that center around Lucifer as taking on a generally positive role defined typically by a neopagan context, but stresses that there really is no clear separation between Satanism and Luciferianism and argues that even the latter hinges on what is still a post-Christian interpretation of the figure of Satan. With that established, we can note for starters the Clan of Tubal-Cain started by Robert Cochrane, centered around the Biblical figure of Cain who murdered Abel in revenge for God’s favouring Abel over him. In the work of Shani Oates, current Maid of Tubal-Cain, Lucifer is given a greater focus and, possibly following Michael Howard, is re-interpreted as a “Gnostic” divine presence incarnated in flesh and matter and which motivates the evolution of humanity. Andrew Chumbley, while dismissing any identity between Lucifer and Satan, nonetheless depicts Lucifer and the fellow gods of witchcraft in a very satanic or diabolical light. Chumbley presents his craft as the continuation of a pre-Christian tradition referred to as the “Sabbatic Craft”, and in the context of his belief system Satan, if we can speak of Satan, can be interpreted as the “Man in Black” (or Al-Aswad), who Chumbley referrs to as “The Daemon”, Shaitan, The Adversary, or “The Reverse One”, who is the Lord of the Sabbat and embodies Death as “the Gateway to the Other”, meaning the liminal inbetweenesss betwixt every stasis of being. Lilith, of course is the bride of Shaitan/”The Man in Black”. Michael Howard rejected any identity with Satanism, and aside from his neo-Gnostic views he tends to couch Lucifer in a neopagan context by framing Lucifer as an older deity who in turn incarnates as several pagan gods. Nonetheless, his Lucifer is also identified with Samael, or “Zamael”, and his books have often been adorned with quasi-satanic imagery, goat heads and all. In fact, Howard’s last book, the posthumously released The Luminous Stone: Lucifer in Western Esotericism, is adorned with inverted pentagram imagery that would be very consistent with Satanic aesthetics. This is similarly true for Gemma Gary’s The Devil’s Dozen: Thirteen Craft Rites of The Old One, where the Devil venerated by the witches is theoretically distinguished from Satan, presented as a pagan god taking on the names of multiple pagan gods (such as Herne, Woden, or Odin) alongside the names Lucifer or Azazel as part of a pre-Christian tradition of witchcraft, though not necessarily a pure unbroken survival thereof.
Michael W. Ford is a particularly illustrative case where the exact boundaries between Satanism and “Luciferianism” are, despite insistence, practically non-existent, and where Satanism may intersect and syncretize with Paganism. Although Ford likes to formally define Luciferianism as distinct from Satanism and although he tends to reject the idea of a conscious Satan that inspires humans to revolt (preferring a more symbolic interpretation), in practice he tends to repeatedly identify Lucifer with Satan via the identity of the Adversary. Books such as Liber HVHI are meant as “a path to Ahriman, or Satan as it is called in the west”, though with the aim of becoming a manifestation of Satan rather than worshipping Satan, while explicitly identifying Lucifer with Satan. This identification also occurs in Luciferian Witchcraft, Adversarial Light: Magick of the Nephilim, and Wisdom of Eosphoros. Ford takes many philosophical cues from Satanism in its various manifesations and, of course, the imagery that Ford employs in all of his works is perfectly consistent with Satanic aesthetics. Meanwhile, Ford also argues that his system of Satanism/Luciferianism is based in a pre-Christian religion and incorporates magickal workings with various pre-Christian gods. In Wisdom of Eosphoros, Ford positions Lucifer/Satan as originally a pre-Christian deity or complex of pre-Christian deities such as Ishtar or Chemosh, and argues for the existence of an ancient pre-Christian tradition of self-deification based on the Hellenistic ruler cult and the worship of gods such as Baal-Shamem or Melqart or more specifically the identification with these gods by the king of Tyre. In Adversarial Light we are presented with a whole descending diagram of systems that Ford purports to have influenced the development of his “Luciferianism”, the oldest of which include Greek Theurgy, Babylonian sorcery, and the Egyptian cult of Set. In some of his books, like Magick of the Ancient Gods, Ford goes out of his way in interpreting basically whole pre-Christian pantheons of gods, particularly the Hellenic pantheon, on the terms of his Satanic/”Luciferian” belief system.
Two more obscure figures in British witchcraft also present interesting areas of intersection between Satanism and Paganism. One of them is a figure who Michael W. Ford takes as a source for his own system: Charles Matthew Pace (a.k.a. “Hamar’at”). Pace apparently referred to himself as a Luciferian, a Satanist, and a “Sethanist” simultaneously, and centered his belief system around the worship of a god named “Seth-an” which he identified with Lucifer. Pace frames his belief system as a continuation of a pre-Christian tradition and goes out of his way to reject all “Abrahamic” contexts even to the point of explicitly denouncing Kabbalah, but the context of Pace’s belief system is not wholly separable from Satanism. Though Pace preferred the label “Luciferian” the most, the identity of Lucifer with “Seth-an” arguably presents an idenity with Satan. According to Pace, Seth-an was originally a human king who went against the Egyptian establishment in some way, and attained the status of “Adversary” because he was the patron god of the Hyksos dynasty. It is possibly to argue that “Seth-an” is simply a way of referring to Satan on ostensibly Pagan terms, and so Luciferian and Satanist for Pace are interchangeable. Another case I refer to is Alastair Robert Clay-Egerton, who was a member of an obscure group called Templi Satanas Luciferi (or “Temple of Satan the Light-Bearer”), which is claimed to be a forerunner to the modern Tubal-Cain tradition. In Clay-Egerton’s doctrine, Lucifer appears to be the main focus, but Lucifer is also identified as Satan as the “Lord of this World”, and although Clay-Egerton generally preferred the term Luciferian to describe members of Templi Satanas Luciferi, he also accepted the use of the term Satanist interchangeably with Luciferian on the grounds that Luciferians are adversaries of those who promote intolerance, despoil the earth, destroy life, and twist the teachings of “Emmanuel bar Joseph” (or “Emmanuel of Nazareth”, seemingly a reference to Jesus). Lucifer is also identified as the “male principle” of the world, who is paired with a female principle referred to as the “Great Mother” or “Mother Goddess”, which seems to be an obvious echo of Wiccan doctrine, and he lays a great stress on how Man should live in harmony with the earth and in accordance with nature, while lauding the supposed cult of the Great Mother and lamenting its suppression by Christianity. Clay-Egerton also considers the idea that “Emmanuel of Nazareth” is another name for the Light-Bearer and so is “Satan-Lucifer” as well as the gods Cernunnos, Pan, Isis, Aphrodite, Venus, and Horus.
Outside of witchcraft, a very old and also obscure example I am keen to point to is Carl William Hansen, otherwise known as Ben Kadosh. He referred to himself as a Luciferian, not a Satanist. Yet, he employs the iconography of Satanism including the inverted pentagram to represent his belief system aesthetically, and accepts Satan as another name for both Lucifer and Pan, who are both interchangeable in Hansen’s system. But Lucifer is not only identical with Pan and Satan, he is also identified with a number of pre-Christian gods, namely Jupiter, Zeus, Venus, Marduk, Tyr, and Hermes. Lucifer is also interpreted as an “esoteric outer” of Pan, who can be taken as representative of the originary principle of darkness. Pan in turn was also identified with Jupiter as well as Kronon. Not only are there several identifications involving pagan Gods, Hansen frames his belief system as essentially a revivial of the old pre-Christian cult of Pan, and his 1906 pamphlet The Dawn of a New Morning: The Return of the World’s Master Builder (or as I call it Lucifer-Hiram) with the Orphic Hymn to Pan and proclamations of the return of the ancient cult. So while Hansen did not call himself a Pagan, his own belief system takes up a decidedly Pagan narrative.
Returning to the subject of witchcraft, Gregorius notes that, in Charles Leland’s Aradia, there is an invocation that implicitly positions Lucifer as the Devil, despite him functioning as a pagan deity in the overall text. Lucifer is referred to as the “most evil of all spirits” who “once reigned in hell when driven away from heaven”. Much of Aradia‘s presentation still has very little to do with the Christian myths, and he is still generally treated as a pagan deity and identified with the god Apollo, but the Fall from Heaven and the motive of pride is still referenced in its characterization of Lucifer. On this basis it is possible that Leland’s Lucifer can be interpreted as both a Devil and a pagan god and thus embodying the intersection. Then again, as Gregorius also points out, Aradia‘s overall narrative is highly inconsistent. Cain, for instance, as both imprisoned beneath the earth and as the Sun, while Lucifer himself seems to be both a god of the sun and the moon even though his consort Diana is also goddess of the moon.
If there is anywhere in Satanism where intersection with modern Paganism is strongest, it is in none other than the broad current we call Theistic Satanism. Theistic Satanism is generally overlooked in mainstream and even academic discussions of Satanism, who ultimately prefer to focus on the most visible Satanic organisations which often tend towards atheism. Nonetheless, despite the popular claim that Satanism is strictly an atheist philosophy, there are several expressions of Theistic Satanism in the modern world, and they are in no way less Satanic than movements like the Church of Satan are. There tend to be many intersections with pre-Christian polytheism within Theistic Satanism, at least in practice, as reflected in both various approaches to the veneration of demons and the veneration of or working with pre-Christian gods alongside demons. As just an anecdotal example, I remember back in 2015 being friends with a Theistic Satanist who also claimed to work with or venerate the Babylonian god Marduk. In the scene I was in or adjacent to, a certain sense of identification with or interest in pagan gods was commonplace even if we didn’t regard ourselves as Pagans. It is also not uncommon for some Theistic Satanists to regard Satan as a Christian caricature a pre-Christian deity who they believe was worshipped under other names, and sometimes identify Satan with gods such as Pan, Set, Shiva, Prometheus, or in some cases Enki.
The old Ophite Cultus Sathanas (or, the Our Lady of Endor Coven), founded by Herbert Arthur Sloane, was probably influenced by the Neopaganism that was developing in his time. Sloane believed in a Horned God and apparently had a vision of said horned god in the woods at a young age, and then after reading Margaret Murray’s The God of the Witches he decided that this god was Satan (or Sathanas) and worshipped him as such thereafter. However Sloane did not regard Satan as a fertility god, viewed witches who worshipped him as a fertility god as being misled, and instead viewed Satan as an agent of the “true God”. In this sense Sloane was definitely influenced by Neopaganism but ultimately rejected identification with it. Diane Vera has described herself as a Polytheistic Satanist and her organisation, the Church of Azazel, worships Satan-Azazel as their main god alongside Lilith and the gods Pan, Ishtar, Prometheus, and Sophia (as Lucifer). The Church of Azazel believes in the existence of multiple gods as distinct entities and accepts the veneration of other gods alongside their main pantheon, and so expressly aligns itself with “hard polytheism” and the reconstructionist movement. Here, then, Paganism is not identified as Theistic Satanism but intersects with it in Vera’s doctrine. The Cathedral of the Black Goat, which was founded by Brother Myrmydon and Sister Nephtys and also serves as basically a war metal festival, tends to accept some pre-Christian deities such as Set and Kali as representations of Satan. In my article about Satanic Panic in the context of the Ukraine-Russia War, I discussed a Ukrainian Theistic Satanist group called Bozhichi, which worshipped Satan and also includes the worship of pagan gods and the practice of a form of magic called Veretnichestvo.
A more contemporary group called the First Church of the Morningstar, is a Theistic Satanist group (and an anarchist one at that!) whose membership also includes Chaos Magicians, “Luciferians”, Thelemites, Discordians, and Pagans, and on their website they list a series of pre-Christian gods that they venerate alongside Satan and the host of Hell. These gods include Enki, Ereshkigal, Pan, Inanna, Prometheus, Eris Discordia, Set, Thoth, Eros, Hades, Persephone, Hecate, Aphrodite, Sekhmet, and Isis. It also includes gods from the Thelemite pantheon, namely Babalon, Nuit, Hadit, and Ra-Hoor-Kuit, as well as Greek mythological women who weren’t historically considered goddesses, namely Pandora and Ariadne. It is worth noting the founder, Johnny Truant, regards Paganism as distinct from Satanism on the grounds of what he sees as Paganism’s orientation towards ecology and nature worship, so on those terms we could not regard the First Church of the Morningstar as a syncretic Satanic-Pagan organization solely because of the inclusion of multiple gods. Though again, the point is intersection, not identification, and there is a noticeable intersection in any case.
I consider the subject of Demonolatry to be related in that it does contain within itself what is in essence a Theistic Satanist doctrine. Practitioners of Demonolatry may, as do many of the Satanists already discussed, refuse the label of “Pagan” for themselves, but the point here is not to graft that onto them anyway and instead more to discuss intersections. In Stephanie Connolly’s Complete Book of Demonolatry, she argues that her tradition of Demonolatry is built on Hermetic teachings originating in ancient Egypt and that many of the demons worshipped in Demonolatry are pagan gods. The “Demon Directory” gives us a whole list of demons, which includes pre-Christian gods that are sometimes categorized as “devils”. These gods include Adad, Cizin (once again listed as “Ahpuch”), Amun (as “Ammon”), Ashtaroth, Astarte, Baal, Baalberith, Bastet (again as “Bast”), Bile, Charon, Dagon, Enma-O (again as “Emma-O”, “O’Yama”, and “Yan-lo-Wang”), Eurynomos, Hecate, Hel (as “Hela”), Ishtar, Kali, Loki, Mania, Mantus, Metztli, Mictian, Mormo, Nergal, Nija, Pan, Pluto, Proserpine, Rimmon, Sabazios, Sekhmet, Set, Shiva, Succoth-benoth (as “Succorbenoth”), Supay, Tezcatlipoca, Tammuz (again as “Thamuz”), Thoth, Typhon, and Xipe Totec (again as “Yaotzin”). Many of these are the same as the “Infernal Names” listed in the Satanic Bible. The timeline of the history of Demonolatry seems to begin at 3000 BC, with the supposed date of the writing of the Hermetica and Egyptian, Greek, Roman, Canaanite, Semitic, and Amorite polytheism as the foundations of Demonolatry, thus we are presented with pre-Christian Paganism as the purported origin of Demonolatry. A section titled “The Hermetica – The Lost Wisdom of the Pharaohs” outlines a sort of pantheistic theology Man and the cosmos are one with the deity Atum, and how on this basis Man takes on the attributes of the gods as if he were one of them and knows the gods because they spring from the same source as Man. Connolly interprets this as a doctrine of self-worship or self-deification, arguing on this basis that the pre-Christian ancient Egyptians were the first practitioners of the (Western) Left Hand Path, and, most crucially, her version of this doctrine replaces Atum with Satan, thus positing Satan as the god of the cosmos or the All. Thus in Connolly’s system of Demonolatry (at least, and I must stress hers is probably not the only one).
It is to be stressed again that this does not necessarily make Demonolatry a “pagan religion” or a form of Paganism necessarily if strictly by its own consideration. For its practitioners, Demonolatry is separate from Paganism on the basis that Paganism is defined in terms of its nature-centeredness, which is not necessarily shared by Demonolatry. That’s not necessarily saying that Demonolatry is “anti-Pagan”, and certainly not in light of the intersections with Paganism that have already been established, but practitioners often find the label of “Pagan” to be something externally imposed on them rather than something that they consciously embrace.
When it comes to Anti-Cosmic Satanism, the intersections with Paganism are generally very minimal, if they exist at all, although I suppose if one wanted to stretch the subject one might examine the extent to which Anti-Cosmic Satanists draw from the syncretic Latin American and Afro-Caribbean religious traditions, which are often polytheistic albeit generally not identified as “Pagan”. According to Benjamin Hodge Olson in his essay At the Threshold of the Inverted Womb: Anti-Cosmic Satanism and Radical Freedom, this influence is particularly evident in Templum Falcis Cruentis and the writing of N.A-A.218. Beyond this, the tendency to identify Satan with various “adversarial gods” and the re-interpretation of the Babylonian creation myth is about the faintest link standard fare Anti-Cosmic Satanism has with Paganism, and it’s not much. There is, however, an example of outright syncretism between Anti-Cosmic Satanism and Paganism in the form of Thursatru, a modern brand of Heathenry that is based almost entirely on Anti-Cosmic Satanist doctrine remodelled in the contest of Norse mythology. Thursatru takes the Anti-Cosmic narrative and interprets Odin, the king of the Aesir, as the Demiurge and therefore identical to Yahweh and Marduk, and therefore the cosmic oppressor, while aligning with a clan of giants called the Thursar in order to . Thursatru is sometimes regarded as another name for Rokkatru, another modern branch of Heathenry with a notably adversarial alignment, but they are not to be confused. As I understand it, Thursatru is based entirely in the current of Anti-Cosmic Satanism and is exclusively dedicated to the worship of the Thursas and opposes the worship of all other Norse gods, whereas Rokkatru is ultimately still based in Heathenry but, insofar as it is influenced by Satanism, tends to take influences from different forms of Satanism, and while Rokkatru focuses itself on the worship of the jotnar or the gods who are considered “rokkr” (of the twilight, relevant to the commencement of Ragnarok), it seems to me that many contemporary Rokkatruar are generally not opposed to the worship of other Norse/Germanic gods. In my opinion, if there is to be any comparison between Thursatru and Rokkatru, I would regard Rokkatru as much more consistently Pagan. That said, however, both Thursatru and Rokkatru could be regarded as points of syncretic intersection involving Satanism and Paganism to varying extents.
If we count certain pre-modern individual cases of apparent devil worship as individual professions of “Satanism” in a loose sense, I think it’s worth looking at Faxneld’s The Devil’s Party again for a fascinating instance of Satan worship intersecting with pre-Christian beliefs. Faxneld notes that, in medieval Sweden, there were individuals who, as outlaws, are at least attested to have worshipped Satan as their patron. This includes a man named Tideman Hemmingsson, a notorious outlaw who lived in the forest and allegedly made a pact with Satan and a forest nymph (or “skosgraet”) to grant him luck in hunting and enable him to shoot as much game as he wanted. Hemmingsson wasn’t alone; two other men, Hakan Jonsson made a similar pact, and much later a fisherman named Mickel Kalkstrom claimed to have made a pact with the Devil to catch as much fish as he wanted. According to Faxneld, these pacts intersected with a surviving folk belief in nature spirits, presumably more consistent with pre-Christian religion. In pre-Christian Scandinavia, it was believed that spirits, such as nymphs, lived in the woods, trees, rivers, and/or lakes, and could either bring good fortune and endanger people in some way. One could think of it as a kind of animism in the context of folk beliefs. The wilderness was the home of spirits and nymphs, which were then recast as demons in the eyes of Christianity, and so in Christian demonology the wilderness was also a kind of “inverted world” and a “gateway to demonic powers”. Satan, then, became seen as the ruler of the wilderness, the space outside the law of Christian civilization, to whom, according to Faxneld, some Swedish outlaws turned to as their patron and their god.
In the final hand, we should conclude that Satanism and modern Paganism tend to intersect with one another, but also note that Paganism can and has intersected with other religious movements. Ethan Doyle White notes that there are ways in which Paganism has also intersected with “Abrahamic” religions, or at least particularly Christianity. As an example, White points out that Maltese Pagans tend to observe both Pagan and Catholic ceremonies simultaneously, no doubt drawing on the deep influence of Roman Catholicism on social life in Malta. Another example White points to is the existence of Trinitarian Wicca, or Christian Wicca, which consciously blends Wicca with Christianity. I would count the Church of Light and Shadow as a similar example drawing on that example. More to the point, I would also point to the numerous pre-modern attestations of syncretism between pre-Christian polytheism and the then-new Christianity. This includes Vikings in Scandinavia praying to both the Christian God and to Norse gods such as Thor, the spells of the Greek Magical Papyri containing invocations of the names and angels of God and apparently even Jesus alongside the pre-Christian gods and spirits, Roman syncretism of Jesus and the god Sol or Helios, and the various syncretic Afro-Caribbean traditions that include Jesus and other Christian figures. Outside of Christianity, there have also been syncretic forms of Judaism and that blended Judaism with Paganism both in pre-Christian antiquity and in the modern era.
The point is that Paganism in itself can intersect with many different religious traditions, and in fact has demonstrated cases of syncretism with many different belief systems without much conflict with its overall core, even if it inevitably poses problems for the core of religions such as Christianity. The point is that this applies as well for the relationship between Paganism and Satanism, and that, on this basis, there is no reason to think of Satanism as entirely separable from Paganism. On this basis and other bases, syncretism, and my own project of Satanic Paganism, stands on solid ground. And yet, it is evident that the history of which I speak is not without problems. Satanism and Paganism intersect with each other in numerous ways, but, as we have shown, this can also include some rather reactionary doctrines. But, as we have seen, there is nothing indicating that either Satanism, Paganism, or their intersection or syncretism, necessarily must follow such paths.
Satanism and Paganism are not solely defined by their historical representation (yes, even though part of the essence of Paganism consists of revitalizing ideas from the past), but are defined both by generalized sets of core worldviews and the people who practice them in the here and now. I wonder if the latter fact is given as much consideration as it deserves. Satanic Paganism itself is ultimately an individual and rather idiosyncratic stance, one whose very label makes sense as a summary for that which cannot be contained dogmatically. That, and the knowledge of Pagan syncretism and Satanist-Pagan intersection, gives it its power.
I’ve been seeing a thread on Twitter about Satanism do the rounds, written by freelance journalist and author Jef Rouner, in which he talks about his relationship to Satanism and his misgivings with it. It’s not spreading like wildfire as such, but I have seen Satanists discuss and respond to it, and I believe that I should join them in doing so, because I think we need to spend time addressing the “left-wing” critique of Satanism wherever it appears – believe me, you’ll see more of it as The Satanic Temple drags us through the mud. It’s not the longest thread around and the great thing about Twitter threads is that it’s actually fairly easy to respond point by point in this format. So we’ll focus mostly on the points that Rouner makes about Satanism without too much exposition elsewhere.
The first two tweets in Rouner’s thread are essentially just him recounting his days as a young man who was into LaVeyan Satanism and getting searched by cops who thought that he was in a cult. The first point Rouner makes about Satanism is in his third tweet, which is as follows:
I liked Satanism. It seemed like a very coherent ideology suited to my melodramatic personality. Watching Christian nationalism kill my gay friends made me comfortable in a reactionary faith. And make no mistake, Satanism is a reactionary faith.
There’s a certain pathologization at work, implicitly framing Satanism as something that can, for the most part, only be accepted by “edgelords” or, as Eduoard von Hartmann probably put it, “hypochondriacal whiners”. But much more important is his characterization of Satanism as “a reactionary faith”. Depending on who you ask, or depending on how you define it, just the word “faith” is quite the misnomer in application to Satanism. If they mean “faith” as a mere synonym for religion, then it is not unfair characterise Satanism as a religion, but to call it a “faith” in the sense clearly denoted is to miss the point entirely. Satanism rejects the notions of piety attached to traditional religions, which means that we do not simply “bow down” to the divine as is often implied by some of these notions.
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That said, as I got older and grew as a person, it was hard to miss the right wing origins and themes of the religion. So much of it is cribbed from Ayn Rand and libertarianism. There’s very little in Satanic thought concerned with our obligations to social Justice.
Here we come down to one of the most basic issues with Rouner and his representation of Satanism. It is based entirely on the false origin story concocted by the Church of Satan, who erroneously and arrogantly claim themselves to be the inventors of Satanism as we know it. In reality, however, Satanism does not have “right-wing origins”. If we don’t count the “Sathanists” that were attested to in the 16th century, the first man to actually refer to himself as a Satanist, Stanislaw Przybyszewski, was an anarchist who involved himself with the socialist and worker’s movements of his day, for which he was arrested and expelled from his university in Berlin. In fact, much of the literary Romantic mythos of Satan as the heroic rebel that Satanism builds itself on was aligned with left-wing and/or anarchist politics. So, if anything, it is far more accurate to attest “left-wing origins” to modern Satanism, and Anton LaVey’s right-wing philosophy was simply a later development. But even the Church of Satan doesn’t recognize itself as solely modelled after Ayn Rand, and in fact at least some members have articulated pronounced differences between Objectivism and the overall philosophy of LaVeyan Satanism.
We can talk for a bit about “our obligations to social Justice” too. What that actually means is, of course, fairly vague, because there are actually numerous ideas and theories about what that means. Bearing in mind that the term “social justice” itself has Catholic origins, its modern usage beginning with the development of “social justice” by Catholic, and particularly Jesuit, theologians and philosophers from a general idea of “the justice that rules relationships between individuals” to a religious and Thomistic alternative to the then-nascent capitalist and socialist social theories. I would think that it is understandable that Satanists, generally being individualists of some sort, would have little interest in “the process of ensuring that individuals fulfill their societal roles”, particularly not with its Catholic roots in mind. But on its own, anyone can claim it, even right-wing conservative think tanks who influence the policy direction of right-wing governments.
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It didn’t escape my notice that most of the people I knew on the Left Hand Path were white and male. The sort of people who read Ouspensky and Gurdjieff, but not hooks, Federici, or any philosophers of color looking at systems. Everything was about a person’s soul, not a people’s
I am modestly surprised by this remark, mostly because of the fact that Silvia Federici is in fact read to some extent by esotericist circles, including by those who align with the Left Hand Path in some sense or another. I would also note that the Left Hand Path is not strictly reducible to Satanism, as Kennet Granholm would note, and in fact has a much larger history and much broader range of ideas than Satanism on its own, which is quite natural for a concept that was originally part of the umbrella of Tantric Hinduism. More quizzical is this implicit idea that there should be a focus on “a people’s soul” and not your own. One could make the point that nearly all of religion is aligned to your own soul to some extent, but for me the real point is a question. Just what is a “people’s soul”? Is the assumption here that given groups of people share a “collective soul” of some sort? I’m not exactly sure where Rouner is going but it sounds rather phantasmic.
For the next point, we can skip his ventures into Tantric Buddhism and “Whovianism” (I mean, come on, how is that much less a white spiritual guy pathway than he says Satanism is?) and move on to his discussion of The Satanic Temple, and for this point we can group the next two consecutive tweets together:
The abortion aspect of the Satanic Temple re-affirms my belief that Satanism is just a bit too far up it’s own arse to be very good in the current struggles we face. The idea that we could prank our way to freedom is juvenile to say the least. I thought it was funny back before the rise of American fascism, but now I think it’s a distraction that sucks resources away from actual aid into performance art.
I could make the point that I have often made about the actual Satanic credentials of The Satanic Temple in that they lack any actual Satanic philosophy beyond just a dressing up of secular humanism, but the much more salient and concise retort is simply this: Doug Misicko is not the emperor of Satanism. In fact, there is none. Even Anton LaVey’s “Black Pope” moniker is quite meaningless. That’s one of the important things about the individualism that Rouner so denounces: we have no actual authority over our religion and philosophy. In fact, for every loyal devotee of either LaVey or Misicko there are plenty of Satanists who reject both of them in favour of their own independent form of Satanism, often based on philosophical disagreements with their atheistic stance. The operative point is that it is inherently absurd to act like any one organisation can represent Satanists in the same way that perhaps a church might represent Christians. Satanism is defined not by one or two organisations and their leadership. Satanism is defined by a core philosophy and the people who practice Satanism, and those people are not bound to any leadership.
Next, and once again let’s group the next two tweets together:
That’s not to say all Satanists are selfish or lack social consciences. I know some lovely ones who find healing and strength from trauma caused by Christianity in Satanism. Like all systems, it can be a force for good. But turning it into that force means reckoning with its baggage. It means truly becoming the antithesis to Christian nationalism by embracing left wing politics. Until then, I’ll probably stay in the Tardis.
It is absurd to say that Satanists are “not selfish” unless by “selfish” you mean the narrow exclusion of interest that Stirner warned against. Satanism is not Satanism without philosophical and ethical egoism. Anyone who tells you otherwise is trying to sell you an insipid foolishness or perhaps outright fraud. Equally insipid is this idea from Rouner and which I keep seeing elsewhere from grifters like Christopher Williamson is this idea that Satanism can only have positive value as a response to trauma. All they are really saying is that they never thought Satanism had any value in itself from its own spiritual substance! Whereas to be a Satanist and value Satanism is to align precisely with said substance as we perceive, as I do. It doesn’t just mean dealing with some traumatic experience of one particular expression of Christianity as Rouner and his ilk seem to mean. It is substantially the rejection of Christianity as a doctrine. If this were not the case, one could be anything else, and if the suggestion is that it is merely some of Christianity that is bad and not Christianity as a religion, then you can always choose a new and “more progressive” sect of Christianity as your faith.
We should also consider what “reckoning with its baggage” means, that is to say “embracing left-wing politics”. There is, of course, no one single “left-wing politics”. “The Left” is a disparate collection of ideologies unified solely by a shared interest in the socialization of politics under various schemes and definitions. And, frankly, it is not the shield from reactionism and bigotry that Rouner seems to believe it is. Any number of “leftists” can take up positions that, when examined, are actually not quite as “progressive” as they might imagine. In fact, in the context of the rising tide of reaction across the world, even leftists who aren’t among crypto-fascists such as the “patriotic socialist” movement will, without provocation, profess kinship with aspects of reactionary conservatism. I speak of course of people like Aaron Bastani, otherwise known as a “fully automated luxury communist”, who has written sympathetically about traditional conservatism for its emphasis on collectivism and their belief in society as an organism. You can even find surprisingly conservative pieces on Jacobin of all places.
But to make a real break from reaction, we can and need only draw into Satanism’s real roots and advance on the terms of its real ethos. For me, this means egoist anarchism as the most consistent political basis for Satanism.
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To add another layer… I find Satanism’s obsession with individualism to be unhelpful. Americans already worship individualism far too much. There’s more than a little Cold War anti-communism in Lavey’s writings.
Putting aside all discussion we may have about the dichotomy itself, and ignoring the point that LaVey is not the granddaddy of Satanism as is being presented, the “individualism” that Americans supposedly worship is not actually individualism, not in any consistent sense anyway. They are enamored with the appearance of individual freedom, but in reality are invested in values of conformity to capital, state, and society, all fixed, absolute, alienated interests that thus become holy values of the nation arranged totally against the freedom of the individual. That idealized “American Dream” of nuclear familys living in suburbia undergirded by a shared faith in God and American Christian institutions, passed down through the generations through the discipline of tradition and parental authority, is in fact one of the most collectivist ideals in the entire Western world, and only appears as “individualism” thanks to generations of American marketing and propaganda. Life for marginalized people in America is not individualistic liberty, and instead it consists of brutal oppression by the collective of whiteness upheld by the power of the capitalist state. Capitalism itself is nowhere near as individualistic as garden variety “left-wing” criticism makes it out to be. It seems that way because individual acquisition of wealth is its basis, but this itself is ultimately a standard of conformity; economic growth, which is to say the growth of the economic and the nation (collective bodies, in a sense), is based on the instrumentalizing of individuals as classed subjects, whose labour power is then expropriated by the ruling class, to produce on behalf of industry and the state. This is predicated not on the liberation of individuals but making them conform to aspirations set by the capitalist state and society, and so calling this “individualism” is simply misleading. Rouner brings up the Cold War, and if anything that was a time where authoritarian patriotic collectivism was all the more intense; the individual was to be made into a God-fearing patriot, and if they resisted they were a “pinko”, a “commie”, a “dirty red”. Individual freedom of conscience was persecuted in a wave of accusations of subversion; that’s what McCarythism originally was.
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Ideally, a spiritual path should guide us where we need to go, and the last thing Americans need is another reason to think they stand alone and owe nothing to nobody. While I do like that Lavey doesn’t knock altruism as a concept, he doesn’t encourage it either
Last time I checked, Americans have been told their entire lives that they owe something to someone; typically, that they owe allegiance to the American state and to the Christian God, or to some other value. In fact, the average American is being told that they must suck up every economic immiseration and impoverishment coming their way as a “patriotic donation in the fight for freedom over tyranny”. But for what it’s worth, Americans definitely don’t stand alone in such a situation. Surely everyone is told of their obligations to the democratic state, or for that matter to a dictatorship. Frankly we have owed a lot to society, and marginalized people have suffered more than anyone under the duties and obligations that they never asked for while enduring oppression. Such a platitude then is a disservice to the struggle against that oppression. But make no mistake; it is not any interest in others that egoism opposes. And make no mistake, Satanists are egoists, we do not believe in “altruism” as anything other than an alienation of what is otherwise the egoistic interest in others. We don’t oppose any interest in the welfare of others. What we insist is that it is our interest, and that we are delighting in each other and not sacrificing ourselves to each other.
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Satanism can be very empowering, but I feel it fails to point that power well. When I look at the actions of TST, I don’t see a social conscience. I see well-intentioned Chan board stunts where good is a byproduct of trolling.
That about accurately describes The Satanic Temple, I’d say. But again, they are not the vanguard of Satanism, inasmuch as the very concept is anything other than a farce. Even if it were not a farce, they’re not even close to being representative of Satanism as a general idea. It is only thanks to intensive media representation that they are regarded as “Satanism”(TM) in the popular imagination, but there is no Satanic philosophy behind it other than a rebranding of secular humanism. As a matter of fact, part of its attempt to reframe of Satanism is very much an ideological inclusion of “social conscience” in its rhetoric: “compassion and empathy” as defining tenets of its Satanism and all that. And the real point is that you can emphasize social conscience as much as you wish, and your intentions may indeed be well, but hierarchy and organisational consolidation have the habit of turning it all into a bunch of controlling fan clubs for some tyrannical blowhard. This is what Satanists and others have observed for years, and this is what we mean when we say that organizations are shit. Thus, the real empowerment has always been the liberation of egoistic self-consciousness, and to realise the power to walk your own path and join with your equals in doing so.
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That comes partially from Satanism’s roots where it treats dogma and ritual as a human need rather than a tool for guidance. As far as Lavey was concerned, community and group worship was the spiritual equivalent of taking a shit: gross, but necessary
I must stress again that the “roots” of Satanism are not Anton LaVey or the Church of Satan, and that there have been Satanists perhaps a century before LaVey ever established the Church of Satan. But let’s address the point anyway by saying that it is ultimately circular. After all, could it not as well be said that guidance is a need? And if it is, then if ritual and dogma are tools for guidance (and I do not necessarily share this opinion), then we have ultimately circled back to the idea that they are human needs. But instead of that need being spiritual pleasure as LaVey might have said (if I’m not misrepresenting him here), the need is “guidance”. Guidance by whom, and for what? Besides, you can go anywhere for guidance. People go to religion for so much more than perhaps the secular imagination is capable of understanding.
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And that misses basically the entire point of nearly all human history. We’re a collaborative species, always have been. Individualism gets you killed. You can be part of a group and still yourself. I don’t think enough American spiritual paths teach that.
From the egoist standpoint, or at least Stirner’s, this is an obvious smokescreen, and in general it’s a rather grotesque simplification. Our tendency towards collaboration, co-operation, and socialisation, is not the product of some abstracted notion of “human nature”, and it is not the work of some transcendental principle of union or confederation that exists outside of human interests. People like Pytor Kropotkin may have assumed this to be the case, but the simple and obvious truth is what we come together for the sake of interests that we share and make our own. We share, because we benefit alongside someone else who also benefits from us. We befriend others, because we delight in the company it brings to us. We love, because it is natural to us, and we are brought into ineffable places of emotional experience through people who, for some reason or another, bring that to us. A tyrant may hoard resources for himself for his own advantage, his interest, but those under him may rebel, overthrow, and kill him to rescue those same resources, which is their interest. Humans may share interests, and so they come together, but, they may have opposing interests, and thus come into conflict with each other. This is also the most basic reality of class struggle: people, organized into classes by force, end up uniting on the basis of shared interest, and groups of people oppose each other on the basis of their opposed interests, namely in relation to the means of production. It actually more sense looking at it this way than the more humanistic explanation you usually see on “The Left”. Far from getting you killed, individualism (again, of a certain sort anyway) is simply the conscious recognition of this reality, and with it the freeing of that self-consciousness through the removal of the illusions created by the alienation from egoism by society.
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We’re so worried about not being “true to ourselves” that we abhor collectivism. And that’s why we lose. There’s a reason workplace protections and unions go hand in hand.
The last tweet in Rouner’s thread is almost certainly the most ridiculous. It’s quite natural that those who want to be true to ourselves abhor “collectivism”, at least as we understand it, quite possibly because the collectivisms that we have developed for millenia seem to prevent this, and to a certain extent always seem to. It’s easy to forget that this reality is one of the animating facts about the struggle of marginalized groups such as the LGBTQ+ community. All they wanted was to be able to be themselves and not face oppression, discrimination, marginalization, or anything to curtail that self-expression. Our discussion of collectivism, here, runs the risk of having us forget about that, and if we can’t understand that without trying to subordinate that to some abstracted societal interest then we are not really interested in the liberation of marginalized people on principle. But more puzzlingly, what does any of that have to do with unions and workplace protections? Because collectivism is inherently responsible for that? Not if you understand the principle of union on egoistic terms, then that illusion falls apart. Why do union organization and workplace regulation pose a problem for being true to yourself, especially if you say that you can still be yourself in a group? What a bizarre thing to say, and it’s suggestive of what perhaps we can think of as “socialist idealism”. And again, it is ultimately a weak counter to egoism, because egoism does not oppose any interest, including socialism; it only opposes the alienation of that interest into something outside of yourself, into an etheral thing above yourself that you then confuse as The Absolute. In this sense, egoism has no opposition to union organisation, and does not exclude the interest of organised labour.
So, there we have our response to Jef Rouner and his discussion of Satanism. To summarize: individualism and egoism are not what you think it is, neither is collectivism, neither really is Satanism for that matter, and you can’t reduce Satanism to the two organisations that conveniently happen to be well-represented in mainstream media but which are often despised by Satanists. Trust me, I’m very acutely familiar with some of the basic impetus that Rouner is speaking to, and I have experienced burnout in coming to terms with the reactionary aspects of Satanism and attendant movements in the past. But, I guess you could say I took on a different way of dealing with it by deepening my study and relationship with the history of Satanism and Paganism, and committting to forging my own path.
This is the second half of my commentary on Stanislaw Przybyszewski’s The Synagogue of Satan, based on the second chapter. The original plan was to simply write one single article covering the whole book. That plan seemed feasible, as the book itself was fairly short. But I had a lot to say about the book, its overall claims about Satanism and all attendant subjects, and the overall contours of Przybyszewski’s Satanic philosophy. So it ended up bloating until finally I had to split my commentary in two.
This second article covers the second chapter of The Synagogue of Satan, and covers Przybyszewski’s treatment of witchcraft, the “sabbat”, and the “black mass”, and with it the exposition of his own brand of Satanism that proceeds from this treatment. And, remember, it’s not possible to really take up Przybyszewski’s work as actual history, so what matters is what is said about Satanism.
Part 3: The Witch
The church of Satan is in full swing. The people agreed that everything which originates in evolution and owes its existence to procreation and generative activity belongs to Satan, the Prince of Darkness. We’re told that the Cathars, with sad resignation, acquiesed to this idea as well. The Christian church, for its part, had actually “Satanized” the world with its attacks on nature and instinct, while the refined ideas they created to salvage some sort of moral freedom were ignored by the people. The people had little to no regard for the sophisticated theories and sophistries that the church was busy crafting on the subject of evil, these were seen as some alienated and internal church affair. What interested them instead was the dualism between heavenly matter and infernal matter, that there was “Evil” per se, and that this “Evil” was in fact good. How “Evil” came to be was unimportant. People knew almost nothing about God, God’s son was abandoned by the theologians, and there was only one real religion in the world: the church of Satan.
Satan was the sole ruler of the world, and his demons flowed everywhere as they comprised an ocean of demons. Satan was no “ape of God”, but a god in his own right whose power reaches just as far as the “White God”. Satan taught people enter ecstatic states, produce stigmata, and even gave the saints the idea to “paralyze evil” through choc en retour. Satan alone is the father of life, propagation, evolution, and eternal return. By this, it is understood that “Evil” is good because life is “Evil”, and “Good” is therefore the negation of life, since it is the negation of its basis in passion. Satan is “positive”, eternal, and in itself. Satan is the god of the brain, and therefore governor of the realm of thoughts, from which the power to ceaselessly defy and remake the world derives its basis. In this power Satan inspires curiosity towards all things, which reveals the hidden things and unravels the runes of the night. Satan also inspires the daring to destroy even that which appears to make thousands of people happy so that something new and better might emerge instead. In other words, Satan embodies the negation embodied in active nihilism, which counsels the negation of the order of things as the sole source of new life. This nihilist’s negation is the drive for new conditions, spurred by “evil desires” whispered by Satan. Satan is continually persecuted, periodically vanquished, but he always emerges from his own ashes more powerful and beautiful than before. The Christian church tried to destroy Satan, only to be subverted and destroyed by Satan. Satan is unconquerable, and in his own way “conquers” everything. Satan is eternally evil, and the eternally evil is life.
Here Przybyszewski explores further the negativity of Satan as embodied in the contrary projection into the future. This is called a raging negation of negation, which I suppose we could take as negation unfolding from and upon itself. Another phrase he uses for this is “e pur si muove”, meaning “and yet it moves”, which is actually a famous phrase attributed to Galileo Galilei. I believe that this is not incidental. It is said that Galileo said this phrase after being forced by the church to recant his observation that the Earth revolved around the Sun. It is unclear whether Galileo actually uttered that phrase, and in fact the only actual sources for it come from after Galileo’s death, but what matters here is its contextual implications: namely, it embodies intellectual defiance of persecution and authority on behalf of one’s own revolution against the prevailing order of thought, and with it an inner freedom of thought that cannot be erased, even during incarceration. Unfortunately, however, Przybyszewski then goes on to refer to Christopher Columbus as an example of Satanically-inspired curiosity.
This is problematic for a number of reasons, among the most stark, for one thing, is the implication that it presents for colonialism and its attendant genocides. Though, of course, it might be argued that it is expected that men in The Enlightenment would countenance colonialism as a progressive world-historic force, though it does mean that poor Przybyszewski was not nihilist enough. Another problem might well be the fact that Christopher Columbus very probably didn’t “discover” America, or at least not before a certain band of Christianized Vikings got there first. Yet perhaps the biggest problem with framing Christopher Columbus as a paragon of Satanic curiosity is ultimately the fact that his expeditions were actually religious and missionary in purpose, on Christian terms. Columbus wrote in his journals about how he wanted to convert all the peoples of the world to Christianity and ultimately gather enough gold and other resources in order to allow Christian leaders to launch a new Crusade to retake Jerusalem from the control of Islamic empires, all under the belief that this would lead to the Second Coming of Jesus. Columbus was not contrarily projecting into the future to follow an irreducible quest for knowledge. Instead he was a missionary and proselyte of God and his son, seeking to fulfill God’s will on earth, eager for him to “save” the world. In other words, he was actually in many ways the opposite of Przybyszewski’s Satanic heroism.
That said, there are certainly better examples given by Przybyszewski. He cites the chemical sciences as owing their origin to “evil”, here meaning the curiosity of Satan. Remember that here the power of curiosity consists in its ability to remake the world, and so Przybyszewski says that in the name of Satan that Friedrich Nietzsche called for the re-evaluation of all values, that anarchists dreamed of the abolition of the state, and that the artist created works that could only be understood in secret. Nietzsche in particular is important to note, as he was arguably Przybyszewski’s favourite philosopher and certainly had a great influence on Przybyszewski’s thought. At one point, Przybyszewski might have fancied himself as one of the few to have grasped his work.
But, having waxed lyrical about “Evil”, what is the “Good” that opposes Satan? In a word, thoughtlessness. As Przybyszewski says, “Good” is Gregory the Great boasting of his ignorance and forbidding the study of grammar to clerics. Gregory, of course, made efforts to suppress pre-Christian literature, such as the works of Cicero and Livy, the latter of which he burned, because in his opinion they promoted idolatry and distracted people from the study of Christian scripture. “Good” is Francis of Assisi imitating the donkeys that stood and brayed around the manger of baby Jesus. “Good” is the surrender and/or abnegation of individual will in order to imitate God and/or his order/will. “Good” here obviously denies the work of Satan, to the point of denying evolution on the grounds of its origination with Satan; thus evolution in religious terms is heresy, in political terms is treason, and in terms of life is perversion, all punishable as crime. The summary of “Good” is ad maiorem Dei gloriam (“for the greater glory of God”), which incidentally was the motto of the Jesuits. I believe that on egoist terms the distinction between “Evil” and “God” is easily illuminated. Since “Evil” is meant to pertain to your own curiosity, nature, instinct, and of course lust, “Evil” thus connotes your own egoistic enterprises in their purity, without the disguise of a higher cause outside yourself. “Evil”, then, is your own undertaking for your own sake, albeit as borne of the universal egoism and negativity of Satan. “Good”, as “for the greater glory of God”, can be understood as the undertaking done on God’s behalf, so as to imitate God or his will, it is that which brings you closer to God, closer to being one with his will. But this means that “Good” is nothing more than the egoism of another that is then, under the spell of illusion, taken up as some higher purpose or greater good beyond yourself. Max Stirner elaborated in The Unique And Its Property that God’s cause is a purely egoistic one, just like all other causes. What is God’s cause? Does he make an alien cause for himself? God is love, truth, but that means he cannot promote them as alien causes, since he himself is them. Thus, God is an egoist, an Ownness or Einzige, like any other, whom Christianity and similar religions afford the status of the world’s only egoist – and of course, our business is to drag that falsehood away from him, expose it for the fraud that it is, and thus abolish the alienation of causes. Put simply, “Evil” is what you do for yourself”, “Good” is when you think you’re doing it for God or someone else. “Evil” is honest-to-goodness egoism, “Good” is self-denial. Per Stirner’s Critics we may make further sense of sin in this dynamic. Sin is a tendency towards your own interest, and its opposite is “sacred interest”, by which is only meant the alienation or “setting apart” of egoistic interest.
Przybyszewski’s Satan is a philosopher, even a demon, in short a god. That is his role as the father of the sciences which shine into the deepest secrets of human life, always melancholic because he must draw his circle anew after being destroyed by some fool. For this Satan is called “Samyasa”, or the fallen angel Samyaza, who Przybyszewski describes as the Father and the “mathematician”. As the patron of the secret sciences, Satan was purportedly only accessible to the few to whom he revealed his mysteries, thus Przybyszewski refers to him as a “dark aristocrat”. This in some ways presents a contradiction. On the one hand, Satan reveals mysteries only to a few individuals (including, for some reason, Christian occultists such as John Dee or Christian alchemists such as Paracelsus). On the other hand, Satan whispers his doubts to the whole masses, and receives worship from and fulfills the desires of the people. He is too universal to truly be exclusive, but I suppose when dealing with the secret sciences, there are only a few people who can receive them. Still, the secret sciences are not preached. They must be accessed by those who want to pursue them and who can understand them, and not many people can claim to that. According to Przybyszewski, Satan could only be conjured by the “most powerful”, presumably meaning magically powerful, while he sent his demon servants across the land to ingite human passions, sowing the baser instincts of humans and cultivating their pride and arrogance, in order to awaken the beast within.
And so we come to what Przybyszewski calls the sole principle of Satanism: a rebours. This French phrase, in English, means “backwards” or “going against the grain”, and for Przybyszewski it meant the reversal of all values sanctified by law and order. The phrase a rebours is also the title of a book written by the French decadent author Joris-Karl Huysmans; his famous book of the same name, whose title is translated in English as “Against Nature”, published in 1884, follows the story of a French aristocrat who, disgusted by his current life, retreats from Paris to lead alife of luxury, excess, and intellectual and aesthetic contemplation that ultimately leaves him physically ill and alienated from human society. Elsewhere, Huysmans described Satanism as essentially based on Catholic principles “followed in reverse (a rebours)”, which is reflected in his depiction of the Satanic Mass in his novel La Bas in which a Satanic priest holds consecrated hosts upside down and generally performs an inverted Catholic ritual. The principle of a rebours is also linked to Friedrich Nietzsche, Przybyszewski’s favourite philosopher, a link that I am quite certain comes about through Nietzsche’s concept of the transvaluation (or re-evaluation) of values, which, because of its diametrical conflict with Christianity, must seem like its forthright reversal. Indeed, there is a suppressed passage from Nietzsche’s The Antichrist which calls for the transvaluation of value, whereby the divine becomes criminal, thus we see reversal, a rebours. In any case the principle and act of reversal, a rebours, constitutes a subversive negation, the art of turning against, negating, destroying the order of things in the totality of normative and social conditions in order that something new may emerge in the place of their destruction.
The servants of Satan, or “Satan-Samyasa”, came to earth and made themselves masters there, while Satan as Lucifer, the bringer of light and “Paraclete” of humanity, practiced black magick in locked laboratories with magicians. At this time, the people remained “heathen” in their hearts, and they were also desperate to the point of madness. They hated Christianity and they hated Jesus, who promised salvation and left them only torments, but most of all they hated the church, that empty edifice who extorted every penny from the peasant and every acre of land from the nobles. They also hated the bishops who accused each other of adultery, whoremongering, and perjury. The synods attempted to impose taxation on the drunkenness of clerics. But, in the age of repeated prohibitions against drunkenness and fornication, when “our sacrilege is piled up over our heads” and “our crimes are stacked to heaven”, the servants of the Devil renounced and mocked all things holy, and derided the impotence of God in orgies. The people hated Christianity, and were only kept in check by the fear of eternal damnation and punishment in Hell. Hell and the Devil were at the center of the church’s sermons, designed principally to keep the masses in line. The fantasies of the priests evoked the Old and New Testaments of the Bible as well as the fear of nocturnal gatherings of heretics, Jewish and Arab magicians spreading their systems of mysticism, and “Gypsies” spreading intoxicating herbs throughout Europe.
Against this backdrop we embark on Przybyszewski’s discussion of Satanic femininity leading into the discussion of the Witch. And here it should be noted in advance that there is an engagement with classically misogynistic ideas about women leveraged by reactionary Christianity which are, at once, taken up in a positive sense in Przybyszewski’s application of negativity. It is taken to some cartoonish and grotesque levels, but on this I see no reason to deviate from Per Faxneld’s argument in The Devil’s Party: Satanism in Modernity or Satanic Feminism: Lucifer as the Liberator of Woman in Nineteenth Century Culture, which stresses that Przybyszewski’s philosophy establishes Christian evil as actually good, since decadence is progress and lust is nature and so on, and that on this basis there is a sort of ambivalent or even laudatory element in his writings about women, even when he speaks in terms of outrage, based on his belief in evolution and ontological evil as the motor of life and progress, with Good being the engine of stasis and repression, and so on these grounds it’s not quite possible to interpret his writing as a condemnation. With that established, we can safely begin this exploration.
Satan loves evil because he loves life, and hates “Good” because he hates stagnation and inertia. Because of this, Satan loves women, who the Christian church had long regarded as the principle of evil, which as far as Satan was concerned meant life. And in turn women, in Przybyszewski’s account, loved Satan, and Satan had a preference for them as the evangelists of his cult. We are then taken through Przybyszewski’s account of the pre-Christian history of his idea of the Satanic feminine. First we are told that the “night-side of life” in Babylon and Chaldea was embodied in Mylitta, who Przybyszewski characterized as a goddess of lust, sexual excess, and “the cosmic secret of decay”. The name Mylitta is simply Herodotus’ name for a goddess who was actually called Mullissu, the wife of Ashur, who may also have been identified with the goddess Ninlil. I can only assume Przybyszewski got the “goddess of lust” idea from Herodotus’ account of sacred prostitution in association with the goddess, which of course we can’t quite rely on as a historical source, and the rest was simply his own idea. Then, turning to Syria, the goddess Astarte is presented as “the adversarial, evil, and destructive divinity”. Obviously a rather inappropriate idea for the context of pre-Christian polytheism, though I will say that one would’ve thought that the god Mot would’ve been the better candidate for such a role. In any case, Przybyszewski refers to Astarte for the horns on her head (supposedly a bull’s head) and being a goddess of war. Next he talks about the Phrygian goddess Cybele, and how her temples were places of fornication and orgasm. Then Semiramis, who was not a goddess but merely a mythological queen, who we’re told killed her lover with her lust. Then we’re presented with Maya, the Indian goddess;(except she kind of wasn’t) of deception who created illusions that made reality inaccessible. Then the Devas (Daevas) of Iran, who we’re told represented untruth, deception, and the “pollution” of the souls of men; the supposed “feminine virtues”.
From there Przybyszewski slowly graduates from talk of goddesses to talk of demonesses. Regarding Greece, Przybyszewski talks about the “dark demons of death” emerging from the earth goddess Gea (Gaia) and everything terrible and frightening being dedicated to Hecate, who travelled with demons and drove men to madness. Lastly we are turned to the Romans, who most feared the demons they called Strigas, most likely meant to mean Strix, who we’re told were believed to suck the blood of the young and devour their guts before flying away. Przybyszewski says that the most feared demons of antiquity were female, because, as he put it, they were demons of death, madness, debauchery, obsession, crime, nocturnal horror, and spectral terror. This includes none other than Lilith, the destroyer of men in her lusts, and for some reason a goddess named Lady Holda, who we’re told is the leader of the Wild Hunt. Such themes are ultimately connected forwardly to witchcraft, via the landlady of Horsselberg who led sabbaths with witches. And, of course, Przybyszewski tells us that, in the Middle Ages, witches were accused of basically everything the Strigas did. We then get to what is quite easily a discussion of patriarchy. We’re told that alongside the “night-side” of the feminine ancient people worshipped the fertility and life-giving power of women, but it was assumed that the man had to protect life from the destructive and deceptive impulses they believed were present in women. Thus patriarchal society had established man as “the real originator of life”. Through Christianity, in the Middle Ages, patriarchy had almost completely denied life-giving power to women and instead preferred to view them exclusively as evil. This attitude even seemed to affect depictions of Satan. We’re told that Satan was originally feminine, and that by the Middle Ages the only feminine part of Satan that remained was the breasts. Satan had transformed into an entirely masculine entity, while woman had become completely subordinate to the male Satan as a concubine who led souls to him while receiving his lusts. Male magicians were expected to command the Prince of Darkness himself to reveal the secrets of nature, female witches were expected to serve as obedient handmaidens of demons who learned the arts of destruction but gained little from their covenant beyond the erotic discipline of demonic masters.
It would seem that medieval patriarchy was so universal that even the cult of Satan came to be conditioned by it, to the extent that church patriarchy had found itself dressed in black rather than in a coffin. The traditions of dead generations had weighed like a nightmare on the brains of the living, and as long as that contradiction was not resolved, we might say that the transvaluation of values could not yet have taken place. Since we’ve already established that we’re dealing with a narrative rather than an actual history, it’s probably not unfair to say that Przybyszewski colours this with what is clearly a BDSM-esque kink involving demons and witches.
And so finally we move on to the subject of the Witch, and things still get weird from here. Przybyszewski starts with the question of why witches were much more likely to be women then men such that it is claimed that hardly a single man was condemned. Putting aside the fact that this is not completely true (while women were the typical target of witch-hunts, in some countries more men were killed on charges of witchcraft), Przybyszewski proposes certain answers to that question. He says that, whether for good or evil nothing could stop three things: the tongue, the priest, and woman. It was supposed that women were gullible, and the Devil works against faith so he prefers to work through them. Then there goes the old argument about “flexible” constitutions, their supposedly “limited” faith, and the idea that women tended to pass on malefic arts to other women through speech. At this point I think it’s worth reiterating that as far as Przybyszewski was concerned practicing dark arts while lacking faith in God was basically a good thing. We’re then presented with a strange etymological argument attributed to Jacob Sprenger (who himself was listed as an author of the Malleus Malificarum alongside Heinrich Kramer), who argues that the word “foemina”, a medieval Latin word for women from which we get the word “feminine”, derives from the words for “faith” and “minus”, presumably so as to mean “faithless”. That’s not actually the etymology of “foemina”, but that obviously never stopped Sprenger from waxing lyrical on the depravity and vices of women. Sprenger goes to many lengths to justify his absurd misogynistic views of women. Sprenger relates an anecdote about a man whose wife had drowned and, because she always talked back to him in life, he looked for her upstream on the presumption that this would mean her soul must have gone upstream. As bizarre and non-sequiturish as that is, Sprenger further cites Sirach and John Chrysostom to argue that marriage is torture (presumably because of women) and Seneca to argue that women don’t actually weep and are only capable of negative thoughts and either love or hate. From all this Sprenger makes the argument that women are most susceptible to magical heresy and that men should thank God for protecting them from it. Of course we can gleam from all this an obvious problem: God loves his children so much that he can only keep the male ones from becoming agents of Satan. Or God just seems to love the men and think nothing of women.
Przybyszewski then moves away from Sprenger to discuss his own ideas about how the witch comes to be. This involves possession, or “demonomania”, which Przybyszewski asserts as having been commonplace in the Middle Ages and apparently was accompanied by clairvoyance and somnambulism. Demonomaniacs were led by visions and fell into monstrous paroxysms. The symptoms of demonomania, at the lowest level, appear to be voluntarily produced through narcotics and salves. Przybyszewski says that this how the Witch, for whom everything is inverted, is born. Highest is lowest, right is left, front is behind, the witch embodies the complete inversion of values which places her at odds with the order of the world. This, of course, would make the Witch the apogee of Przybyszewski’s Satanism via the principle of reversal, or a rebours. But still we deal with the symptoms of demonomania. The possessed body curls into a sphere before then standing up on its toes and throwing itself back onto its head so that its back forms the shape of a bow. Then the possessed body’s arms and legs are held up in the air like interwoven weeds, the hair stands up as if wanting to fly everywhere, the person walks backwards or in a continuous circle with the face turned outward. In an ecstatic demonomaniac state, Przybyszewski’s Witch is capable of superhuman flexibility and power. She can intertwine her limbs like pliable rods, she can stretch her whole body any way she wants and shrink back again, her center of gravity is altered, she cannot drown in water, she can be lighter than air, and she can rise up and hover in the air for several minutes.
Then, of course, there is the “mark” of Satan, the sign left on the bodies of those possessed. These are small, no more than pea-sized places on the skin, insensitive and without blood, sometimes red or black spots. They are typically unseen and located in the genitals, and if pricked they will draw no blood, whereas any other part of the body does draw blood. Several marks could also be found elsewhere; on eyelids, the back, the breasts, and in rare cases can even change its place on the body somehow, as though at will. Really there is no consistency in this, that’s just how the old medieval superstition was. But this “mark” was not the only distinguishing sign of the Witch. Her magical powers make her “physical sensitivity” unusually low, which seems to mean she is impervious to torture and/or generally cataleptic. Supposedly, even when put on the rack or the strappado, the Witch felt nothing, laughed, or slept through it, seemingly not feeling any pain. The Witch also possessed a certain “organic healing power”, connected to the “sorcery of maintaining silence” that was given by the Devil, usually linked to an amulet. This power apparently allowed the Witch to rapidly and easily heal severe injuries or wounds. For this reason witches were stripped naked and then shaved before they were tortured. In an ecstatic state of demonomania, all laws that normally apply to organisms are reversed or suspended, as for example in the power of the Witch to, just like the Magician before her, not be burned by fire. Taken together this quite an exceptional complex of superhuman power for someone who we were told was meant to simply be an obedient handmaiden for male demons. In this sense, patriarchy truly does sell women short.
And, of course, in this setting we should realize that Przybyszewski seems to believe that all of this was real, or at least he writes as if this were the case. When giving accounts of the abilities of the Witch, even from Sprenger, he regards that there is no reason to doubt such accounts, and asserts that all descriptions of the powers and ecstatic states of the Witch correspond to reality. Whether this is the actually the case, and there is probably reason to doubt, among other things, the existence of the “Devil’s mark” as described by Sprenger, what it establishes about Przybyszewski’s thought is that he was not a rationalist seeking to debunk stories of witchcraft on behalf of reason and enlightenment. Although Przybyszewski definitely praised rationalists for the extent to which they undermined faith in God and ostensibly encouraged curiosity towards the workings of the world, he himself can’t be counted as a rationalist, and he tended to prefer the madness he ascribed to the individual soul over the cold reasoning of the brain. From this, Per Faxneld argues, probably correctly, that his writing on madness and “hysteria” is probably not entirely a condemnation, and may even contain a laudatory aspect. This is one way to make sense of how Przybyszewski talks about the Witch, and in this subject it is more obvious when considering that the Witch’s transgression of rational mind and body is presented as a source of insurmountable power ultimately connected to Satan.
The Witch’s invulnerability and physical insensitivity is then shown to deny compassion, leaving her “bestial in her cruelty” and lacking sympathy while given to a delight in the pain she may cause. Her love of cruelty is also mixed with intense sexual desire to the extent that she can be thought of as a sort of sadomasochist, or at least as far as Przybyszewski might have understood it. But Przybyszewski stresses that it was not enough that the Witch flogged others or was flogged herself. No, for this Witch only the most extreme, grotesque, and frankly absurd acts of violence enthused with her strange drives can she feel the hint of emotional satisfaction. The Witch despises every notion of law, she hates the church and all its establishments, indeed she hates that which inhibits her demonic or demonomaniacal drives, and derives joy in that hatred and in mixing the body of God into her salves for perverse ends.
If we look past the grotesque and senseless depravity that Przybyszewski ascribes to the Witch, which almost certainly has nothing to do with any real historical expression of witchcraft, what might we derive from the character being presented. The character of the Witch is not so easily separated from the oppressions and tortures she experiences, so it is easy to make the point of the monsters that society creates, even if every instance of this argument never dare march towards the moral conclusion of the destruction of society – one might assume that after this the monsters would no longer exist. But I would argue that what is operative is what is derived from the hatred of authority and the joy derived from that hatred and the destruction of authority. In nihilism, the basic concept of this is called jouissance. Jouissance is the name given to the sensation of liberation and richness in life that emerges from the act of resistance, and which cannot be measured against incentive or as teleological will. It is part of the core of what distinguishes nihilism, or at least the active nihilism found in anarchist thought. In this, we may at least Przybyszewski’s Satanism as a nihilist religious philosophy in the sense that it counsels joy in the resistance towards and the overcoming and destruction of authority and in the active principle of reversal or a rebours. The culmination of this is found in the location of jouissance in the Nietzschean transvaluation of values, on Satanic nihilist-egoist terms of course. And from that standpoint, it is only natural to derive liberationist joy in that very negative engine of life itself.
Right after all this we enter the discussion of the “witch craze” that swept across Europe, and in this context we unexpectedly return to the so-called “Manicheans”, with whom we are told the church was not yet finished. The Christian church had of course persecuted the Manicheans for decades with exceptional cruelty, thousands of them were burned on the stake or broken upon the wheel, but they still survived, forming secret societies and congregations even in the places where they were once completely rooted out. These Manicheans held on to a tradition of nocturnal masses that they celebrated in the woods or on hilltops. People appeared to have converted to Christianity in order to save themselves from persecution and torture, but actually continued to participate in there nocturnal gatherings in order to run wild. Przybyszewski says that in these gatherings and in “real sabbatical orgies” it was women who whipped the men into instinctual excesses. A comparison may perhaps be found in pre-Christian Bacchanalias celebrating the mysteries of Dionysus, in which the priesthood of Dionysus was said to have been dominated by women. Przybyszewski described medieval women as having been rendered anemic by the conditions of medieval society. Covered in filth, enslaved by men, rejected by the church, condemned by the God who the church says created them from Adam’s rib, women were treated like animals in the society they lived in; actually, you might argue they were treated somewhat worse. In this setting their “evil instincts” developed and they plotted revenge against their oppressors, against the people who kicked them, cast evil eyes at them, or whipped them out of boredom.
Things get stranger from here. In these conditions Przybyszewski says that women would lie beneath any man, even against her will, but in either case never be satisfied. A ceaseless longing for sexual enjoyment and its lack of fulfillment became a source of torment, and in the melancholy of “The Devil’s Bath” all feelings became poisonous. Przybyszewski hints that it is here, once all the “seeds of possession” sprout, a woman may become a Witch. One woman, agitated like never before, is tormented by the desire for violence and the urge to rave and scream when, suddenly, she suddenly flees into the woods, she flies above the ground and hovers in the air before ultimately plunging to the ground again. And then the incubus appears besides her. He appears as a red man with a carefully concealed tail and horns, dressed like a hunter. The woman instinctually knows that this is a devil, but as much as she fears him she is also inexorably curious about him. She knows that he has the power to give her anything she wants, she doesn’t think about his money turning out to be sand or shit, and she is much more curious than afraid. That’s when the Devil, knowing her inner longings and wanting to fulfill them, promises to fulfill her wishes if she submits herself to him and without regret. The demon presses and mounts himself upon her, and she gives in, hoping to be fulfilled. But the fulfillment does not happen, there is only a cold feeling and shivering in her body, and a regret accompanied by the fear of eternal damnation.
You might think that would be the end of it, but, one night, she sleeps beside her husband, and experiences a vision of Hell itself before her eyes. She fearfully stares into Hell and prays only to be pulled back, while hellish laughter surrounds the room. Green lights flicker about the room, increasingly loud knocks can be heard, her bed rotates and its sheets dance around her, all the while she herself is paralyzed. Then she sees the Devil once again. She endures intercourse with him again, but this time not only does she do it without fear she even starts to ask him questions during the act, and the Devil, that “friendly master” (oddly kinky language here), for his part tells her to look for a witch in the forest who can give her miraculous herbs. When she wakes up that becomes her first thought. With neither husband nor children around she waits impatiently for nightfall. Finally finding the old witch of the forest, herself feared by the public, she talks to the old witch and the old witch gives her a salve and a staff to take home with her and keep hidden from every except a member of “the same sect”. Then the signal is given for her to go to the “synagogue”, and at midnight she strips completely naked in order to apply the salve to every part of her body. She briefly falls into a deep sleep, and then awakens to go to the “synagogue”, somehow knowing the way despite never having been there, as though her whole journey is unconscious. This “synagogue” is actually a pathless heath upon a mountain, whose existence she knew only whispers of. An assemblage of people has gathered here already, but it is dark and they can only be seen faintly through the flickers of torches. Half-naked women run around and jump wildly and nimbly, as though they were weightless, and the cries “Har! Har! Sabat! Sabat!” can be heard. This is the beginning of the Witches’ Sabbath.
Everyone forms a circle, their hands touching each other’s backs, while a man and a woman turn their backs toward one another. Then, an ecstatic dance begins, people throw their heads back with increasing tempo while singing “obscene” songs, occasionally interrupted by a cry: “Har! Har! Sabat! Sabat! Har! Devil! Devil! Jump here! Jump here!”. An orgy begins, greed joins with lust, the frenzy triggers a delirium of desire, and people throw themselves upon each other indiscriminately. A woman controls and exalts these ceremonies, she throws herself to the ground with her hands behind her and her legs up towards the air in order to receive the phallus. This is then followed by absurd and senseless sacrificial violence. Przybyszewski likens her furious nymphomania to the priestesses of Cybele, who he says are re-awakened in her. Indeed, Przybyszewski likens the whole orgy to what he imagines to be the pre-Christian and pre-Manichean “sabbats” of Babylon, Greece, and Rome, and says that only after this does the contemporary “sabbat” begin in earnest. In this “sabbat”, reality disappears, the senses fade, the infinite realm of night manifests, and Satan appears perched upon a chair.
Przybyszewski’s Satan has a number of features that make him worth remarking upon. He appears in the shape of a goat, or half human and half goat. He wears a crown of black horns, one of which illuminates the “sabbat” with a light brighter than the full moon. He has huge circular eyes. He has female breasts, which hang down towards his stomach. But most uniquely, he has a giant, red, crooked dog penis which is itself tipped with a vulva. He also has a second face below his navel, with a gaping mouth and outstretched tongue, and his voice is without timber and hard to understand. Here the image of Baphomet is radically embellished, or from another perspective enhanced, its androgynous qualities magnified in comparison to the original, and further mixed with the influence of medieval iconography of the Devil. We can vaguely see what Przybyszewski meant when he said that Satan was originally feminine, though to refer to this Satan as strictly a woman would be inaccurate. This is completely different from the entirely masculine Satan discussed previously, and certainly unique when compared to many traditional images of Satan. This Satan is not merely a paragon of dark masculinity, instead this Satan brazenly defies normative gender with his simultaneously male and female body.
The mass begins, and it is altogether an inversion of Christian rites. First, the participants gather before Satan to confess their failure to be evil; to confess their chastity, their humility, their patience, their temperance, their brotherly love among other pieties and general lack of sin. Satan patiently listens to these confessions, but also dispenses beatings to the confessors, because he does not appreciate anyone going only halfway, for all who enter his church must fulfill his commandments completely. The confession is then followed by the introduction of those wishing to join Satan’s church. These people move before the throne of Satan, Satan asks if they want to become his minions, and they say yes. Those wanting to join Satan’s church follow his instructions. First the initiate must renounce the following: “I reject God, then Jesus Christ, then the Holy Spirit, the Virgin, the saints, the Holy Cross, I give myself over to your power and into your hands in every way, I also acknowledge no other God, so that you are my God and I am your servant.”. The initiate then kisses Satan on his second face, a sign of eternal servitude to evil. Then, Satan scratches the effect of baptism off of the initiate’s forehead with his claw, and the initiate is then baptised in a font of filthy water. The initiate swears to never again take up Christian sacrament except for blasphemy, to defile Christian relics, to keep the secret of the “sabbat”, to acquire new membership for Satan’s church, and to dedicate all strength to Satan. The mass ends with the petition of a person rebaptized by Satan to their name erased from the book of life and then have it written in the book of death. At that point Satan marks the initiate with a stigmata. Men are stigmatized on their eyelids, shoulders, or lips, while women receive this on their nipples or their labia. At that point, the pact with the Devil is concluded, and the soul of the initiate is forever sworn to Satan. From then on, the initiate’s nature is completely reversed. What was highest becomes the lowest, and vice versa, the law that once bound them has been rendered powerless, and the virtues of the law were stripped away in mockery. For women, Przybyszewski says, this means freedom from the restrictions that men placed on them.
So, to summarize what all of this means for Przybyszewski’s doctrine of Satanism, we should above all return to the subject of reversal, or a rebours. The witches’ sabbath and the black mass culminate in a reversal that is at once the transvaluation of values. A rebours as an act initiates the re-evaluation and dissolution of the order of things as applicable to the soul, and this reversal, as a Decadent and Satanic extension of Nietzschean transvaluation, is the essence of Przybyszewski’s Satanism. This has an obvious appeal to those who find themselves trodden underfoot by society, while those who benefit from its structures are not quite capable of grasping its value and indeed find themselves arrayed against it.
Since Przybyszewski makes comparisons to pre-Christian orgiastic rites or more aptly his idea thereof, it is worth briefly examining the subject of the mysteries of Cybele, as quite probably the only extant historical subject we can actually assess. Przybyszewski does point to Babylonian orgies, but from a historical standpoint this can probably be dismissed as the fantasy of Herodotus, who is himself rather well-known for his fantasies and exaggerations. Regarding the mysteries of Cybele, the thought of the priestess of Cybele receiving the phallus in an orgy must seem quite alien to the actual worshippers of Cybele. Indeed, as far as the male member is concerned, one of the more well-known aspects of the worship of Cybele consists in the severing of said member from and by male priests. These priests, the Galli, castrated themselves in imitation of the god of Attis, and then lived and presented as women in devotion to Cybele. A similar tradition can be seen in ancient Sumeria, where a similar priesthood also castrated themselves and embraced femininity while defying male norms in worship of the goddess Inanna. The amusing thing about all this is that I would think Przybyszewski would find this act of castration an attack on nature, if solely for the reason that it involves the severing of the phallus. I would say that this comprises a misunderstanding of the orgiastic rites dedicated to Cybele. Again, if there is an analogue to Przybyszewski’s “sabbat”, it is in the Dionysian mysteries or popular worship of Dionysus. The mysteries were presided over by a largely female priesthood, while more local festivals honouring him involved carrying a phallus sculpture through the streets to denote fertility. But of course, perhaps the operative aspect is that it serves to re-establish Przybyszewski’s Satanism as a continuation of the orgiastic pagan tradition, of “the heathen cult” as it were.
Finally, before the next section, let us return to the subject of how Przybyszewski writes about women and the Witch. There is still doubtless something problematic, in that many aspects of the text present an inherently contradictory impression of his Satanism and the Witch as its apostle, and it is a trend that continues on further in the book. Per Faxneld in The Devil’s Party explains this development with two possibilities: either Przybyszewski felt pressure towards the second half of the book to increasingly vilify Satan worship, or he as a Decadent author consciously drew from the trappings of Decadent literature so that his presentation of Satanism is coloured by, well, abject decadence. I tend to think the latter theory, that he deliberately hyperbolized his narrative, is much more plausible than the idea of probably the world’s first self-avowed modern Satanist somehow felt the need to re-tailor his work to appease Christian audiences. I do maintain that Faxneld is probably correct to assume that Przybyszewski is not simply vilifying women here, he almost certainly seems to lionize the Witch albeit it in a very perverse way. But even while Faxneld assures that Przybyszewski is no woman-hater based on his journals, I am inclined to suspect that there is some misogyny in Przybyszewski as well. We should remember that he writes as if the old Christian accounts are accurate, even if his overall point is that the evil women are saints because they are evil, which could still be interpreted simply as their will to destroy the authority and norms of the church. Ultimately there is a remarkable and somewhat disturbing ambiguity Przybyszewski’s writing, which is underscored by the fact that his whole point is about reversal and that the Witch embodies this reversal, and that on this basis, it’s not possible that Przybyszewski’s Witch is necessarily meant to be taken as a malefic character, at least in that the decadent narrative contains within itself more than its sensational lustre.
I think Przybyszewski may have, in his own deeply flawed way, attempted to communicate a negativity similar to the way baedan talks about queerness. The birth of the Witch is still situated in the utter bleakness of the Middle Ages and particularly the life of women in that setting. Enslaved and contained by patriarchy both Christian and pre-Christian and even subordinated by the male Magicians and demons, branded as criminals by the church and its God, women in Przybyszewski’s narrative occupy a special space of deviance and criminality that they in turn embrace through their will to destructive vengeance against the world that attacks them. Culminating up to the pact with Satan at the end of the “sabbat”, Przybyszewski’s Witch makes it her business to tower over even the very role foisted upon her in her embrace of evil, and the promise of liberation contained within Satanic a rebours becomes the mechanism of unmitigated revenge. In this way, the pact is sealed and Christianity ain’t seen nothing yet.
Part 4: The Progress of The Sabbat
We continue our exploration of the Witches’ Sabbath. For Przybyszewski, the entire sordid history of the Middle Ages is reflected in this “sabbat”. The “sabbat” is characterized as an orgasm of unbridled instincts, an all-powerful revolt of the flesh against its repression, and a dark cry of hallelujah to a crucified paganism. Yet again we see Przybyszewski establish his Satanism as an evolution of “the heathen cult”. In fact, he goes on to describe the “sabbat” as a synthesis of every pre-Christian orgiastic cult. Again we are referred to the cult of Cybele, where greedy desire culminated in “a frenzy of refined cruelty”, then to the sacred prostitution attributed to the cult of Astarte, and then to Greek witches invoking Hecate through conjurations. Przybyszewski asserts that all of this was synthesized together in the medieval “sabbat” and revised to suit the contemporary religious context. The difference between the two “sabbats” is established as their aim, with the pre-Christian versions of the “sabbat” being entirely “positive”, or rather about as positive as it gets with Przybyszewski’s bleak Decadent prose, and the medieval “sabbat” was entirely negative. In the pre-Christian “sabbats”, the aim was to draw everything into the realm of the divine; the instincts of nature were sanctified and the orgiastic ecstasies were a way of worshipping the gods. In the medieval “sabbat”, by contrast, was based almost entirely in the hatred of Christianity, the Catholic Church, Jesus Christ, and all things ecclesiastical.
It is at this point worth discussing the nature of the orgiastic aspects of pre-Christian religiosity again. Actually, I suppose it’s better to start with the whole concept of sacred prostitution in the context of pre-Christian Syria. Perfectly lurid, scandalous, and ostensibly titillating, this is very much an archaic trope in historical discussion of pre-Christian religion. It makes sense that someone like Przybyszewski in his day would take it for granted, let alone lauded it, as hardly anyone questioned it by the time The Synagogue of Satan was written. But in modern scholarship, depending on what context we are referring to, it is a point of contention. While there are credible accounts of the practice of sacred prostitution in the context of ancient Greece in temples devoted to the goddess Aphrodite, in the context of ancient Phoenicia, there isn’t really much in the way of hard evidence for the practice being devoted to Astarte. As for the cult of Cybele, I’m not totally sure how violent Przybyszewski meant it to appear, but it is documented that the orgies dedicated to Cybele did involve flagellations, ritual mutiliation, and self-castration. Sex didn’t enter into it, but there was some ecstatic dancing and drinking set to music and ritual cries. The term “orgy” itself bears some examination. It comes from the Greek word “orgia”, or “orgion”, which referred to an ecstatic religious celebration, often specifically in worship of the god Dionysus. The word actually meant “secret rites”, and although modern use of the term “orgy” (including by Przybyszewski) tends to connote large-scale sex parties, it’s not obvious that these involved sex of any sort. The real point of the orgia was simply ecstatic union with the divine (which, in his own way, Przybyszewski did still acknowledge), though they were “unrestrained” in the sense that they involved unscripted frenzied dances meant to embody the divine madness of Dionysus and reflect his myths. That said, what is true is that there is an extent to which this ecstasy allowed its participants to shatter the norms of the society they lived in. It can also be said that the orgiastic aspects of pre-Christian religiosity were intimiately connected with social transgression. Examples of this include not only the mysteries of Dionysus and Cybele but also the religio-magickal practice of goeteia, the mysteries of Sabazios, the Egyptian Festival of Drunkenness, the Scandinavian Berserker cult, the worship of Inanna by the Gala priests in Sumeria, the bands of Mairiia warriors in ancient Iran, the “primitive” cult within Manchu folk religion, and the art of sacred transgression (or “seihan”) in Japanese Shinto festivals. This is not to mention the whole practice of Vamachara Tantra within Hinduism and its Buddhist counterparts. In this sense, it is not totally wrong for Przybyszewski to locate a pre-Christian mode of transgression in the ecstatic or orgiastic aspects of pre-Christian religion, and, while in practice he is very probably working backwards from his own ideas of the “sabbat”, it is also possible to take his idea of Satanism in development from that orgiastic legacy.
In the description of the negativity of the medieval “sabbat”, we arrive once more at the theme of “the heathen cult” as the negative space lurking beneath the Christian church. On the substratum of hate were the deep layers of the shadow of the church built; this was the site of all that the church despised, persecuted, and suppressed. This was every remnant of paganism that lived on after the rise of Christianity, and every foreign opinion and custom, that was accepted by the people and attacked by the church. And, of course, this also included Przybyszewski’s constructed “Manichaeanism”, which we’re told is the progenitor and custodian of the medieval “sabbat”. What the church constructs as its criminal shadow, which it does straight from the soil of its foundation, inevitably contains within itself, in this very construction, the pure potential of its unraveling in the transvaluation of anti-Christian revolt and reversal.
The church insisted that demons raged in those who were possessed and sought to heal them with prayer and holy water. The possessed “knew” this, they acknowledged that they were being possessed by the Devil, and they let him roar fearsome blasphemies against the church. The Witch especially allowed this possession by the Devil, giving herself over to him after all difficulty, and thereby accessing the superhuman ecstasies of the “sabbat” through their erotic dedication to Satan. This, we’re told, had an effect on “Manichaeanism”, which was thus merged with a widespread popular desire for anti-Christian sacrilege. Positive matter, the “God quand méme” of the Cathars, became filth amidst the rage of battle and in the polemics of the dying Albigensians and possessed witches. The principle that Przybyszewski attributes to the Cathars, that “no one can sin below the navel”, and which he asserts was the holy precept of the priestesses of Ashtaroth, was turned into a means by which the Satanic Witch could assail all things holy and crucify Jesus once more. Whereas the devout Cathar renounced the Catholic Church with holy seriousness, the Witch took up the Cathar’s renunciation as a form of mockery that concluded in devil worship. For the Witch, the religion of the Cathars was but a vessel of satirical detournement from which she might derive weapons with which to attack God and his church.
The people, who were apparently converted to Christian love through cruelty, nonetheless took up the heritage of their ancestors. The desperate, the enslaved, and the tortured did not cease to celebrate the festivities of old; the festivals of instinct, the rituals of purifying sin by means of sin (odd, considering this was already established as an attempt by the church to try and defeat the power of Satan), and the celebration of the phallus and the fury of generation. The church of Satan was so powerful that even if you only once visited the church of the initiates, your soul would forever belong to Satan. The “sabbat” melted into the phantasms of the possessed, and the originally natural forms of the “sabbat” transformed into monstrous visions that made it impossible to tell where reality begins and ends. Thus thousands of years of distinct religious heritages and perversions carried across all times and peoples amalgamated into a chaos of contrasting instincts. But as monstrous as Przybyszewski makes it sound, he also makes it seem like an unrivalled rapture of joy. It was a form of intoxication and addiction in itself. Attending the “sabbat” was like taking up opium; after the first time, it was a passion that could not be broken. But the witches referred to the “sabbat” as a “true paradise”, home to more joys than it was possible to express, and the sign being given at the “sabbat” was equivalent to being called to a wedding. The soul was said to connect to the heart and the will in a manner that overrode all other concerns.
We can again assess the pre-Christian thematic content being invoked. Phallicism, of course, was a part of pre-Christian religion. Indeed, depictions of the phallus have been around since pre-historic times. Throughout pre-Christian cultures, the phallus was a symbol of fertility, and therefore I suppose part of the generative powers of nature. In Greece, the phallus was part of the celebration of the Rural Dionysia, a festival in honour of Dionysus in which participants carried phalluses among other objects. The phallus was a symbol of Dionysus that adorned the entrance to his temple in Delos. It was also a symbol of the god of Hermes, which may have connoted some association with fertility. The Norse god Freyr was often worshipped in a somewhat phallic form. In the Balkans, a god of fertility named Kuker is represented with a phallus. In India, the cult of the phallus was linked to the worship of the god Shiva. In Japan, phalluses are sometimes carried in festivals meant to celebrate fertility and the harvest. In ancient Rome, phalluses were universal and often apotropaic symbols. The point is, the celebration of the phallus was a thing in the pre-Christian world, and which Christianity has, of course, suppressed. “Festivals of instinct” is certainly another way of referring to orgiastic celebrations as was already discussed, but the idea of purifying sin by means of sin has essentially nothing to do with Paganism and is instead the innovation of certain “Gnostic” Christian sects, such as the Carpocratians and the so-called “Borborites”. Perhaps Przybyszewski is again working backwards from his own ideas in defining “the heathen cult” specifically as an expression of religious libertinism, and it is very clear that he seems to mean libertinism when discussing his idea of the pre-Christian “heathen cult”, but at least it is true that Przybyszewski is discussing something that Christianity had tried to suppress in the wake of its own ascendancy.
Christian authorities could not understand the appeal of the “sabbat”, since they understood it only as a place of abomination and filth. When judges asked for the answer, they were told that the people enjoyed the “sabbat” with a wondrous lust and furious desire and in that, in so doing, time elapsed so quickly as the idolatries were indulged that one only left the “sabbat” with regret and felt an irresistable longing to return. The joys of the “sabbat” are not mundane joys, but are instead superhuman joys. As the “sabbat” grew, the Witch transitioned in her priorities. She moved on from merely sacrilegious appropriation of Cathar doctrine and had taken up the “sabbat” as her religion. The reversal of her nature took place almost imperceptively, and as a result she had become a new being. The orgy of the “sabbat” became an end in and of itself, and because of this the Witch no longer considered the relationship of her cultus to the Christian church and no longer even considered her rites to be a form of sacrilege. The orgies were hence celebrated for their own sake, and with no reference to prior customs or blasphemies. The supposed joys of heaven were nothing compared to the “sabbat”, thus the participants raged in the consciousness of eternal damnation, believing that hell was preferable to heaven, and in the magical fury of sabbatical desire the participants often transformed into wolves, vampires, goats, or pigs. Over time, the “sabbat” became the only cultus of the people, changing from a place of trembling to a place of immeasurable desire, and Satan, the lord of the “sabbat”, had transformed from the anti-God par excellence to the only God. And, where the people originally turned to him for gold and power, the revolt of the flesh experienced in the “sabbat” that he presided over made the gold and the power seem quite worthless.
The “sabbat” in this sense reveals the real locus of Przybyszewski’s Satanism: flesh. We must remember that Satan, in Przybyszewski’s framework, is the god of flesh. Through the “sabbat”, flesh and sensation become a portal for the highest of spiritual or superhuman experiences, in which desire heightens and is fulfilled in its transmutation into the ecstatic experience of dark divinity in communion with Satan. Gold is ultimately nothing but worthless dust and power over others is ultimately nothing but foolish vanity when compared to the ecstasy brought about with the tremors of the flesh. And so the “sabbat”, as the supreme celebration of desire as communion with the divine, or with Satan, supercedes mundane society, its classed hierarchies and acquisitive norms one and all. The “sabbat” is where people raise their instincts above all the structures of society, and from their the ecstatic desire arced toward Satanic communion becomes a force of communization in its own right. Thus the appeal of the “sabbat” is easily elucidated, and the desire of the church to stamp it out requires only basic intuition to understand.
God, of course, was completely forgotten in the course of the “sabbat”, for there was no God but Satan. Satan raised the black host, and barked the words “this is my body!” in reference to a towering phallus. The whole congregation fell to their knees, engaged the same reverence once reserved for Christian sacrament, and they cried out: “Aquerra goity! Aquerra boyty!” (supposedly meaning “goat above! goat below!”). Another, more modern, version of this chant is “Akhera goiti, akhera beiti!“, meaning “the He-goat on high, the He-goat below!”. The Basque word “Akerra” means “he-goat”, and the Basque term for the Witches’ Sabbath was “Akelarre”. This Akelarra is the subject of legend, supposedly the remnants of a pagan culture that once flourished in Spain and possibly involving the use of hallucinogens. This was said to involve the company of a black goat, who may be recognisable as Akerbeltz, a spirit or possibly a deity who protected animals. In any case, the witches who were judged in the Basque region insisted that they had no idea they were committing any sins or doing anything wrong, and to the contrary considered their activity to be the only true religion. Far from ashamed of their actions, they recounted their celebrations with comfort, shamelessness, and pleasure, for they preferred the caress of the demons to any other and no matter what questions were directed to them.
This in my view invites us to return to the subject of “purifying sin by means of sin”, as it was related by Przybyszewski to the “sabbat”, and there is an extent to which we might discuss the form it takes. When Przybyszewski first discussed this idea, it was in the context of the Christian church resorting to the development of this idea in the hope of ultimately extinguishing sin. This, of course, is one of the contradictions that in our narrative contributed to the decline of the church. In the “sabbat”, however, something different occurs. Instead of extinguishing sin by means of sin, the esctatic eruption of sinful desire ends up enveloping and dissolving the concept itself. Passing into the maelstrom of evil passion, the participants seem to experience the breakdown of the barriers that comprise the notion of sin. Once again we can turn to Stirner’s terms: in the sacrilege against the ecclesiastical and the holy, the “absolute interest” in the face of which the concept of sin is created has been destroyed, sin no longer exists because that which sin sins against is gone, and so sin itself has been forgotten along with the holy (the “absolute interest”). Sin has not been extinguished by means of sin, as the church or the “Gnostics” may have hoped. Instead, sin has withered into nothing by means of its unfolding, giving way into what it was before the emergence of the holy, or what it shall be after the death of the holy. The “sabbat”, as communization, acheives the realization of sin into the dissolution of sin and the holy, into its own unfolding into its own forgotten, which is the product of the mass liberation of consciousness in the ecstasies of the “sabbat”. In a few words, the “sabbat” has become a means by which to abolish good and evil, leaving only unqualified desire and immeasurable joy.
The “sabbat” proves to be a source of great difficulty for the powers that be. No matter how many witches are tortured and burned at the stake, Satan ensures that just as many new witches take their place. But now, in relation to this, we come to Przybyszewski’s presentation of the Enlightenment, and it serves not only to recapitulate that Przybyszewski was not a rationalist but also to show that, if anything, despite his praises of rationalism earlier in the book, he might even have been a sort of anti-rationalist – or, again, at least writes as if that’s the case. Przybyszewski here regards the Enlightenment as an erroneous dismissal the “sabbat” and the occult more generally. He considers the Enlightenment explanation of witchcraft and the various other subjects he discusses in terms of superstition or ignorance as not only an error but also an opportunistic bias whose aim is simply to attack the church. He viewed historians who dismissed the “sabbat” and witchcraft and similar subject matter as having glossed over “all-too-well-attested facts” because they made them uncomfortable. In his view, only comparatively recently did historians begin to seriously consider the occurences of occult phenomena, whose existence he regarded as undeniable, and only then be able to shed light on them. As far as Przybyszewski is concerned, the fundamental problem is that the supposed reality of the “sabbat” was overlooked, and as proof Przybyszewski offers not only the accounts already offered about Satanic sects and their practices but also his claim that the gatherings were happened upon by outsiders. In such instances, we’re told, the participants either scattered and fled from the scene or beat the outsider to death, in both cases in order to preserve the secrecy of the “sabbat”. Thus, for Przybyszewski, the reality of the “sabbat” and all occult phenomenon is not in doubt, however historically dubious it seems to us. To him, we are all swimming in a hopeless opportunistic that presents us from clearly seeing the truth. Unfortunately for Przybyszewski, however, I cannot quite say that he is right.
We then return to the nature of the “sabbat”. Participants induced orgasm in themselves through furious dance, and the visionaries cannot distinguish this orgasm from “the real one”. The orgiastic condition was elevated through the use of narcotics, demonology books are apparently supposed to be full of them, and the orgiastic condition then concludes in a kind of epileptic somnambulism. All present in the “sabbat” were in a state of mutual interconnectedness, and because of this their visions appear to be identical and share characteristics. The visions were already insinuated into their minds by “the Satanic code” to the extent that those participating in the Satanic circle would enter into a visionary spiritual union with the others without even having any awareness of this union. People share in the sacrilegous abolition of absolute or holy interest, and then in the pure egoistic eruption and ecstasy of desire, and in so doing they seem to unite with each other during the duration of the “sabbat”, in this way self-consciousness appears to be shared in the process of sabbatical communization, individual interests find themselves interconnected in the Satanic visionary state. The hypnagogic narcotics employed in “sabbats” made various extant phenomena appear veiled, and the image of Satan was rarely seen clearly. In one instance Satan appeared as just an immense mass of fog, while in another in the shape of tree stump with a human face, albeit covered in darkness, and in yet another appears as a red human-shaped fire burning in a barely visible oven. Then there is the stiffening of extremities; the icy coldness supposedly felt during coitus or the offering of the host, abnormal muscular activity during dances, the sensation of flight, the complete reversal of natural orientation in space, terrible cramps that are perceived to be the whips that they receive from the Devil, and certain phenomenon related to light and fire. All of this, Przybyszewski, says, is indicative of epipleptic and somatic processes brought about by the use of narcotics. This, I think, is somewhat curious, because it arguably lends to a physical explanation of what Przybyszewski might otherwise insist is strictly non-physical occult phenomenon. Yet it also arguably helps his thesis of the “sabbat” as a continuation of paganism, since psychedelics were actually a part of pre-Christian mystery traditions such as the Eleusinian Mysteries.
But, Przybyszewski tells us, the historical “sabbat” slowly disappeared. Gatherings became limited to a midsummer night, or faded away entirely as the witches found a way to enjoy all the pleasures of the “sabbat” without actually being present in any gatherings. We are told that Alphonso de Spina referred to the existence of a sect which was called the Xurginae, or Bruxae, which consisted of men and women who voluntarily involved themselves with the Devil. This is most likely an archaic reference, and outside of The Synagogue of Satan I can’t find anything about the so-called “Xurginae” or “Bruxae” or any reference to them apart from in Wilhelm Gottlieb Soldan’s Geschichte der Hexenprozesse (“History of Witch Trials”). What are told about them, though, is that they involved themselves with the Devil, that the Devil took their souls away from “that place”, and that by means of deceptions he makes them believe that they can fly 200,000 miles in four or five hours. Spina is then said to have recounted a witch boasting before her Inquisitor and the royal court that she was carried through air on a trip with the Devil. She only needer her salve to prove it to the court, but when she applied it to herself nothing happened, indicating that her flight was an illusion, a deception from the Devil. In another account, attributed to the French jurist Jean Bodin (a.k.a. Bodinus), a witch told Inquisitors that she would travel to the “sabbat” if she were allowed to apply her salve, which she did and then immediately feel asleep. Tied in her bed, and beaten and pricked without her giving any sign of life, the next day she recounted her trip to the “sabbat”, but, according to Przybyszewski, this was a hallucination that got mixed up with the tortures inflicted on her. He further adds that no credible accounts of levitation have ever been given in the entire study of demonology.
Here we see an interesting contradiction. Przybyszewski previously established levitation as an attribute of the Witch or a phenomenon of the “sabbat”, but now it seems that Przybyszewski is in the business of refuting it. Is the idea here to establish that later developments away from the “sabbat” are based in falsehood? Whatever the case may be it seems he’s explaining the trips with the Devil in physical terms, in terms of some sort of confusion of the senses, whereas he had just previously regarded Enlightenment historians as stupid and opportunistic for doing so in their refusal to recognise occult phenomena as real. In any case, Przybyszewski says that in every case the witch prepared herself for trip to the “sabbat” in the same way: she stripped naked and applied the witch’s salve upon her body, and then fell into a trance. If we remember, this is the same way that the actual “sabbat” starts in Przybyszewski’s account of the Witch, but previously this was meant to refer to an actual process of an actual “sabbat”, and yet now the same process is depicted as a deception or an illusion.
The salve is an important part of the accounts of the witch trials, and Przybyszewski that it is not unique to medieval witchcraft. We are referred to the soma drink of the “Brahmans”, as in the Soma that was believed by Vedic to heal people, cure sickness, grant immortality and allow humans to commune with the gods. Vedic myths described trhe consumption of Soma by Indra and his warriors as giving them near-invincibility and a trance-like state of battle-fury. In Zoroastrianism, a similar substance is called Haoma, and the prophet Zoroaster condemned a series of ecstatic rituals involving haoma before a more moderate version of the ritual was introduced. Przybyszewski says that Soma was consumed in order to attain clairvoyance and the perfection of yoga. We are also refered to the “repenthes” of Homer, probably actually referring to a drug called “nepenthes”, which in the Odyssey was said to quiet all pain and strife and induce forgetfulness of all ills. These and other drugs, such as the potamantis (apparently an Indian plant, which he calls “protomantes” for some reason), the thalassegle (which seems to actually be another name for the potamantis), and the gelatophyllis (which may or may not have been an old word for cannabis), as all referred to by Pliny, are asserted by Przybyszewski to be ways of separating the soul from the body in order to transport it into a state of otherworldly joy and happiness. Another plant given as an example is the heliocabus, also called “atropia mandragora” or “antropa belladonna”, which seems to be another name for the plant we know as deadly nightshade.
We are told that Karl Kiesewetter, a German Theosophist and occultist, had contemporarily performed experiments on himself in which he rubbed witches’ salves on himself. According to Przybyszewski, Kiesewetter found that rubbing the salve (seemingly a form of hyoscyamine) in the pit of his stomach produced visions dreams of animated flight in a spiral, as though he was being hurled around in a tornado. Witches are said to be able to dispense with all artificial means to go to the “sabbat”, provided they sleep for a little while beforehand. This was apparently agreed upon by the witches who were prosecuted by Pierre de Lancre, all about 1,000 of them. A consistent “awakening” occurs if the sleep is only so deep. Some said it was sufficient to close one eye, and then in the next instance one “awakens” and is spirited away. After a short nap, the witches enter a perfect awakened state, with no doubts about the reality of what they see while spirited away or what is presently occurring. Somnambulism, then, is presented as something distinct from regular sleep, the difference between which is not understood by normal people. Apparently only one witch ever doubted the reality of the “sabbat”. Przybyszewski says that people definitely do not have normal eyesight during the “sabbat”, everything appears confused, no one can see anything definite. This is compared to drunkenness or sleep, or trickery. Cases of partial waking sleep are said to be extremely rare. Somnambulism is established as being so highly developed that the time of transition between physical sleep and transcendental time contracts, meaning that it would not take long to go from sleeping to some sort of transcendent “awakening” state. Thus a woman named Katharina of Landal says that she does not need sleep, but when sitting by the fire in the evenings she feels an incomparable longing to go to the “sabbat” and is immediately transported there.
So, after a somewhat confusing assessment of the reality of the “sabbat”, at least confusing as far as Przybyszewski’s position on it is concerned, our understanding of Przybyszewski’s Satanism is increased via our discussion of the “sabbat”. It reveals to us the essence of Satanic communization locked within the “sabbat”, in which the limits of reality are upended and even good and evil themselves are dissolved, leaving only the immeasurable and unqualified quantity of desire that takes the soul away towards infinite night, that it may behold Satan and his ecstasies. The liberation of consciousness in the tunnel of desire is the outcome of the “sabbat”, and so it is the highest desire, longed for again and again, and in the “sabbat” egoistic interest is purified, being free from holy interest, and then in the void of the holy even sin is gone, having transformed back into the purity of desire, and then egoisitic interests join together in communization under Satan. This is also attendant to a will to reversal that is cultivated in the communion with Satan, as previously established about the “sabbat”. Witchcraft, in the context of Przybyszewski’s Satanism, is thus the means to bring about the ultimate liberation induced by the “sabbat”. The Witch emerges from persecution and moves from heresy to blasphemy and finally becomes the priestess of the ultimate religion and its ultimate God; that religion being the communization of the “sabbat” and that God being Satan.
Before we move on to the final section of The Synagogue of Satan, I think it is worth once more re-examining the Witches’ Sabbath, this time touching on its possible pre-Christian roots. Whether real or concocted by the church or by heresy-hunters, the fact remains there is something about it that is not entirely Christian in its legacy. Just where did people get the idea of people stripping naked, convering themselves with hallucinogens, taking drugs, dancing at the hilltops and performing magic to worship a black goat? The whole idea of nocturnal revelry is rather consistently Pagan, specifically it harks back to ancient Greek mysteries, such as to Cybele, Dionysus, or Sabazios. They had orgiastic ecstasies (though, again, not exactly orgies in the modern sense) and ritual cries, not to mention drugs. Heraclitus described worshippers of Dionysus as magicians roaming together in the night, raving madly in performance of “unholy” rites to the phallus. The idea of the soul travelling away from the body for the purpose of communion is much in line with how ancient Greeks would have understood the concept of ecstasy, whose root word “ekatasis” means “to stand outside oneself”. The idea of hallucinogens inducing a sense of flying may have been attested to at least far back as the 2nd century, when Apuleius depicted witches using unguents to confer supernatural powers, such as flight and shapeshifting onto themselves in his Metamorphoses. Beyond this, there are attestations to the worship of the goddess Diana in nocturnal gatherings that involved singing and dancing, as possible remnants of folk pagan custom in parts of Europe. This has been interpreted as a rebellion of witchcraft against the Catholic Church. The goat himself can be interpreted as a unique medieval image of Satan, but of course it does have certain antecedents. Many people point to Pan as the obvious origin of the goat-like appearance of many depictions of the medieval Devil, and this has no doubt in informed Przybyszewski’s treatment of Pan as a pre-Christian avatar of Satan. But Pan is not the only influence here. In Francisco Goya’s Witches Sabbath, one of the classic artistic representations of the Witches’ Sabbath, the Great He-Goat featured therein may have been based on Athansius Kircher’s depictions of Molech, or Moloch. Moloch was purportedly a Canaanite idol, but since there probably was no actual Moloch outside of the Bible, this is probably a cipher for other deities such as Ba’al Hammon, Milcom, Malik, or Ba’al himself.
Yet, if we are looking for a precise point in pre-Christian history where we might find the existence of an original Witches’ Sabbath, we would be chasing phantoms. Perhaps the trope itself is more like the amalgamation that Przybyszewski said the actual “sabbat” was, though not quite the merger of all customs that he assumed it was; more like a transmission of certain elements of Pagan mystery into the context of a Christian overculture, when then saw these elements as absolutely satanic. In this, the church had that much in common with the Roman establishment, who regarded witches as dangerous and illicit elements of society.
Part 5: The Black Mass
For the final section of The Synagogue of Satan, we are once again referred to a discussion of the Witch. This, of course, also means that we must observe the exact same caveats as before when inevitably we must deal with Przybyszewski’s sensationalistic depictions of the crimes of the Witch. We are told that the crimes committed by the Witch are countless, and Przybyszewski cites the German theologian Johannes Nider in providing a list of crimes attributed to the Witch. These include defaming the church and the Pope by way of the Devil, performing rites of homage to the Devil, joy-riding with devils, bewitching or hexing crops and livestock, inciting hate and/or lust among people, interfering with intercourse and copulation among humans or animals, transforming humans into animals or causing lycanthropy, killing the “fruit of the womb” (presumably meaning either children or the unborn, it’s difficult to tell which) through sorcery, using the body parts of the slain for slaves, and sexual intercourse and copulation with demons such as the incubus or succubus. Of note here is that Nider himself doubted that witches could actually fly so it does have me working how Przybyszewski got the “joy-riding” accusation from him. Whatever the case, Przybyszewski assures us that, while it became customary to accuse witches of every absurd charge, what the witches actually did caused even hardened Inquisitors to recoil in horror. The other thing to bear in mind here is that, in actual fact, most of the people who were actually charged with witchcraft probably never even came close to doing any of the things that Przybyszewski described.
We are then brought back to themes of reversal and evil as contained in the Witch. Her “criminality” resulted from the reversal of her whole nature, spiritual and physical, and the total devaluation of the laws given to their bodies. This, we are told, is not quite an expression of volition or will but instead an expression of necessity, specifically a necessity akin to the necessity felt by those doing “good”, which is thus undertaken without any awareness of the nature of one’s actions; we can think of it as an involuntary and unconscious will-to-evil, akin to a similarly unconscious will-to-good. The Witch, here, contains within herself the reversal of all conventional and divine law, and thus the question of “where does evil come from?” is supposedly answered and the supposed “Satanic code” arises in her. In essence, this code is to go against the law and vex the holy. Przybyszewski insists that, for the Witch, this meant loving Satan, serving only Satan, regarding Satan as the only God, despising and defiling the name of Jesus, honouring the holy days in the “synagogue” (of Satan), killing men, women, and even children so as to vex Jesus in his saying “Suffer the little children to come unto me”, committing adultery, fornication, robbery, and murder, bearing false witness, and lying. In essence, the code is to commit every sin, and to sin on principle, and subvert all laws.
It is at this point hard for me to ignore an obvious contradiction, returning to the issue of misogyny. The worst crimes are attributed to the Witch, while the male Magician’s only real crime is against the laws of gravity and thermodynamics. Practically the entire second chapter of The Synagogue of Satan is devoted to recounting the extravagant and frankly fantastical crimes of female witches, but the Magician’s is introduced in the first section of the first chapter and ultimately gives way to the subject of the “Manichaeans” and the Cathars, all of whom don’t even come close to the depravity assigned to the Witch. The bias is fairly obvious in this setting. Women are obviously being positioned as “more evil” than men. Now, there is a general sense in which it is still probably correct to adhere to Faxneld’s argument that ambiguities and reversal are the primary tropes at play, being a self-declared Satanism and that Satanism entailing evil and evolution being linked and therefore positive, but even there, a certain degree of skepticism is naturally elicited when we look at the details. It is frankly not possible to assume that Przybyszewski would seriously have accepted every sin he describes as actually a virtue. Yet, at the core of it all, it may yet be more troublesome and typical Decadent ambiguity.
However, if we accept the argument that Przybyszewski deliberately sensationalized his accounts in order to weave a narrative suitable for his Decadent sensibilities, and those of his audience, then we may accept that there’s a larger point, perhaps comprising the “spirit” of the work for a lack of better terminology. And so we may ask, what is the operative point? The obvious answer is reversal, a rebours, as the central point of Przybyszewski’s Satanism. Reversal is in essence an extension of the transvaluation of values set forth by Nietzsche, realized in the act of the practical dissolution of fixed values that are set over individual action.
Continuing Przybyszewski’s recapitulatory discussion of the Witch, we are told that the Witch possessed magical powers that gave her a terrible power over other people. Her glance alone could cripple her enemies. When brought to trial, she was presented before the judge with her back to him so that the judge would avoid receiving her glance and its effects. A certain gesture of one of her hands was enough to hypnotize someone and cause them to receive stigmata, and she could do so to people far away from her due to the strength of her magickal will. And she did not limit herself in her means. Both natural and artificial means suited her just fine. An industrious poison-mixer, there was no poisonous plant she did not know about. But, of course, she needed human flesh and blood to increase the effects of those plants. This is obviously in reference to those tropes about Satanists collecting blood and fat for the Witches’ Sabbath, or in Przybyszewski’s telling in order to produce the so-called “anthropotoxin” for their concoctions. Of course, this all not only has no basis in reality (for one thing, there’s no such thing as “anthropotoxin”) but also bears a similarity to accusations of blood libel that preceded the witch trials. This positions the Witch in the space where Christian society designates the Other as inherently hostile towards it, and therefore establishes it as a negativity, or as the death drive. The lacking reality of the accusations belies a contradiction that marks the power inherent within Christian society to produce its own antagonism and potential for internal revolt.
Przybyszewski then moves on to the subject of murder. Witches were not the only people thought to have abducted children. Przybyszewski claims not only that at least one child was sacrificed during “sabbats” but also that hunting children for sport became a popular pastime in the Middle Ages, partaken by people of every major religion, with an unbelievable (and I mean perhaps quite literally unbelievable) number of victims. He references the notorious French serial killer Gilles de Rais and asserts that he murdered around 1,000 children for “Satanic purposes”. This particular idea, on its own, should be addressed first and foremost.
Gilles de Rais has long had a reputation as some sort of medieval Satanist in connection with his crimes, and a few people have even attempted to somehow cast him as a persecuted witch or martyr for a long-lost pre-Christian religion, but on what grounds has he been called a Satanist? Is it simply because his crimes were so unbelievably grotesque that they could only be understood as the work of a “Satanic” mind? Or is it because of his apparent esoteric inclinations? Certain testimonies assert that Gilles de Rais practiced alchemy and the art of demon summoning. But King Solomon summoned demons and he was no Satanist. Indeed, he summoned them with the authority of God, and the reality of much of old ceremonial magic, not discussed by Przybyszewski, is that until relatively recently that is how demons were meant to be summoned in the Christian era. A magician, following what was ultimately a Christian system, cast a circle and the names of God and his angels, summoned demons, and through God’s authority bound the demon to his will. Not the most consistently Satanic idea by my standard at least. There is no evidence that Gilles de Rais opposed this idea, certainly none to suggest that he had ever dedicated such efforts to Satan. People, especially when they are unfamiliar with occultism, tend not to understand that just because you’re an occultist and you summon demons doesn’t mean you’re a Satan, particularly not when Satan has nothing to do with your craft. I think that it is more likely that Rais was some sort of lapsed Catholic who dabbled into the occult, as some scholars suggest, and I suspect that the fact that he was testified as having tried to summon demons and killed people for it is the sole reason that anyone, including Przybyszewski, ever regarded him as a Satanist, despite the lack of evidence of any belief system that could be called Satanism or any first or even third person reference to Satanism by name.
Another example Przybyszewski gives is the abbot Guiborg, presumably referring to Etienne Guibourg, who he says held “Black Masses” in which he slaughtered children to mix their blood with menstrual blood and offered the resulting concoction as communion wine. For one thing, I have no doubt that this is one of the original ideas that spawned countless other contemporary Satanic Ritual Abuse conspiracy theories. For another thing, it’s not entirely clear if he was an avowed Satanist, and even the details of the alleged crime scene are disputed among historians, though Montague Summers claims to have an account of him performing a sacrificial rite to Astaroth and Asmodeus. In all truth, we really don’t know if the “Black Masses” ever actually happened, though I personally would not be surprised if in reality they never happened. Przybyszewski then asserts that not only children but also adults were used in these concoctions. He claims, for example, that an Italian cardinal once took a concubine (funny, I thought he already said those were banned by the church) and buried in the ground her up to her breasts, placed snakes at her breasts to bite them, and then took the “juice” that flowed out and used it to mix poisons. There’s no name so I think it’s safe to sarcastically file that under “thing that definitely happened”. According to Przybyszewski, all poisons, including the notorious Aqua Tofana, were supposedly manufactured in this way. Except, that’s not actually true. What is apparently known about the Aqua Tofana, which was created in 1630 by Giulia Tofana, is that it was made with arsenic, lead, and belladonna, not human blood or anything derived from human flesh, although we don’t actually know how it was mixed.
Whole epidemics are attributed to these concoctions, which seems doubtful in my eyes. Remember that he said that these were made using human blood obtained through sacrifice. Creating deadly concoctions through the use of mixtures of human blood would probably caue some sort of blood-related disease. In fact, just drinking human blood on its own is hardly safe; besides the possibility of becoming poisoned by ingesting too much iron from blood, different people can carry all sorts of diseases and pathogens in their blood, and drinking that blood would likely transfer this into your own bloodstream. Now imagine what a mixture of blood from two different people mixed with all sorts of other substances could do to you? Based on Przybyszewski’s claim that Gilles de Rais killed 1,000 children, the allegation that Etienne Guibourg and his mistress Madame de Montespan killed another 2,500, and the presumably innummerable cases of people who Przybyszewski says were killed so that their blood could be turned into poisons, there should have been evidence of massive epidemic of blood-related diseases. I have not found any noteworthy outbreaks of blood diseases in the Middle Ages, let alone any that could be attributed to any sort of witches’ concoction or “black masses”. Frankly, if such ceremonies were real let alone frequent, there would at least be evidence of small outbreaks of blood disorders caused by drinking blood or blood mixed with other substances en masse. The fact that Przybyszewski seems to nonetheless present such things as real and factual is inherently problematic, particularly considering the broad similarity between these “black mass” claims and claims of blood libel, and that problem is not necessarily reduced by the argument about his views about evil.
In any case this is all connected by Przybyszewski back to the subject of witch trials, which are then presented as “well justified” from the standpoint of society. Przybyszewski claims that in 1605, about 2,000 poison mixers were executed in Bohemia, Silesia, and Lausatia. I can’t verify that claim anywhere, so I have no idea where he got it from. Assuming it was true, the poison-mixers would supposedly have been punished by being pinched with red-hot tongues, broken on the wheel, and then “smoked”: that is, roasted by a fire encircled around them. One might as well have already died and gone to the Christian Hell if we go by that description. This, of course, is all justified by the power of these poisons and how they were made. Going from an account attributed to the Swiss physician Bartholomäus Carrichter, we are told that a witch takes certain herbs, speaks magickal words taught to her by a demon or “evil spirit” and which she supposedly does not actually understand (Carrichter treats the whole thing as a creation of her imagination as conditioned by false beliefs), then she presses the juice out of the herbs, washes her hands with it three times, lets it dry by itself in her hands, and don’t wash their hands anymore until they have touched the one they want to harm. As soon as they approach the person they want to harm and that person is not “committed to God”, the spirit of the herbs entered the target and blocked the spirits of their blood, causing a maddening and continuous pain and convulsions. Somehow I fail to see this being an effective epidemic threat, let alone one capable of justifying what must seem like the actual tortures of the Christian Hell upon probably thousands of people. But, of course, Przybyszewski would disagree, suggesting that people in the Middle Ages were highly suggestible to the effects of the poison, which apparently ensured that it worked.
By Przybyszewski’s telling, people in the Middle Ages “had to defend themselves”, and medieval society “had to root out criminal sects” just like how the British attempted to wipe out the “Thuggee” in India in Przybyszewski’s time. It is interesting enough that the witches are being compared to another sect whose existence is not entirely accepted by contemporary scholarship and made for a convenient target for state violence, in this case the British Empire as opposed to the old monarchies of medieval continental Europe. From this standpoint, persecution is framed as a matter of self-defence. From a critical standpoint, we may well admit that this inevitably the case from the standpoint of the overall logic of society, or at least statehood. Society and the state always needs some kind of “Other” to oppose and project a wide array of crimes onto. The state retains its existence through an exclusive monopoly of violence, and so it must always find ways of justifying that violence or ability to dispense it, and so it continually seeks out those it can persecute in order to exercise its own authority. So goes for society in order retain widespread conformity and, from there, authority. Crimes were continually attributed to witches, which allowed the medieval state and church rationalize persecuting them. The fear of the strappado, the tongs, the wheel, and the pitch-boot were assumed to prevent magically-talented people from giving themselves to Satan and mixing poisons in his honour, and supposedly there were many such witches. Eight million were supposedly processed, only a small portion of which turned out to be innocent. I suppose that all depends on the question, “innocent of what?”, when we account for the actual reality of the witch trials. For one thing, the actual number of people executed for witchcraft was definitely far lower than eight million (a figure likely influenced by Gottfried Christian Voigt’s similar count of nine million); the highest estimated death toll is likely to have been 60,000. For another thing, we know that at least most of the people who were killed as a result of these trials were actually other Christians, sometimes practicing a form of folk magick alongside their faith but often simply poor women who were considered rebellious – most certainly not people who had “given themselves over to Satan”. So on those terms, it is definitely not “a small number of people” who were innocent, contrary to Przybyszewski’s assertion.
And yet Przybyszewski also hints that perhaps much worse was done by the anti-witch party. We are told that it is hard to “nab” a good medium, a supposition that Przybyszewski gleams from the accounts of Sprenger, Bodin, Nicolas Remy (a.k.a. Remigius), de Lancre, and the many judges who Przybyszewski seems to suggest as having carried out massacres against entire sects and mediums in order. This was supposedly justified by “the consideration of the well-being of the human family”, on the basis that the people killed by the witch-hunters suffered from “moral insanity”. Freethinking individuals are advised to thank Remy that no outrageous dances, doppelgangers, or hellish noises were ever present at these witch trials. Not quite sure where that was meant to go.
After all that, however, now we come to what appears to be the next stage of the development of Satan’s church. We are told that Satan has become bored with his band of witches, and that the militant church, up to now assumed to have been crushed by Satan’s church, appears to have triumphed at this point. Satan decided that he no longer needed agitation and propaganda, and he became indifferent to the women who danced before him. Out of boredom and desire for new forms of lust, Satan became cruel. Sex with him became a form of torture, the women he chose screamed in agony and trickled blood from wherever he penetrated them. We’re told that Paracelsus claimed that the women were virgins and did not desire the act. Satan’s imagination could no longer bring any variety to the orgies of old, and he no longer cared to hide in remote and inaccesible places. Instead, he was now powerful enough to infiltrate the church of his Christian adversary, and from there to topple him from his own altar and make the priests into his servants. By the end of the 16th century, the advances made by Satan ensured that this was not difficult.
Przybyszewski says that at this time there were a plethora of priests who brought the “sabbat” to their congregations and staged “black masses”. We are told that Pierre de Lancre had burned three priests, presumably on charges of holding “black masses”, and offered endless excuses for his actions. Soon the “black mass” became common and widely practiced in convents, held and developed by priests who wanted to satisfy the desires of flesh. We are then presented with an account of the development of an “obscene cult”, ostensibly derived from the Memoires of Madeleine Bavent (or “Magalaine Bavent” as he seems to spell it for whatever reason). “Memoires” seems to actually be The Confessions of Madeleine Bavent, which for some reason Przybyszewski inaccurately referred to as “Memoires”. In any case, the account of the “obscene cult” begins with a location: a chapel in the cloisters at Louivers. There are no sects, it was bright because of the arrangement of lamps on the altar, supposedly fueled with human fat, which was supposedly common practice. A few priests are said to be involved: one named Picard, his vicar, Boullé, and about five or six nuns. The host bore no image, blasphemies were uttered as the host was elevated, and the mass was conducted with maledictions against the Trinity, the Eucharist, and all Christian sacraments. Supposedly, it was asserted that, while the Saints of God “do great things”, the unholy ones of the Devil are not inferior to them. This particular aspect would seem to recall the dualism between God and Satan that was established at the beginning of The Synagogue of Satan and later attributed to “Manichaeanism”. The priest then supposedly carved a hole into the mass and then stuck a piece of prepared parchment through the hole, apparently to satisfy some kind of lust.
A woman named Maria Von Sains is said to have recounted that the priest would sprinkle “the blood of Christ” all over the congregation, while the cry “may his blood cover us and our children!” resounded during the service. This exact saying seems to come from Matthew 27:25, in which it originally followed the act of Pontius Pilate washing his hands of Jesus’ blood. This seems to have since been interpreted as an acceptance of collective responsibility for the crucifixion, and hence became a part of Christian anti-semitism. I can only assume that in this context it’s being uttered in a different, purely blasphemous context. During this mass, the congregation stuck out their tongues, took off their clothes, or simply presented their bare asses to the altar, or they masturbated to the elevation of the host before converging into an orgy. This was the “Black Mass”, which so far appears as a subversion of Christianity that is nonetheless within Christianity, though clearly packaged with aspects of the older forms of Satanism as presented by Przybyszewski. Przybyszewski asserts that this “Black Mass” was not only very popular but also “almost public” towards the middle of the 17th century. Such celebrations were supposedly no longer a secret, and Przybyszewski cites as an example the gatherings of women in the Church of the Holy Spirit in Paris and the Abbey of Montmartre.
We then return to the subject of Etienne Guibourg and his trial. This trial is purported to have compromised the aristocracy of the court of the “Sun King” Louis XIV as well as his mistresses to such an extent that it had to be covered up. Whether or not that was actually the case, Przybyszewski insists that despite this there are plenty of facts to establish about the case. Again, these should be understood solely as claims made by Przybyszewski, since we have no actual idea if Guibourg’s “Black Mass” actually happened. We are told in any case that, in a chapel, completely decked out in black, there was an altar with a wreath surrounded by black candles, and that it is here that Guibourg awaited his many clients. These clients apparently included the poet Jean Racine, Marquis D’Argenson, a man referred to as “de Saint-Pont”, Cardinal de Boullion, the Duke of Luxembourg, Lord Buckingham, and none other than Madame de Montaspan. It can’t have escaped your notice that these consist mostly of powerful and influential people in the court of Louis XIV. Madame de Montaspan supposedly wanted to become the queen of France, and would do and sacrifice anything in order to win the crown, while Guibourg, who Przybyszewski says supplied the entire French royal aristocracy with poisons, was the only man who could help her achieve her goal. Przybyszewski says that just after entering the chapel the Madame stripped down completely and placed herself on the altar.
The ritual itself, according to Przybyszewski, began when Guibourg laid a cloth over the Madame’s belly and placed a chalice upon it. Then he recited the liturgical mass in accordance with Catholic tradition, except that he then kissed the naked body of the Madame instead of the altar, and then consecrated the host over her vagina before inserting a piece of said host into her body. Then, the daughter of the witch La Voisin cried out three times while Claude des Oeillets, here presented as a witch, brought in a child purchased from their mother. Exactly why the mother would ever agree to such a transaction is frankly beyond my understanding, but Przybyszewski claims that children were viewed as a cheap commodity in that time. Then, Guibourg supposedly said “Christ said, suffer the little children who come unto me. I want you to go to him and become one with him.”. Then he allegedly invoked the “princes of friendship”, Astaroth and Asmodeus, to receive the child as sacrifice. Blood flowed into the chalice, and spilled everywhere else, and the blood that entered the chalice was mixed with wine, part of the host, and the ashes of the unbaptised to produce communion wine, while the sacrifice is turned into a mummy. Guibourg supposedly said “This is my body! This is my blood!” before sharing the blood wine between himself and the Madame. Then he conjured “dark powers” to fulfill the Madame’s primary goal for this ritual: to win the affection and favour of Louis XIV in order to become the queen of France. Then the mass concludes with Guibourg covering his genitals as well as those of the Madame with blood and having sex.
Probably the most important thing to reiterate is that almost certainly none of this happened. There is no evidence of any of the sacrificial rites having been carried out. There would be evidence of human remains if any of it happened, but La Voisin’s garden was never even searched. What is Przybyszewski’s source for any of the details of Guibourg’s so-called “Black Mass”? According to Przybyszewski, what little evidence exists comes from Joris-Karl Huysmans’ novel La Bas and the preface to Le Satanisme et La Magie by Henri Antoine Jules-Bois (a book that Przybyszewski otherwise regards as mediocre). So his source is a work of fiction written by a Catholic and fellow Decadent whose actual connection to Satanism is entirely unverifiable and a book about Satanism written by a man known in the French occult partly for accusing his rivals of being Satanists. Stuff like that is basically what I mean when I established at the outset that you cannot treat The Synagogue of Satan as an actual history of Satanism, because as history it’s frankly fairly terrible. But here let us return to the operative point: what does all of this lurid exposition tell us about Przybyszewski’s form of Satanism? Frankly, not much. I suppose all the blasphemy might be interpreted in terms of reversal, though the rest of the details take us back to the exact same conversation about possible problems with Przybyszewski’s overall approach to negativity. More to the point, even here it is hard to believe that Guibourg is necessarily a Satanist. Even if we assume that the blasphemies that Przybyszewski describes could invoke some sort of Satanic reversal, even in Przybyszewski’s account it seems that Guibourg never actually invokes Satan. Although he petitions the powers of Astaroth and Asmodeus, it’s not clear that he actually denies Christ or God; though of course, the ritual in the overall can hardly be described as Christian. It’s an absurd mess with no inherent concept behind it. I am absolutely confident that no one has ever actually performed it in reality.
We are then directed to the subject of Leo Taxil’s infamous hoax, in which he claimed that the Freemasons were a Satanic sect only to publicly reveal that he made the whole thing up as a prank. I believe that it is here, after all the absurdities regard black masses, poisons, and witch trials, that we are once again able to get deeper into Przybyszewski’s philosophy of Satanism. While Przybyszewski does not defend the idea that the Freemasons were Satanists as Taxil’s hoax said they were, he does nonetheless propose that the Satanists did in fact split into two camps. The first of these camps is the so-called Palladians, who, according to Przybyszewski, simply turned Catholicism upside down. The name “Palladian” brings to mind the “Palladists”, who supposedly worshipped Lucifer and consorted with demons. Przybyszewski’s Palladians are apparently a “neo-Gnostic” sect who believed that Lucifer, apparently also called Adonai, was the “God of Light” and Principle of Good, in opposition to Jehovah-Adonai, the “God of Darkness” and presumably “Principle of Evil”. I would say that Przybyszewski might as well have called them Luciferians, since in essence it is the same idea as certain stereotypical representations of Luciferianism as (theoretically) distinct from Satanism: Lucifer is the true expression of divine goodness and knowledge, who was unjustly opposed, usurped, and cast down by the God of the Bible. This dualism between a “God of Light” and a “God of Darkness” is very much familiar, it reminds us of the “Manichaeans” that Przybyszewski discussed in previous sections of the book. And indeed Przybyszewski himself draws this comparison, saying that the Palladians represent the tenacity and life force of the old “Manichaeanism”. As long as we’re comparing the Palladians to the “Manichaeans”, it stands to reason that the Palladians are a new incarnation of the “Manichaean” sect that favoured the worship of the “White God” or “God of Light” over the “Black God”. But, of course, from the starting point of the Palladians we are also presented with a space in which Satanism distinguishes itself from them.
Whereas the Palladians identify Satan as Lucifer and regard him as the God of Light and Principle of Good, Satanism, on Przybyszewski’s terms, absolutely rejects this idea. Satanists accept Satan as the Fallen Angel, the Great Adversary, the eternal Serpent of temptation, the Prince of Darkness; in essence, Satanists do not deny evil from Satan, and instead revere him for it. Satan for the Satanists remains as he was in the Middle Ages; the Devil who could help people obtain strange powers, and under whose protection one could commit crimes or transgress the law without fear. This apparently is even moreso the case now that black magic is no longer accounted for in the law books. According to Przybyszewski, the Satanists are typically lead by a priest who is gifted with magical abilities and performs blasphemous masses. His example, of course, is Canon Docre, which seems to simply be a nickname for Etienne Guibourg, and I have already gone through the problems of him as an example. Citing Huysmans’ La Bas, we get a description of what the generic Black Mass is apparently supposed to be. The Black Mass is meant to consist of blasphemous recitations of mass and the defiling of the sacraments concluding with a sexual orgy. This apparently is meant to involve a particularly horny priest (one afflicted with satyriasis) and women with somnambulistic tendencies, which essentially just means giving to hypnotic states of trance, much like the witches that Przybyszewski. These seem to be the basic elements of a Black Mass, and it’s interesting and rather fortunate that blood sacrifice isn’t actually listed as an essential part of it. But as for what is basic to the Black Mass, open transgression against God, wanton carnality, and somnanmbulistic ecstasy are the key themes here, because the part of the central point of Przybyszewski’s Satanism, lodged beneath the sensationalism is that Satan is to be worshipped with ecstatic and orgiastic rites, with sexuality, and an unremitting defiance and will-to-reversal. That’s a big part of why Przybyszewski positions “the heathen cult” as essentially religious libertinism, that’s why the “Manichaean” splinter sect who favoured “The Black God” worshipped him with nocturnal orgies resembling the ancient worship of Dionysus, and it’s part of the reason why sexuality, drunkenness, and intoxication are such big features of the “sabbat”. But, of course, that’s not the only reason. The other reason is that, in Przybyszewski’s philosophy, sex itself is the refuge of transgression, where everything is possible and thus every transgression.
Satanism, Przybyszewski tells us, is a religion a rebours, a religion of reversal, a religion of hate, revenge, and fornication. It is in this setting no less than the cult of the transvaluation of values, the doctrine of negation of the so-called law that stands against desire, the church of vengeance against oppression and authority, and the unholy mystery of sexuality. This encapsulates the raw negativity that is the real point of Przybyszewski’s Satanism. And, again, sex is central to Satanism, and to Satanic reversal. Sex is an abyss in which all things are possible, every crime is hatched, and a terrible urge for delirium rages that can only be stifled by inhuman things. Thus it is the seat of the destruction of all that is binding on the human psyche. Such things are a mystery to the outsider, a “normal” person, so called by nature of their conditioning and the extent to which they passively accept it, cannot quite understand it, no more than your average cishet man or woman understands queerness. Perhaps even those with “Satanic inclinations” must first pass into the mystery of Satanism before they really grasp its essence; as with Life itself, it is a dark forest, it is arrheton. And so, Przybyszewski says that a “normal” person cannot comprehend the Black Mass. But, of course, he does insist that no one can deny what people do in the frenzy of the Black Mass.
Now we come to Przybyszewski’s remarks on the growth of Satanism in the 19th century, his own time, and I find it is another instance which tells us of his ultimate lack of regard for the Enlightenment and his contradictory relationship with materialism. Przybyszewski says that Satanism has continued to grow under the protection of the “atheistic” liberal state and “liberal church”, the latter of which has come to a certain understanding with a nascent Darwinism and materialism. Both are said to have based their existence on “materialistic” teachings, and in this setting Satanism becomes strong and powerful. Ah, if only things were so simple in reality, then perhaps Christianity would have been nothing but a memory in my age. The liberal church, of course, has no desire to deal with Satanism, despite apparently having every cause to do so, supposedly because it denies its own origins and is the enemy of all forms of mysticism. Liberalism is thus positioned simultaneously as the unwitting ally of Satanism, who protects Satanism and Satanists from the persecutions of the traditionalist church, and as an interminable nuisance whose presence ultimately harms all attunement to mysticism. This latter trait, of course, sets liberalism at odds not only with Christianity, but with all forms of occultism and ultimately with the individualist mysticism of Satanism. It is very much implied that Przybyszewski does not like contemporary materialism, on the grounds of its similar rejection of mysticism, the occult, the soul, the Devil, witchcraft, and all the attendant subject matter. Yet, I am also not convinced that Przybyszewski was entirely opposed to materialism, not while he positions Satan as the god of flesh and matter and thus extolls what Iwan Bloch refers to as the “Physical Mysterium of Copulation” in opposition to the idealism of the “Metaphysical Mysticism of Idolization”. Indeed, by placing sex at the center of his Satanic mystery, Przybyszewski could arguably interpreted as privileging flesh, or at least such would seem to be the case if it were not for his belief in the soul as something that can be separated from the body.
Przybyszewski apparently concludes The Synagogue of Satan with a discussion of Eugene Vintras, one of the more notorious Catholic mystics, and his sect, the Church of Carmel, which he says practiced “the most shameful” fornication and blasphemy. He cites Stanislas de Guaita’s book Le Serpent de la Genese as his source for the information he writes about Vintras. To begin with, we are told that the Carmel sect is based on a belief in the progressive redemption of all beings from the lowest level to the highest level. To that end, each individual must work on their own perfection and participate in the common effort of perfection. The goal of the Carmelite is to reunite with the Garden of Eden through religious rites involving sexual union; the rationale here is that Eve lost Paradise through an act of “sinful love”, but through an act of “religious love” it can be recovered. Thus, sex can lead to either sin or salvation depending on its purpose. From there we are told that the Carmelites practiced “heavenly love” by fornicating among themselves in order to perfect themselves as well as with “lower elementary spirits” or demons with the aim of converting them into celestial beings. It seems that sex, if practiced in the Carmelite way, has the power to turn you into an angel. For the Carmelite, salvation is found only in sexual union. Supposedly, every man in the sect “owned” every woman, and vice versa. Przybyszewski refers to this as “sexual communism”, which he asserts forms the basis of this doctrine and others like it. The bed was the altar, the kiss was the priestly office, and masturbation (“the unnatural vice of Onan”) was a means of elevating lower beings. Public sex and prostitution supposely became not only virtues but also acts of inner sanctification.
This was deemed to be quite exceptionally offensive in France, and the Rosicrucians called for the head of Eugene Vintras. Przybyszewski says that a death sentence was to be carried out by the Vehme if Vintras did not cease his activities within a few years. The “Father” Vintras is alleged to have sanctified his followers through sexual intercourse. Infidelity among spouses was purportedly resolved through “celestial unions”. The Carmelite leader was apparently surrounded by mediums and somnambulists, through he whom he wanted to explore the secrets of black magick. This, we’re told, poses a danger that the liberal state should not ignore, due to the growing membership of the Church of Carmel. Przybyszewski then frames the “highest eternally old and eternally new principle” of Gnosticism as essentially the worship of copulation; “the skeleton was created to bear children, the genitals for mating”. Przybyszewski then claims that the Carmelites even railed against “the taboo of blood” on the grounds that “even the Christians mated amongst themselves”. Sexual mysticism, allegedly sanctifying the worst forms of fornication, is both central and nothing new; Przybyszewski claims that it is in essence the doctrine of the Cathars in a new form. He asserts that the “positive character” of Carmelite sexual mysticism made it more dangerous than Satanism, because Satanism was according to him rooted in a negation full of the fear of hell. But why the bad conscience when you’re under Satan’s protection? Why the fear of hell in the face of the torments of God? Perhaps the real point is that the fear of hell is one of the contradictions that lies at the center of Satanic transgression, which is then resolved in the “sabbat” and the cult of Satan through the ecstatic rejection of heaven.
And so again we return to the serious philosophy of Satanism, and Przybyszewski reiterates that sex is central to it. Satanism, on Przybyszewski’s terms at least, is about acquainting oneself with the hidden powers of sexuality, and being able to do so requires quelling the ever-increasing demands of sex and satisfy its vengeance. This is why a person gives themselves over to Satan. Not for nothing, then, that Iwan Bloch refers to Przybyszewski’s Satan as the “Personification of the Physical Mysterium of Copulation”. Indeed, this doctrine makes a lot of sense of the way sexuality and sexual excess figure so strongly into the cult of Satan as presented by Przybyszewski throughout The Synagogue of Satan. But the other important part of Przybyszewski’s Satanism, indeed, the last important premise to be discussed, is the central role of intoxication. In the realms of night and even pain, one finds delirium and intoxication. You may fall into hell, but by receiving delirium in frenzy, you can forget about it. And so in this forgetting and ecstasy, we lean into the grand formula of Satanism: “Erase me from the book of life, inscribe me in the book of death!”.
At last I can talk about this in an interesting way. After all, what is the “book of life”, and what is the “book of death”? The “book of life” is something that is referenced in the Bible, but the idea of there being a book for life and for death seems to be a more apocrine idea. The “book of life” in both Judaism and Christianity is the tablet on which God inscribes the names of those he considers righteous. Those whose names are recorded in the “book of life” are assured of everlasting life with God, while those whose names are blotted out of that book are condemned to death. In the Book of Revelation, those whose names are inscribed in the “book of life” are saved, while those who are not inscribed are cast into the lake of fire where they die the second death. But although death is the fate of those blotted out of the “book of life”, the “book of death” is found not in the Bible but in the apocryphal Book of Jubilees. In Jubilees, whereas “the righteous” are recorded in the “book of life”, those who are wicked and walk a path of impurity will be inscribed in the “book of death”, also known as the “Book of Perdition”. The latter name suggests the camp of rebels, those who defy God, like the “son of perdition” who is the most intractable enemy of the church. “Everlasting life” with God is to be propertied to God. You belong to God for as long as your name is inscribed in the “book of life”, and that name stays there for as long as you remain servile to God, as one of the sheep presided over on the right side of Christ. To take yourself out of God’s property, then, is to take your name out of the “book of life”. To inscribe your name into the “book of death”, or rather the Book of Perdition, is in this sense the act of self-assertion, to partake in the war of all against all on your own behalf. It is a declaration of Rebellion. Though, as we will see, perhaps Przybyszewski has a somewhat different view.
Towards the very end of The Synagogue of Satan, we see Przybyszewski’s Satanism unfold as a form of philosophical and mystic pessimism. For you see, life, according to Przybyszewski, is cruel. Life is a difficult burden that is foisted upon you. This is the realm of daylight. The realm of night, however, represents intoxication, delirium, and the attendant forgetting of life. Bourgeois life cannot do much to help you understand this, there is no measure by which the middle class citizen may compensate themselves for their ignorance through their riches. The facts of life, to truly be understood, must be understood in their abyss. It is again arrheton, that which is ineffable and whose knowledge requires passing into it. Life is harsh and cruel, and so there is only one way out: intoxication. Desperate people have intoxicated themselves with poisons, with filth, and with sexual ecstasies. The individual “splits in two”, their nerves rip, and they suffer tortures, but in the process at least they forget about life. This we are told is the one horror that exceeds every other: the filth, the slavery, the herds of lizards, the sacraments of blood and piss, all these for Przybyszewski pale in comparison to the horror of life itself. This ultimately motivates Przybyszewski’s ideas about Satanic transgression in the context of his fantastical narrative; the crimes that are committed, the vengeance that is undertaken, the shattering of the laws that commences, all of it is to inscribe one’s name into the “book of death” in order to negate the life that is so hated.
Przybyszewski’s Satanist would rather give himself up than allow himself to be deterred from his crimes. Przybyszewski’s Satanist breaks, inverts, mocks, and pollutes all laws, and hates everything that is in power over him, whether that is religion, secular institutions, the state, or capitalism. Przybyszewski’s Satanist would rather die than surrender or be forced to recant. Przybyszewski’s Satanist makes it his business – no, his religious duty – to shatter the restrictions of life, and judging by how cruel life is we might say that this rebellion and will to reversal is his reason to continue living. Przybyszewski’s Satanist is also the witch who, when her executioner wanted to free her in exchange for sexual subservience, rejected his advances with anger and pride: “I, who have kissed the ass of Satan, should give myself to you, the executor of the law!?”. Through everything else this simple roar of outrage expresses the true ethos of Przybyszewski’s Satanism. Total refusal and negation of authority and power, taken up as the highest virtue. That is the raw nihilist ethos Przybyszewski’s Satanist. This supremely anti-authoritarian nihilism is in utter contrast to LaVeyan Satanism, with its Pentagonal Revisionism and Anton LaVey’s self-avowed law and order ideology, or the bastardised Platonism of Michael Aquino, or The Satanic Temple with their humanism and their police regalia. I think that Przybyszewski would probably laugh at today’s Satanists for this and their lack of nihilistic vitality, let alone for the fact that many of them deny worshipping Satan (I must remind you at this point that, as far as Przybyszewski was concerned, Satanism meant actually worshipping Satan).
Finally, Przybyszewski derides the Cathars and the Carmelites, and presumably any similar sects, for their apparent efforts to sanctify delirium, nymphomania, and satyriasis. He considers this to be a sad and miserable hypocrisy. I think there may be a contradiction here, since he does hold the same regard for “the heathen cult” and the pre-Christian form of the “sabbat” for doing the same thing. But, it is also obvious that “sanctification”, for the Cathars and the Carmelites, would have meant dedicating those things to the Christian God as a means of blessing and saving beings. Satanism, of course, rejects such efforts. The whole premise of “salvation” is diametrically opposed to Satanism, and so Satan himself is no Saviour. Przybyszewski’s Satan is the creator and the destroyer, the god who creates life and then destroys it again and generates evolution only to negate it again. Funny enough, the exact same thing could be said about God if we take the monotheistic claims about him seriously, though I suppose at least Satan never claimed that he was going to “save” mankind in this telling. We should remember that Przybyszewski’s framing easily positions Satan as the true creator, being the father and patron of matter, flesh, and the generative powers of the world, which would make the Christian God a false creator. Satan-Paraclete is but the Paraclete of Evil, the spirit that proclaims the only law: the submergence of sin in something greater. Satan teaches humans to forget and overcome the maladies of life by means of negation and the ecstasy of instincts. The word of the Satan-Paraclete is enivrez-vous, meaning “get drunk”. And so ends the text of Stanislaw Przybyszewski’s The Synagogue of Satan.
I suppose before we conclude we could well examine this doctrine of enivrez-vous, of drunkenness as a virtue. Charles Baudelaire, one of France’s great Decadents, wrote a poem with exactly that title, Enivrez-vous, and its overall message is sort of similar. One must always be drunk or intoxicated in order to not feel the bruises of Time, you must intoxicate yourself with what you can – wine, poetry, or even virtue, truly anything! – in order to avoid becoming a “martyred slave of Time”. Przybyszewski’s Satanism would thus present a slight alteration of this: you must always intoxicate yourself in order to avoid becoming a tortured slave of life, or indeed a slave of God. The doctrine that Przybyszewski presents regarding intoxication allows us to make a great deal of sense of the radical emphasis on ecstatic ritualism, hypnotic states, and narcotic consumption in the celebrations of Satan, and even the emphasis on sexuality can be said to fold into this broader doctrine.
Conclusion: Summary of Przybyszewskian Satanism
So, now to summarize what we can understand about Stanislaw Przybyszewski’s form of Satanism. We may understand it as comprising the following points:
Przybyszewski’s Satanism is based on the worship of Satan.
It is also based on a philosophy defined by nihilism, pessimism, libertinism, and egoism.
The core aspects of Przybyszewski’s Satanism are reversal, negation, intoxication, sexual ecstasy, and drunkenness.
Przybyszewski’s Satanism begins with “the heathen cult” and gradually evolved into “Manichaeanism” and then into the church of Satan.
Satan is the patron god of matter, flesh, and the evolution, generation, and negation contained within it.
Opposed to Satan is God, his son Jesus, and the church, who all represent the invisible kingdom against the world.
Satan is not the misunderstood principle of good, rather he is “good” because he is “evil”, and “evil” is the transvaluation of values.
Satan is worshipped through orgiastic and ecstatic celebrations, such as the “sabbat” and the “black mass”.
Satanism is based on pride, instinct, curiosity, and individualistic mysticism (or “the autocratic imagination of mysticism”). This means that Przybyszewski’s Satanism opposes Christianity and similar religions, but also modern rationalism.
While Przybyszewski’s Satanism can be thought of as materialistic, it also seems to privilege the soul and the possibility of its ecstatic movement away from the body.
Free will is a myth, but at the same time the ability to exercise individual will is central.
Sin is good, no one is culpable of sin because Satan is the author of sin, so no one is punished for sin after death.
Life is cruel, death is certain, but by worshipping Satan you can forget about life and overcome its horrors through ecstatic negation.
The aim of the “sabbat” is to transform sin into the purity of desire through Satanic communization.
Przybyszewski’s Satanist is someone who opposes all authority and all laws, and thus negates everything in an act of transvaluation of values.
The goal of the Satanist is to erase their name from the “book of life” and inscribe it in the “book of death”.
It should be pointed out that I don’t think I agree wholeheartedly with Przybyszewskian Satanism. For one thing I think it’s already clear that I don’t think The Synagogue of Satan can be taken as an actual historical account, and in this sense I don’t agree with Przybyszewski’s presentation of the so-called facts of the history of Satanism. I reckon that any modern observer of history would likely understand me here. For another, I obviously don’t align with Przybyszewski’s views on free will, and I maintain that his views on free will are ultimately self-contradicting on the grounds that individual will still exists so that it can be exercised as he says it ought to be, whereas if we take the absence of free will seriously this should not be possible. While I may be something of a pessimist, indeed I insist on revolutionary pessimism and on freeing the power of pessimism, while I definitely have a good sense of where Przybyszewski goes when he says that life is cruel, I don’t think I inclined myself towards the view of life as an abject horror the way he seems to present it as. How can we totally do so, when the ecstasies of instinct that Przybyszewski presents are so latent to life, even if this only means that this is the online purpose to an otherwise totally meaningless life? All this of course is to say nothing of the problematic ambiguity surrounding Przybyszewski’s presentation of women.
But I insist that there is a great deal of value in Przybyszewski’s form of Satanism that should seriously be considered. For one, understanding the “sabbat” as a form of communization, the desire it upsurges as superseding the value of currency and hierarchy, and understanding Satanic negation as applicable to all authority and all “systems” carries with it an immense potential to define Satanism on anti-capitalist nihilist-egoist terms that allow for an easy break from the reactionism that LaVey and his legacy have largely put forward. For another, in the overall we see an emphasis on negation and reversal that allows us to develop away from the limits of the humanist orthodoxy that seems to pervade modern discussions of Satanism (and at this point I should say right now that Satanism isn’t reducible to the idea that by rejecting God you can be a nicer and more rational person). From the standpoint of Satanic Paganism I can’t deny that I have some fondness of his attempt to link back to some orgiastic pre-Christian tradition, though I must say it smacks the old Enlightenment-era Romantic Paganism and its simplistic understanding of Paganism. At the very least it may also provide a way of enriching the links between the two worlds. I would also say that Przybyszewski is absolutely correct to suggest that our understanding of things should consist “in their abyss”. From one of his other works, Homo Sapiens, we behold a demand for life and its “terrible depths” and “bottomless abyss”, which I think can be interpreted at least on its own as a call for the understanding of life as something that cannot be separated from its “abyss”. The inner darkness of life is to be cherished, not exorcised.
Regardless of everything, though, it must be stressed here and now: this is the Satanism that predated Anton LaVey. This is what was called Satanism before LaVey claimed to have invented it. This is the Satanism that Stanislaw Przybyszewski identified with since 1889 at the earliest, and around which he formed a small movement including people like Hanns Heinz Ewers and Wojciech Weiss dedicated to spreading Satanism. This apparently even inspired later movements such as Fraternitas Saturni. Its philosophy, when considered carefully on its own terms and in its own context, flies squarely in the face of our existing orthodoxy about what Satanism is. And, even if not for all else, Przybyszewski deserves a lot of credit for extending the philosophy of Nietzsche into the form of a Satanic doctrine.
I won’t say that The Synagogue of Satan is the best read even on Satanism, not least because as history it’s just not fit for purpose. But we ought to remember that book anyway, and Przybyszewski more generally. I should hope to eventually be able to get my hands on more of his work at some point. Perhaps they might say yet more.
Aleph's Heretical Domain 
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